Editors Advise: Non-billable Hours, or Can Freelancers Charge for Everything?

In this series, editors share their experiences, insights, and tips on the practical aspects of working as an editor. In our previous “Editors Advise” instalment, nine editors shared their thoughts on a range of topics, including the financial viability of freelancing and the importance of social media. For this edition, five editors were asked if they are … Continue reading Editors Advise: Non-billable Hours, or Can Freelancers Charge for Everything?

The Editing Process of Decoding and Interpreting Content

by Stephanie Edwards As editors, we’re responsible for reviewing and updating content for various communication materials, including speeches, articles, scripts, blogs, books, social media posts, and videos. In most cases, the work we edit is not our own, so we must collaborate with the creator to understand the meaning or message they'd like to convey … Continue reading The Editing Process of Decoding and Interpreting Content

“It’s in the Twists and Turns of the Plot That the Magic Lies”: Editing Crime Fiction with Louise Harnby

Interview conducted by Jennifer D. Foster and Alicja Minda. Louise Harnby is a professional fiction editor with 30 years’ publishing experience who specializes in working with independent crime, thriller, and mystery writers. Based in Norwich, UK, she is an Advanced Professional Member of the Chartered Institute of Editing and Proofreading (CIEP). She is also one … Continue reading “It’s in the Twists and Turns of the Plot That the Magic Lies”: Editing Crime Fiction with Louise Harnby