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Editors Canada member Michael Redhill wins the 2017 Scotiabank Giller Prize

FOR IMMEDIATE RELEASE

Toronto, November 21, 2017—The Editors’ Association of Canada (Editors Canada) congratulates member Michael Redhill, winner of the 2017 Scotiabank Giller Prize for Bellevue Square.

Bellevue Square is a darkly comic literary thriller about a woman who fears for her sanity and eventually her life when she learns that her doppelganger has appeared in a local park.

Redhill is an award-winning poet, playwright, short-story writer and novelist, and a member of Editors Toronto. He gave the keynote address at Editors Canada’s 2010 national conference in Montreal, where his clever speech kept the audience laughing (and the interpreters jumping).

Last night, Redhill’s address to the audience in attendance at the gala at the Ritz-Carlton Toronto was an emotional one. He thanked Michael Ondaatje and Linda Spalding who “over 30 years ago…opened their door to me and I’m grateful for the enthusiasm and encouragement they brought to my life.”

He went on to thank his mother. “Our house was full of books because of [her]. Because of her love of reading, I wanted to make her books,” he said.

The $100,000 Scotiabank Giller Prize is the richest literary award for a work of fiction in Canada. The prize has been awarded annually since 1994. It was founded by the late Jack Rabinovitch to honour his wife, the journalist Doris Giller, who died a year earlier. Rabinovitch died this year at the age of 87.

An editor all his life, Redhill is no stranger to the “best supporting actor” role that goes along with this invisible art in publishing. Earlier this year, he posted on Facebook looking for editing work. “The ends, they do not meet,” he wrote.

“The ends are going to meet for a while now,” he joked after winning the prize.

Born in Maryland in 1966, Redhill has lived in Canada for most of his life. His career formally began in the early nineties at Coach House Press. He taught “Editing Poetry” at Ryerson University and is the author of the novels Consolation, longlisted for the Man Booker Prize, and Martin Sloane, a finalist for the Giller Prize. He has written a novel for young adults, four collections of poetry and two plays, including the internationally celebrated Goodness. He also writes a series of crime novels under the name Inger Ash Wolfe. He lives in Toronto.

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About Editors Canada
Editors Canada began in 1979 as the Freelance Editors’ Association of Canada to promote and maintain high standards of editing. In 1994, the word “Freelance” was dropped to reflect the association’s expanding focus to serve both freelance and in-house editors. As Canada’s only national editorial association, it is the hub for 1,300 members and affiliates, both salaried and freelance, who work in the corporate, technical, government, not-for-profit and publishing sectors. The association’s professional development programs and services include professional certification, an annual conference, seminars, webinars, guidelines for fair pay and working conditions, and networking with other associations. Editors Canada has five regional branches: British Columbia; Saskatchewan; Toronto; Ottawa–Gatineau; and Quebec/Atlantic Canada, as well as smaller branches (called twigs) in Calgary, Edmonton, Manitoba, Kitchener-Waterloo-Guelph, Hamilton/Halton, Kingston, Nova Scotia, and Newfoundland and Labrador.

www.editors.ca
Media Contact
Michelle Ou
Senior Communications Manager
Editors Canada
416 975-1379 / 1 866 226-3348
[email protected]

Editor for Life: Greg Ioannou, freelance editor, owner of Colborne Communications, and co-founder of PubLaunch.com and Iguana Books

Interview conducted by Jennifer D. Foster

A career as an editor is often a solo adventure, especially if you’re a freelancer. So we thought one way to better connect with fellow editors was to ask them the W5: who, what, where, when, and why. Read on for some thought-provoking, enlightening tidbits from those of us who choose to work with words to earn our keep.

Greg Ioannou

Greg, please tell us a little about yourself, the kind of work you do, and how long you’ve been an editor.

I started freelancing on September 6, 1977, though I’d done lots of writing and some volunteer editing for a couple of years before that. So not quite 40 years. My first paid editing gig was working on Coles Notes (I edited almost 200 of them), and from there I branched out into textbooks, dictionaries, and trade books. By 1982, I was working for a range of publishers, and also editing a section of Ontario’s provincial budget. I’ve always been a complete generalist. My all-time favourite customer was Cranium, the board game company. I worked on over 30 games for them.

In 1985, I agreed to share a small office with two friends, which ended my days as a lonely freelancer working from my spare bedroom. That became a company that was originally called The Editorial Centre and is now Colborne Communications.

Five of us founded Iguana Books in 1991 as a book packaging company. (We put out one book soon after we launched the company. It was someone else’s pet project—an academic book on a business subject—and I’ve never seen a copy of it.) In 2011 I converted Iguana to a hybrid publisher, serving self-publishing authors. Iguana has published about 70 books, many of which I’m intensely proud of.

Iguana publishes general trade books—fiction, non-fiction, poetry, kids’ books, whatever. I won’t publish a book unless it is at a fully professional standard. Our books are as well edited and designed as the books coming out of the major trade-publishing companies. As an editor, I’ve always been a complete generalist, and my publishing company is the same.

Iguana started crowdfunding its books in 2013, mostly using a New York-based website called Pubslush. By early 2015, a large portion of my income was coming through Pubslush, so when the company announced in August 2015 that it was going out of business, I sort of acquired the company. That deal fell apart seven weeks later. We’d been planning to rebrand the company as PubLaunch anyway, so that was an opportunity to program PubLaunch the way we’d wished that Pubslush had worked. (more…)

Editor for life: Marnie Lamb, freelance editor, indexer, and writer

Interview conducted by Jennifer D. Foster

A career as an editor is often a solo adventure, especially if you’re a freelancer. So we thought one way to better connect with fellow editors was to ask them the W5: who, what, where, when, and why. Read on for some thought-provoking, enlightening tidbits from those of us who choose to work with words to earn our keep.

Marnie Lamb
 

Please tell us a little about yourself, Marnie, the kind of work you do, and how long you’ve been an editor.

My first paid editing job was at the, then named, Department of Indian Affairs and Northern Development, in Hull, Quebec. I was hired during the summer when I was doing my master’s degree in English literature. (I won’t tell you how many years ago that was!) The job was quite a coup for a student, considering that most of my classmates stacked books at Chapters or worked as teaching assistants in mandatory English courses for unruly engineering students.

After I graduated, I left Indian Affairs and pursued other goals over the next few years (including a second master’s degree, this one a combined creative writing and English literature program). I then worked for a year as an editor for a professor at the University of Ottawa before moving to Toronto. I freelanced for a few months and then landed a position as a catalogue editor for an advertising agency that produced all of Sears’s advertising. I remained in that job over five years before making one of the best decisions of my life in September 2009, when I left the agency to start my own freelance editing business, Ewe Editorial Services.

Since then, I’ve completed a Publishing certificate at Ryerson University and watched my business blossom. I work mainly in book publishing, with scholarly, educational, and trade publishers. My specialties are permissions research, indexing, copy editing, and proofreading. Like most other freelancers, I love the variety and the freedom that comes with being my own boss.

Outside of editing, I have many hobbies and not enough time to pursue them! My passion is writing fiction. Several of my short stories have been published in Canadian literary journals. My first book, a preteen/teen novel named The History of Hilary Hambrushina, has just been published by Iguana Books, the publishing company of Editors Canada past president Greg Ioannou. (more…)

Editor for Life: Patrick Geraghty, editor, Whitecap Books

Interview conducted by Jennifer D. Foster

A career as an editor is often a solo adventure, especially if you’re a freelancer. So we thought one way to better connect with fellow editors was to ask them the W5: who, what, where, when, and why. Read on for some thought-provoking, enlightening tidbits from those of us who choose to work with words to earn our keep.

 

Patrick Geraghty,/ Photo by Jon Vincent

Patrick Geraghty/ Photo by Jon Vincent

Patrick, please tell us a little about yourself, the kind of work you do, and how long you’ve been an editor.

I am the editor at Whitecap Books, a Vancouver-based publishing company that produces cookbooks and kids’ non-fiction. Mostly cookbooks. I’ve worked here for a few years now, before which I wrote for a few local arts papers and edited a bit of film criticism, sort of. I enjoy my current situation because editing cookbooks feels more like doing a Highlights puzzle than doing an actual job. For the most part, it’s just about looking for mistakes and things that aren’t like all the other things. It’s like doing a word- search, or a jumble. When I find incorrect conversions, an incomplete methodology, or something that disagrees with the overall style, it’s exhilarating! Plus, I don’t know anything about cooking really. I never cook, so trying to make sense of recipes is like . . . I get to ask a lot of dumb questions and everyone thinks I’m just playing devil’s advocate. Failing upwards I guess.

Who: If you could edit one famous author, living or dead, who would it be?

I would love to have edited one of those Doc Savage pulps from the sixties or, from the present, maybe one of those Jack Reacher novels by Lee Child? It would be fun to edit a book where the bulk of your criticism is just things like, “You should mention how tall the main character is again.”

What: Do you have a favourite punctuation mark and/or a favourite word?

I used to really like the square bracket and I would use it incorrectly all the time in college papers just because I felt like it had a cool austerity to it. But I got made fun of by my profs and now it’s not really in my life at all anymore. I haven’t really liked anything else much since then.

Where: If you could work anywhere in the world as an editor, where would that be?

I feel uncomfortable answering this question in case it’s a monkey’s paw–style situation. I mean, I’m sure it would be lovely to edit books from a beach in the south of Spain, but not if I had to wear a horsehair shirt, you know what I mean? I guess it would be nice if I worked somewhere with free bagels and energy drinks.

When: Was there ever a time in your life when you seriously questioned your career choice?

I was previously working as a baker (I wasn’t good at it), and my boss told me I was a terrible baker and that I should try to get a job with my English degree. That sounded easier said than done, but then she fired me and so okay. I asked some friends for a job and they helped me out, then later I asked some other friends for a different job and they were like, “Do you have any experience” and I said, “Yeah I had that first job.” I feel extremely lucky to have a job where I don’t have to wake up at 4 AM, so I haven’t questioned much since then.

Why: Why did you choose to become an editor? Or, should we ask: Why did editing choose you? 

I used to really like writing when I was younger, and I even went to creative writing school in England. I wrote some poorly received Medieval fiction, but it took so much time and energy, and then no one liked it after all that anyways. Writing is hard work . . . you have to generate so much text, and you get so little feedback along the way. Being an editor is much easier. You can delegate all the ideas to other people, and they generate the text for you! Just kidding, sort of. Maybe this would be a good place for an emoticon.

And, of course, we just had to ask the inevitable how: How would you sum up your motto?

Do whatever you want, don’t do whatever you don’t want.

Jennifer D. Foster is a Toronto-based freelance editor and writer, specializing in book and custom publishing, magazines, and marketing and communications. She is also chair of Editors Toronto and administrative director of the Rowers Reading Series.

This article was copy edited by Afara Kimkeran.

Editor for Life: Suzanne Sutherland, author and children’s books editor at HarperCollins in Canada

Interview conducted by Jennifer D. Foster

A career as an editor is often a solo adventure, especially if you’re a freelancer. So we thought one way to better connect with fellow editors was to ask them the W5: who, what, where, when, and why. Read on for some thought-provoking, enlightening tidbits from those of us who choose to work with words to earn our keep.

Suzanne Sutherland

Suzanne, please tell us a little about yourself, the kind of work you do, and how long you’ve been an editor.

I’m incredibly fortunate to work with a roster of phenomenal authors as part of HarperCollins Canadian children’s program. Because our list is quite small, I’m able to take on an active role in each stage of a book’s development—from acquisition through to publication, working both with internationally bestselling authors as well as with first-time novelists. It’s not a bad gig at all! (more…)

Editor for Life: Sally Sparrow, editorial and production manager, Master Point Press

Interview conducted by Jennifer D. Foster

A career as an editor is often a solo adventure, especially if you’re a freelancer. So we thought one way to better connect with fellow editors was to ask them the W5: who, what, where, when, and why. Read on for some thought-provoking, enlightening tidbits from those of us who choose to work with words to earn our keep.

Sally Sparrow, Master Point Press

Sally, please tell us a little about yourself, the kind of work you do, and how long you’ve been an editor.

I work for a small independent publisher in Toronto called Master Point Press. We’re pretty niche. We publish books about bridge. Yes, the card game. While a big part of my job involves working in production, I’m very hands on with the books from the beginning. But I’m no bridge expert—bridge is something that can take years to learn well, and I’m only starting out. (more…)