by Vaani Sai September’s program welcomed David Silverberg (journalist, editor, writing coach, and published poet) sharing his insights on what writers look for in their relationship with publishing editors. Here, Vaani Sai recaps the session where David discussed power dynamics, editorial expectations, communication processes, deadline flexibility, the scourge of “being ghosted,” and what encourages writers … Continue reading “Unpacking the Unwritten Rules in the Editor-Writer Relationship” (Editors Toronto September 2026 Program Recap)
Tag: Vaani Sai
Executive Unplugged: Carmina Ravanera, Communications Co-Chair
We wanted to give Editors Toronto members and student affiliates another way to get to know their executive committee members, while also finding out what is involved in being on the committee. So, we asked executive committee members to introduce themselves and their roles by answering a few questions for our “Executive Unplugged” series. Meet … Continue reading Executive Unplugged: Carmina Ravanera, Communications Co-Chair
Book Review: “The World She Edited,” by Amy Reading
by Andi Benjamin As a long-time fan of The New Yorker, I was very excited about the recent release of The World She Edited, by Amy Reading. The book is a deeply researched and beautifully written biography of the magazine’s storied editor, Katharine S. White. As I read through it, I learned that White was … Continue reading Book Review: “The World She Edited,” by Amy Reading
Editors Advise: Editorial Niches (Part 2)
In this series, editors share their experiences, insights, and tips on the practical aspects of working as an editor. In some of our previous “Editors Advise” instalments, our contributors have shared their thoughts on various topics, including professional development and training for editors and advice for those seeking an in-house position. For this edition, five … Continue reading Editors Advise: Editorial Niches (Part 2)
“The Art of Editing Speculative Fiction” (Recap of November Program)
by Jackie Goutor The first issue of Amazing Stories, signed by Hugo Gernsback, the first editor Speculative fiction is a new term to me, even though I’m a lifelong fan of the genre. One of my writing buddies used it a few years ago, but publishers often rebrand genres—Twilight’s vampires drained the life out of … Continue reading “The Art of Editing Speculative Fiction” (Recap of November Program)
