Editors Advise: Dealing with Your Clients

In this series, Editors Toronto members and BoldFace contributors share their experiences, insights, and tips on the practical aspects of working as an editor or writer. In the previous edition of “Editors Advise,” six editors recommended their go-to websites and books on grammar and style. This time we zero in on the editor-client relationship: handling … Continue reading Editors Advise: Dealing with Your Clients →

Beyond Editing: From Medical Editor to Graphic Novelist

by Indu Singh and Ann Nam-Tran Le Editors Canada member Dr. Paul Ling certainly has taken the road less travelled. After a successful career in medicine as a surgeon and clinical professor, Dr. Ling detoured into health science editing, and then following his passion for nineteenth-century gothic adventures, took a turn into the world of art … Continue reading Beyond Editing: From Medical Editor to Graphic Novelist →

A conversation with Esi Edugyan and her editors: Another successful collaboration between Editors Toronto, Canadian Authors–Toronto, and University of Toronto

by Raya P. Morrison In January, Editors Toronto, Canadian Authors–Toronto, and the Creative Writing program at the University of Toronto (UofT) School of Continuing Studies struck gold, bringing Esi Edugyan, two-time winner of the Giller Prize, for Half-Blood Blues (2011) and Washington Black (2018), to speak in front of a packed audience of writers and … Continue reading A conversation with Esi Edugyan and her editors: Another successful collaboration between Editors Toronto, Canadian Authors–Toronto, and University of Toronto →

Winning Two Gillers: A Conversation with Esi Edugyan and Her Editors

When: Tuesday, January 22, 7–9 pm Where: University of Toronto, Sidney Smith Hall (amphitheatre), 100 St. George St., (Room 2102) Co-presented by Editors Toronto, Canadian Authors–Toronto, and the Creative Writing Program at the School of Continuing Studies (SCS), University of Toronto This special event will bring acclaimed novelist Esi Edugyan together with four of her editors — Patrick Crean, Marie-Lynn … Continue reading Winning Two Gillers: A Conversation with Esi Edugyan and Her Editors →

Prize-winner learns value of mentors

by Deborah Joy Innes I was the very lucky winner of two (yes, two!) raffle prizes at the Editors Toronto meeting in September. The first was the book The New Vine by author Robert Marrone. There were two authors present that night (Robert Marrone and Trevor Cole), along with their editors, speaking about the author-editor … Continue reading Prize-winner learns value of mentors →

An evening with Michael Redhill and Martha Kanya-Forstner

by Joanne Haskins Editors Toronto hosted a special branch meeting in January, when acclaimed author Michael Redhill took the stage with his editor, Martha Kanya-Forstner, to discuss the writing and editing of Bellevue Square, the 2017 Scotiabank Giller Prize winner. Redhill’s novels include Consolation (longlisted for the Man Booker Prize) and Martin Sloane (a finalist … Continue reading An evening with Michael Redhill and Martha Kanya-Forstner →

Q&A: Linden MacIntyre on the author/editor relationship

What do authors think about editors? What do authors think makes the difference between a good editor and a great editor? Previously, BoldFace asked internationally bestselling author Mary Lawson about her experience working with editors. This time we posed the same questions to Linden MacIntyre, a renowned journalist whose work has earned him multiple awards … Continue reading Q&A: Linden MacIntyre on the author/editor relationship →

Q&A: Author Andrew Pyper on the author/editor relationship

Ever wonder what authors think of book editors? We did, too! Here’s what award-winning, best-selling, Toronto-based author Andrew Pyper (The Demonologist, The Guardians, Lost Girls) has to say about being edited, as well as the difference between what makes a good editor and a great editor. Q&A conducted by Jennifer D. Foster Overall, what’s been your … Continue reading Q&A: Author Andrew Pyper on the author/editor relationship →