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All it takes is one email. That’s it. Just one ping, one click and your schedule is changed. Changed, of course, only if you say yes.
Which is what I did. And so, I am Editors Toronto’s new publications chair and, more importantly for this blog, the Editor-in-Chief of BoldFace. I, for one, am pretty excited!
So who the heck am I, you ask? To quote (and punctuate) my Twitter bio, I’m a Toronto-based freelance editor, feminist nerd, hobbyist photographer, music geek, former bookseller, wannabe writer, and work in progress. I’m also a traveller who recently rediscovered the joy of camping, and blogged about it.
My plan for BoldFace is simply to grow a good thing, to bring you articles about editing in its myriad forms, and to review books and other media that are relevant to what we do for a living. And I want you to participate! Leave comments, be they positive or negative (just be polite). Got a story idea? Pitch it! Be bold.
This article was copy edited by Ellen Fleischer
By Emily Chau
Most people are more stressed than they’d wish, and work is often the reason. If you’re working as a freelance editor, you’re probably also feeling the pressure of running your own business 24/7.
A small amount of stress is healthy if it keeps you focused and challenged, but a large amount can lead to restlessness, eating problems, insomnia, depression, and relationship issues. Worse, it can also lower your quality of work and reduce your productivity.
Although the symptoms of stress are not always dramatic, it’s important to minimize your stress so it doesn’t become worse. Read on for tips on ways freelance editors can avoid or reduce work-related stress. (more…)
By Nina Munteanu
I’m a writer and an editor. I’ve written and published novels, short stories, and non-fiction books with traditional publishing houses and indie publishers. I’ve also self-published. As editor, I serve as the in-house copy editor for a publishing house in the United States and have acted as acquisition editor for several anthologies put out by a local indie publisher. I also coach novice writers to publication and edit in that capacity. You could say I know the industry from many angles and perspectives. That’s been good for me, because this industry is a moving target, and it’s good to triangulate on a moving object. The entire publishing industry is evolving, and it’s a slippery evolution.
Even the words we use are slippery. Indie. Hybrid. Publisher.
Many people, like award-winning author Kristine Kathryn Rusch, when they use the terms indie writer and indie publishing, include what some call self-publishing in their definitions of indie, “because so many [professional] writers who are not with traditional publishers have started their own presses. It’s not accurate to lump all writers who are not following the traditional route into the self-publishing basket any longer.” According to Rusch, an indie publisher is anyone who is not a traditional publisher. For this article, I’ve adopted Rusch’s definition to provide the full range of expectations for editors working with writers in the indie field. I define a traditional publisher as an established and often larger publishing house or press that (1) follows traditional submission criteria; (2) does not charge writers; (3) pays out royalties; and (4) employs in-house editors.
Indie writing and publishing can then be described in several ways depending on where the writer submits and by what mechanism and what model they use. All of these will affect a writer’s needs and perceptions for an editor and, in turn, an editor’s expectations as well. (more…)
Our first members’ meeting of the year for EAC’s Toronto branch is coming up soon, so we wanted to give you a taste of what to expect from this month’s speaker. Nina Munteanu is an ecologist and internationally published author of award-nominated speculative novels, short stories, and non-fiction. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Nina has been coaching writers through the process of successful publication for over a decade and gives workshops to writers on editing, marketing, and promotion.
In Nina’s presentation, “Keeping Up with the Changing Face of Publishing: What it Means for Freelance Editors,” you’ll learn about different forms of publishing (including self-publishing and indie publishing), publishing myths, where to find new editing opportunities, and how to market and promote yourself to writers who need your help.
January 28, 2014
Miles Nadal Jewish Community Centre, Room 318 (southwest corner of Spadina Avenue and Bloor Street West)
7 PM: Open discussion session for new and prospective EAC members
7:30 PM: Information session and program (Nina Munteanu’s presentation)
9 PM: Mix-and-mingle over coffee, tea, and cake
Meetings are FREE for EAC members and students, and $10 for all other attendees.
Q&A conducted by Laura Godfrey
Why do you think self-publishing and indie publishing have grown more popular recently compared to larger, more traditional book publishers?
I think it’s because we’ve grown out of that constricted and limited model. The traditional model consisted of the following scenario: a reputable publishing house screened works by hopeful writers and determined what got published and how, based on the current market; books were typically sold to bookstores via a distributor; what the bookstore didn’t sell, it sent back to the publisher. Publishers relied on reviews from professional sites and traditional marketing to sell their top authors.