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Recap of Screen to Page and Back: In Conversation with Zoe Whittall and Wiebke von Carolsfeld

by B.A. Tanner

Zoe Whittall, Wiebke von Carolsfeld, and Lee Parpart on stage at Screen to Page and Back

Zoe Whittall, Wiebke von Carolsfeld, and Lee Parpart at Screen to Page and Back, September 24, 2019. Photo courtesy of the author.

Editors Toronto and Canadian Authors Toronto (CA-T) were thrilled to co-present their first event of the fall season, in partnership with the Creative Writing Program at the School of Continuing Studies at the University of Toronto, on Tuesday, September 24.

The evening brought together award-winning, medium-crossing writers Zoe Whittall and Wiebke von Carolsfeld. Zoe has published four novels and three poetry collections to date and written for TV shows such as Degrassi and Schitt’s Creek. Wiebke started as a film director, editor, and writer with her directorial debut, Toronto International Film Festival winner Marion Bridge. She launched her first novel, Claremont (Linda Leith Publishing), earlier this year.

CA-T co-president Lee Parpart moderated the discussion and Q&A session. She guided an enlightening conversation focused on writing for both screen and page, and the differences between the two processes. Lee warmed up the audience for the featured discussion by showing video clips from Zoe and Wiebke’s film and TV work. Wiebke shared a trailer for The Saver, a drama she wrote and directed about an orphaned teenager with a desire to build a new life using a self-help book she found at her cleaning job. The tone switched gears when Zoe contributed a short skit called “Buffin’ Your Muffin” that aired on Baroness von Sketch Show and captured oodles of laughs from the audience.

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Just for reference

by James Harbeck

Bookcase of old books with beautiful spines

Photo by Thomas Kelley on Unsplash

If you edit academic books or articles, you probably spend a lot of time tidying up references. Sometimes as much time as editing the entire rest of the text. First, you have to pick your style: Chicago (note or name-date), MLA, APA, or, in the sciences, AMA or Vancouver. Then, you have to make everything consistent with it, to the extent possible. On top of that, you may have to look up the sources to double-check them.

I’ve edited medical continuing-education presentations that had no bibliographies and would cite some sources as just, for instance, “Heinz & Wong 2013.” I would have to find the rest of the citation—and I would, nearly every time, with a single search. Which means that anyone else who wanted to know would also be able to find it as quickly. Our citation standards were developed before the wonderful world of high-powered search engines. If we can find the source from an incomplete or inaccurate citation, how much of this tidying up is necessary?

Now, yes, there are more reasons than just findability to give detailed and consistent bibliographic information. You want to be tidy. You want readers not to have to spend undue time and effort: “Wasting our time so that readers don’t have to waste theirs” is in the editor’s job description. You want to give credit where it is due, and accurately. And you don’t want any risk of ambiguity—you don’t want people flipping fruitlessly through the wrong edition, for instance.

But still. Not all standard parts of a bibliographic citation are truly necessary. Here are several things some styles require that we should consider just getting rid of:

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So you want to be a travel writer?

by Tasneem Bhavnagarwala

Journal with world map on cover and camera to the side

This world is big, and it offers us more destinations than one can explore in a lifetime. This is where travel writers step in. Whether it’s gazing into the sunset at a beach in Indonesia, enjoying a conversation with the rickshaw driver on the streets of India, or admiring a graffiti artist’s work in Barcelona, there is something in each experience that is inspiring. Travel writers bring these moments and stories to readers who want to experience travel adventures vicariously or need assistance in developing their travel itineraries.

The key challenge for travel writers is how to bring these moments to life through words. Magazines and newspapers are always covering stories about exotic and offbeat destinations. To stand out from the crowd is not an easy task, but if you, like me, love travel writing, then the guidelines below will definitely help you break in to the business.

While travelling is something I have always loved, travel writing as a career was not something I had considered. In 2015, after I made a trip to Ladakh, India, and seeing my offbeat itinerary, a friend encouraged me to document my experience, and that’s when my journey began with travel writing. After much reading, researching, and exploring, I managed to get an opportunity to work with a small travel start-up in Mumbai as a writer. Though I consider myself still in the learning phase of my career, I would like to share some points that have helped me break in to the world of travel writing.

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Book Review: Cite Right (3rd ed.) by Charles Lipson

by Summer Cowley

Cover of Cite Right, Third Edition by Charles Lipson

As an editor with editor friends, I find myself often reading works by authors who use citation styles other than the ones I regularly use in my own writing. Even though I become more comfortable with different styles every time I see them, many styles are unfamiliar in my APA-dominated world of the social sciences. Many times, I have wished there were an easier and more reliable way to quickly learn citation styles than running internet searches. Luckily, I’ve recently found Cite Right: A Quick Guide to Citation Styles—MLA, APA, Chicago, the Sciences, Professions, and More (2018) by Charles Lipson.

Cite Right is a short book (180 pages) in which Lipson provides summary explanations and examples of many citation styles. The book is divided into two general sections: “Citations: An Overview,” which contains introductory material and a general explanation of the practice of citing, and “Citations in Every Format: A Quick Guide,” which addresses Chicago/Turabian, MLA, APA, CSE, AMA, ACS, AIP for physics/astrophysics/astronomy, and mathematics/computer science/engineering citation styles.

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Let’s Talk Rates! How to Ask for What You’re Worth and Get Paid on Time

Learn about setting rates (and raising them) from long-time freelancers at the PWAC Toronto February seminar. Note, Editors Toronto members are eligible to receive the PWAC Partners discount.

PWAC Feb 25 seminar Let's Talk Rates

Date: Monday, February 25, 2019
Time: 7:15 p.m. to 8:45 p.m. (doors open at 7 p.m.)
Location: Miles Nadal JCC, Room 318 (third floor)

Why is talking about freelance pay rates and money in general so challenging? In this seminar, we ask long-time freelancers to share advice on how they’ve set their rates and how they’ve raised them over the years.

Speakers:

  • Carol J. Anderson, an editor, proofreader, researcher, and writer for the private sector, non-profits, and government
  • Allan Britnell, freelance writer and editor and past-president of the Canadian Society of Magazine Editors
  • Diane Peters, a writer and editor who has covered a variety of topics for national publications and also teaches writing at Ryerson University
  • Suzanne (Sue) Bowness (seminar moderator), a long-time freelance writer/editor and writing teacher

To learn more about the seminar and the speakers, visit pwactoronto.org.

As always, PWAC Toronto evening seminars are FREE for PWAC members, and while non-members who register online in advance receive a discount.

The organizers ask that you please register in advance so they know how many people to expect.

REGISTER FOR THE SEMINAR

Recommended reading: Sue Bowness shares a preview of our seminar topic in her latest Networds Blog post.

An evening with Michael Redhill and Martha Kanya-Forstner

by Joanne Haskins

Editors Toronto hosted a special branch meeting in January, when acclaimed author Michael Redhill took the stage with his editor, Martha Kanya-Forstner, to discuss the writing and editing of Bellevue Square, the 2017 Scotiabank Giller Prize winner.

Redhill’s novels include Consolation (longlisted for the Man Booker Prize) and Martin Sloane (a finalist for the Giller Prize). He has written a novel for young adults, four collections of poetry and two plays. Redhill also writes a series of crime novels under the name Inger Ash Wolfe and is an editor and Editors Canada member. Kanya-Forstner is editor-in-chief for both Doubleday Canada and McClelland & Stewart. Along with Redhill’s prizewinner, she’s edited David Chariandy’s novel Brother, which won the Rogers Writers’ Trust Fiction Prize, and James Maskalyk’s Life on the Ground Floor, winner of the Hilary Weston Writers’ Trust Prize for Nonfiction.

There were few empty seats and the audience of writers, writing students and editors anticipated an enlightening discussion as two of the most highly regarded figures in Canadian literature today promised to reveal the ins and outs of the editor-writer working relationship. The biggest takeaway of the evening for editors was “Ask questions.”

After introductions of both Redhill and Kanya-Forstner, each discussed their process as writer/writer-editor, and editor. The respect they had for each other was evident throughout the discussion as they listened carefully to one another, built upon each other’s responses, and focused on each other’s strengths and abilities to bring the best of the writer’s words to the page. (more…)

Webinar: Starting a freelance editing or writing career

Being a freelancer is much more than working in your pyjamas. For the privilege of setting your own hours, you also have to be your own boss, the sales team, the office manager, the bookkeeper, as well as the employee. Learn how in this seminar, which outlines the basic steps to your dream job.

Part 1: Getting Ready
Part 2: Getting Going

As a result of attending this session, attendees will be able to start their own freelance business. They’ll know how to register for a business name and HST number, how to start marketing their services and what to track for basic bookkeeping and taxes.

This webinar series is geared towards communication professionals at all stages of their career.

Presenter: Christine LeBlanc
Date: Saturdays, May 5 and 12
Time: 12 p.m., EDT / 9 a.m., PDT
Length: Two 1 hour sessions
Language: English
Level: Introductory
Member price: $84
Non-member price: $120
Register HERE

Christine LeBlanc started Dossier Communications in 2005, after a decade in publishing. She has a degree in journalism and a professional certification in marketing.

Twitter: @DossierCom

Reporting back on new directions in self-publishing: A summary of challenges, opportunities and resources

Editors Toronto paired with PWAC Toronto Chapter to present a panel on self-publishing. The following post is from the PWAC Toronto Chapter blog,  Networds. Thanks to editor Suzanne Bowness for giving BoldFace permission to share the post.

by Suzanne Bowness

PWAC Toronto chapter president Karen Luttrell introduces the panel

If you’re one of the unfortunate PWAC members who couldn’t make it to the self-publishing panel held on March 27, which was co-organized by PWAC Toronto Chapter and Editors Toronto, you’re in luck: I took notes for you. It’s not quite the same as being there, but here are a few tips and images to give you a flavour of the event.

If there were a quote to summarize the evening, perhaps it was one of the first to be projected on the big screen in the University of Toronto (U of T) lecture hall, where we all gathered:

“Self-publishing used to be a scar; now it’s a tattoo.”

That’s from Greg Cope White, author of The Pink Marine: One Boy’s Journey through Boot Camp to Manhood. I forgot to take a picture, but the quote still sticks in my mind days later.

Helpful slide of panellists’ names!

If the evening had a theme, it was how much has changed in the world of self-publishing, even in the last five years. Seriously, most panellists said those exact words or similar.

Hosted by the Creative Writing program at the School of Continuing Studies, U of T, the panel consisted of four industry pros, who all did a great job of dividing this big topic into digestible sections, providing a helpful mix of new information and personal anecdotes, which allowed their talks to flow together nicely. You can read the panellists’ biographies here, in our original post advertising the event. (more…)