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Book Review: Life without Envy by Camille DeAngelis

 

(St. Martin’s Press, 2016)

Life without Envy by Camille DeAngelis

By Michelle Waitzman

Camille DeAngelis is a novelist whose career has had its ups and downs. Like many writers, she often found herself battling self-doubt, jealousy, bitterness, and frustration. She decided that it was time to re-examine her beliefs about herself and her career and, most importantly, to examine her ego and how it was affecting her professional life.

Life without Envy: Ego Management for Creative People will resonate mainly with readers who consider themselves “creators” (authors, poets, visual artists, musicians, etc.). Although it is written from the point of view of a writer, and most of the examples in the book revolve around writing, it addresses common problems with working in any profession where success and failure are often subjective and where both praise and criticism are taken very personally.

Editors may find that this book is not really targeted to them unless they also have a writing career or aspire to have one. Nonetheless, some of the examples are likely to ring true. As an editor, it’s easy to feel envy or frustration after working for months to shape and improve a book, only to see all of the praise and credit for its success go to the author (whose work may not have succeeded without you). Also, many editors suffer from “imposter syndrome,” which is a feeling that you are only pretending to know how to do your job (despite the fact that you are actually well-qualified) and believe that you will be caught out and exposed. (more…)

Webinar: What’s wrong with this sentence?

Correct usage of language is paramount to effective communication. The education system—from primary through post-secondary—does not offer students the tools needed for communicating effectively, whether verbally or in writing. The webinar is based on a workshop that was originally developed for the Canadian Authors’ Association national conference, and has since been presented to numerous groups, from university professors to public relations experts to journalists. It returns to the basics of language: when and how to use me, “myself, and I; clarifying appropriate adjectives and adverbs such as effective versus affective; avoiding split infinitives; the possessive apostrophe versus the contractive apostrophe; and dangling modifiers, among many other common usage issues.

The key concept of the webinar is that participants will gain (or possibly regain) a sense of the importance of correct usage of grammar and punctuation in the written and spoken word.

Date: Thursday, May 25
Time: 2 p.m., EDT / 11 a.m., PDT
Length: 1.5 hours
Language: English
Member price: $56.25
Non-Member price: $75
Register HERE

Melanie Scott
Melanie Scott is freelance writer and the editor of the Low Down to Hull and Back News, an award-winning community newspaper based in Wakefield, QC.

Webinar: A linguist’s guide to grammar

What you learned in English class will help you with syntax about as much as what you learned in driving lessons will help you with mechanics—you get by fine until one day you find yourself stopped in the middle of a sentence with smoke coming out from under the hood. In this webinar, we’re going to learn how to take apart sentences the way a mechanic takes apart an engine.

The key learning objectives of this webinar are to

  • diagram sentences the way linguists do—accurately and elegantly,
  • learn about the building blocks of syntax,
  • clear up some common misunderstandings about verbs, nouns, and pronouns, and
  • dismantle and fix some of the most common mistakes people make when trying to apply “proper grammar.”

Date: Thursday, April 27
Time: 2 p.m., EDT / 11 a.m., PDT
Length: 1.5 hours
Language: English
Member price: $56.25
Non-Member price: $75

Register HERE

james_harbeck
James Harbeck is a linguist, editor, and well-known writer and speaker on language. His articles appear regularly on websites such as TheWeek.com and BBC.com as well as on his own blog, Sesquiotica.

Editor for Life: Heather J. Wood, freelance editor, author, and artistic director of the Rowers Reading Series

Interview conducted by Jennifer D. Foster

A career as an editor is often a solo adventure, especially if you’re a freelancer. So we thought one way to better connect with fellow editors was to ask them the W5: who, what, where, when, and why. Read on for some thought-provoking, enlightening tidbits from those of us who choose to work with words to earn our keep.

Heather J. Wood

Heather J. Wood

Heather, please tell us a little about yourself, the kind of work you do, and how long you’ve been an editor.

I think of myself as a “wearer of many hats.” I started my career as a marketing copywriter for Reader’s Digest Canada in Montreal and now realize that was part of my early editorial training, as the work often required the editing/rewriting of marketing and promotional material from other Reader’s Digest countries. And, of course, all written material had to conform to Reader’s Digest’s specific house style and proofreading, which was a huge part of the job. I started editing officially sometime after I moved to Toronto, and was focusing more on my own fiction writing, while also working as a freelance copywriter. It was a natural, if unplanned, progression. I learned a great deal about the book-editing process from working with a fiction writers’ workshop and, especially, from working with my fantastic editor, Shirarose Wilensky, on my two novels, Fortune Cookie (Tightrope Books 2009) and Roll With It (Tightrope Books, 2011).

I work with Tightrope Books as the managing editor of the Best Canadian Poetry and Best Canadian Essays series, and I perform a variety of copy editing and proofreading tasks for these two series. As a freelancer, I edit fiction and non-fiction projects, as well as provide individual authors with marketing and publicity services. I’m also the artistic director of Toronto’s Rowers Reading Series and I’m often called upon to edit the series’ grant applications. When choosing writers to read at the series, nothing makes me happier than authors with well-edited books.

The highlight of my editing career so far is the Gods, Memes and Monsters anthology from Stone Skin Press in the UK. I was nominated for a 2016 World Fantasy Award for my work on Gods, Memes and Monsters, which involved curating and editing the short fiction work of 60 international authors. While working on that anthology, I discovered that I very much enjoyed editing fantasy, science-fiction, and horror writers. (more…)

Webinar: How to evolve your writing from print to online

Making the transition from traditional print writing to the Internet? They’re very different, requiring new skill sets and social media savvy. The key concept of this webinar is that participants will learn the differences between print and online writing, and how to transition from the former to the latter.

Date: Tuesday, April 4
Time: 1 p.m., EDT / 10 a.m., PDT
Length: 1.5 hours
Language: English
Member price: $56.25
Non-Member price: $75

Register HERE
Greg David
Greg David is a veteran television critic and journalist who has been in the business for over 20 years. He is currently the owner of TV-Eh.com, a website devoted to covering the Canadian television industry.

February speaker Q&A: Voice coach, director, and writer Heather Dick

Heather DickIt’s February, and the weather might be cold, but this month’s speaker will get you warmed up—and ready to speak! Heather Dick is a performer, director, producer, acting and voice coach, and published writer who loves to bring humour into every aspect of her work. She has worked on stage across Canada for more than 30 years and appeared in film, television, and commercials.

Heather’s interactive presentation will literally help you find your voice and converse with colleagues, clients, family, and friends in a more confident and effective way.

Meeting details
February 25, 2014
Miles Nadal Jewish Community Centre, Room 318 (southwest corner of Spadina Avenue and Bloor Street West)
7 PM: Open discussion session for new and prospective EAC members
7:30 PM: Business meeting
8 PM: Information session and program (Heather Dick’s presentation)
9 PM: Mix-and-mingle over coffee, tea, and cake
Meetings are FREE for EAC members and students, and $10 for all other attendees.

Q&A conducted by Abby Egerter

What initially drew you to the dramatic arts?

I fell in love with the theatre when I was about eight or nine. When my mother took my sister and me to children’s matinee performances presented by a local community theatre company, I was fascinated with every aspect of the shows. I was captivated by the feet that I could see walking across the stage behind the curtains and mesmerized by characters like Captain Hook who swashbuckled down the aisles. (more…)

Book review: Characters, Emotion & Viewpoint

By Sadie Scapillato

book_cover

I picked up Characters, Emotion & Viewpoint by Nancy Kress because I was working on a manuscript by a newish writer who wanted guidance on how to handle multiple third person points of view. A writer friend of mine recommended the Write Great Fiction series by Writer’s Digest. It had just what I needed and more.

In this post, I’d like to give you a few good reasons to check out Characters, Emotion & Viewpoint, because I think it has a lot to offer. Although this book is written for writers, I as a fiction editor still found it incredibly useful because it breaks down important elements of fiction (characterization and point of view) and serves as a great reference tool or starting point for decisions and discussions on editing choices and recommendations.

Top five reasons to check out this title

1. Great content on point of view (POV) (more…)