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Editor for Life: Michael Mirolla, publisher and editor-in-chief, Guernica Editions

Interview conducted by Adrineh Der-Boghossian.

A career as an editor is often a solo adventure, especially if you’re a freelancer. So, we thought one way to better connect with fellow editors was to ask them the W5: who, what, where, when, and why. Read on for some thought-provoking, enlightening tidbits from those of us who choose to work with words to earn our keep.

Michael Mirolla

Please tell us a little about yourself, the kind of work you do (and where you live), and how long you’ve been an editor.

Right now, I live in Hamilton (on The Mountain, as they call it around here—the bottom end of the escarpment). Before that, I lived in Montreal, Mount Forest (with its “Happy & High” motto on the water tower), Toronto, and Oakville—with a teaching stint in Nigeria just for a bit of variety. My partner and I have run Guernica Editions for ten years, a Canadian literary publishing house where I serve as editor-in-chief, cook, and bottle washer. One of my tasks is to evaluate and then help edit any accepted manuscripts that come in. The great thing about editing manuscripts at a literary press is you get to work on different genres. We publish between 30 and 40 books a year and the final editing always comes through me. In some cases, the manuscripts are shipped out (a metaphor really, as they are sent electronically) to some freelance editors we have on call. They do the heavy lifting. By the time the manuscript comes to me, I’m mostly looking for consistency and formatting. In other cases, I take on the task of editing from start to finish. That includes checking the final PDF typeset version and even making sure the title and author name are spelled correctly!

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Editorial Two-Step: The author-editor relationship

When: Tuesday, September 25, 7–9 PM

NEW, TEMPORARY LOCATION: CSI Regent Park, 585 Dundas St. East, Room 1

Welcome back to Editors Toronto, and a special welcome to any new or returning members.

Editors Canada turns 40 this year, and we are thrilled to mark this big round number with another season of programming designed to inspire and keep us all learning and growing together as editors of the written word.

For the first program of 2018–19, we bring you two fascinating case studies on the editorial process and the editorial relationship.

Toronto author Trevor Cole and his editor Jennifer Lambert of HarperCollins Canada will discuss their work on Cole’s award-winning non-fiction book The Whisky King (2017), while Toronto author Robert Marrone and his editor Michael Mirolla of Guernica Editions will explore Marrone’s 2017 novel, The New Vine.

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