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Editor for Life: Greg Ioannou, freelance editor, owner of Colborne Communications, and co-founder of PubLaunch.com and Iguana Books

Interview conducted by Jennifer D. Foster

A career as an editor is often a solo adventure, especially if you’re a freelancer. So we thought one way to better connect with fellow editors was to ask them the W5: who, what, where, when, and why. Read on for some thought-provoking, enlightening tidbits from those of us who choose to work with words to earn our keep.

Greg Ioannou

Greg, please tell us a little about yourself, the kind of work you do, and how long you’ve been an editor.

I started freelancing on September 6, 1977, though I’d done lots of writing and some volunteer editing for a couple of years before that. So not quite 40 years. My first paid editing gig was working on Coles Notes (I edited almost 200 of them), and from there I branched out into textbooks, dictionaries, and trade books. By 1982, I was working for a range of publishers, and also editing a section of Ontario’s provincial budget. I’ve always been a complete generalist. My all-time favourite customer was Cranium, the board game company. I worked on over 30 games for them.

In 1985, I agreed to share a small office with two friends, which ended my days as a lonely freelancer working from my spare bedroom. That became a company that was originally called The Editorial Centre and is now Colborne Communications.

Five of us founded Iguana Books in 1991 as a book packaging company. (We put out one book soon after we launched the company. It was someone else’s pet project—an academic book on a business subject—and I’ve never seen a copy of it.) In 2011 I converted Iguana to a hybrid publisher, serving self-publishing authors. Iguana has published about 70 books, many of which I’m intensely proud of.

Iguana publishes general trade books—fiction, non-fiction, poetry, kids’ books, whatever. I won’t publish a book unless it is at a fully professional standard. Our books are as well edited and designed as the books coming out of the major trade-publishing companies. As an editor, I’ve always been a complete generalist, and my publishing company is the same.

Iguana started crowdfunding its books in 2013, mostly using a New York-based website called Pubslush. By early 2015, a large portion of my income was coming through Pubslush, so when the company announced in August 2015 that it was going out of business, I sort of acquired the company. That deal fell apart seven weeks later. We’d been planning to rebrand the company as PubLaunch anyway, so that was an opportunity to program PubLaunch the way we’d wished that Pubslush had worked. (more…)

Editor for life: Marnie Lamb, freelance editor, indexer, and writer

Interview conducted by Jennifer D. Foster

A career as an editor is often a solo adventure, especially if you’re a freelancer. So we thought one way to better connect with fellow editors was to ask them the W5: who, what, where, when, and why. Read on for some thought-provoking, enlightening tidbits from those of us who choose to work with words to earn our keep.

Marnie Lamb
 

Please tell us a little about yourself, Marnie, the kind of work you do, and how long you’ve been an editor.

My first paid editing job was at the, then named, Department of Indian Affairs and Northern Development, in Hull, Quebec. I was hired during the summer when I was doing my master’s degree in English literature. (I won’t tell you how many years ago that was!) The job was quite a coup for a student, considering that most of my classmates stacked books at Chapters or worked as teaching assistants in mandatory English courses for unruly engineering students.

After I graduated, I left Indian Affairs and pursued other goals over the next few years (including a second master’s degree, this one a combined creative writing and English literature program). I then worked for a year as an editor for a professor at the University of Ottawa before moving to Toronto. I freelanced for a few months and then landed a position as a catalogue editor for an advertising agency that produced all of Sears’s advertising. I remained in that job over five years before making one of the best decisions of my life in September 2009, when I left the agency to start my own freelance editing business, Ewe Editorial Services.

Since then, I’ve completed a Publishing certificate at Ryerson University and watched my business blossom. I work mainly in book publishing, with scholarly, educational, and trade publishers. My specialties are permissions research, indexing, copy editing, and proofreading. Like most other freelancers, I love the variety and the freedom that comes with being my own boss.

Outside of editing, I have many hobbies and not enough time to pursue them! My passion is writing fiction. Several of my short stories have been published in Canadian literary journals. My first book, a preteen/teen novel named The History of Hilary Hambrushina, has just been published by Iguana Books, the publishing company of Editors Canada past president Greg Ioannou. (more…)

Editor for Life: Wilf Popoff, freelance editor, owner/founder of Executive Editorial Consultants

Interview conducted by Jennifer D. Foster

A career as an editor is often a solo adventure, especially if you’re a freelancer. So we thought one way to better connect with fellow editors was to ask them the W5: who, what, where, when, and why. Read on for some thought-provoking, enlightening tidbits from those of us who choose to work with words to earn our keep.

Wilf Popoff

 

Wilf, please tell us a little about yourself, the kind of work you do (where you live), and how long you’ve been an editor.

I edit and write technical material, mainly in law and engineering, disciplines I believe central to our civilization: law fosters its political accord while engineering creates its physical structure. I enjoy having a small role in both camps.

My wife, a non-fiction writer, and I live in Saskatoon, a prairie city with decent libraries and insufferable winters.     

I’ve always been an editor or at least since the last glacier retreated. Volunteering for my university weekly hooked me, and I spent 35 years at two daily newspapers, the Edmonton Journal and the Saskatoon StarPhoenix. Eventually, I no longer edited copy but supervised a newsroom. But at all levels one is still an editor.

When newspapers began to atrophy and no longer needed me I set up a freelance company. And I’m still editing after more than 55 years.

 

Who: If you could edit one famous author, living or dead, who would it be?

I am in awe of famous authors, but for me reading them can be upsetting. I frequently pause and say, “I could never write anything so brilliant.”

Therefore I would be reluctant to touch the MS [manuscript] of any famous author. Only a brave and confident editor could change something Orwell, Waugh or Atwood wrote. A seemingly unnecessary word may have an artful purpose.  (more…)

Book Review: Life without Envy by Camille DeAngelis

 

(St. Martin’s Press, 2016)

Life without Envy by Camille DeAngelis

By Michelle Waitzman

Camille DeAngelis is a novelist whose career has had its ups and downs. Like many writers, she often found herself battling self-doubt, jealousy, bitterness, and frustration. She decided that it was time to re-examine her beliefs about herself and her career and, most importantly, to examine her ego and how it was affecting her professional life.

Life without Envy: Ego Management for Creative People will resonate mainly with readers who consider themselves “creators” (authors, poets, visual artists, musicians, etc.). Although it is written from the point of view of a writer, and most of the examples in the book revolve around writing, it addresses common problems with working in any profession where success and failure are often subjective and where both praise and criticism are taken very personally.

Editors may find that this book is not really targeted to them unless they also have a writing career or aspire to have one. Nonetheless, some of the examples are likely to ring true. As an editor, it’s easy to feel envy or frustration after working for months to shape and improve a book, only to see all of the praise and credit for its success go to the author (whose work may not have succeeded without you). Also, many editors suffer from “imposter syndrome,” which is a feeling that you are only pretending to know how to do your job (despite the fact that you are actually well-qualified) and believe that you will be caught out and exposed. (more…)

Editor for Life: Patrick Geraghty, editor, Whitecap Books

Interview conducted by Jennifer D. Foster

A career as an editor is often a solo adventure, especially if you’re a freelancer. So we thought one way to better connect with fellow editors was to ask them the W5: who, what, where, when, and why. Read on for some thought-provoking, enlightening tidbits from those of us who choose to work with words to earn our keep.

 

Patrick Geraghty,/ Photo by Jon Vincent

Patrick Geraghty/ Photo by Jon Vincent

Patrick, please tell us a little about yourself, the kind of work you do, and how long you’ve been an editor.

I am the editor at Whitecap Books, a Vancouver-based publishing company that produces cookbooks and kids’ non-fiction. Mostly cookbooks. I’ve worked here for a few years now, before which I wrote for a few local arts papers and edited a bit of film criticism, sort of. I enjoy my current situation because editing cookbooks feels more like doing a Highlights puzzle than doing an actual job. For the most part, it’s just about looking for mistakes and things that aren’t like all the other things. It’s like doing a word- search, or a jumble. When I find incorrect conversions, an incomplete methodology, or something that disagrees with the overall style, it’s exhilarating! Plus, I don’t know anything about cooking really. I never cook, so trying to make sense of recipes is like . . . I get to ask a lot of dumb questions and everyone thinks I’m just playing devil’s advocate. Failing upwards I guess.

Who: If you could edit one famous author, living or dead, who would it be?

I would love to have edited one of those Doc Savage pulps from the sixties or, from the present, maybe one of those Jack Reacher novels by Lee Child? It would be fun to edit a book where the bulk of your criticism is just things like, “You should mention how tall the main character is again.”

What: Do you have a favourite punctuation mark and/or a favourite word?

I used to really like the square bracket and I would use it incorrectly all the time in college papers just because I felt like it had a cool austerity to it. But I got made fun of by my profs and now it’s not really in my life at all anymore. I haven’t really liked anything else much since then.

Where: If you could work anywhere in the world as an editor, where would that be?

I feel uncomfortable answering this question in case it’s a monkey’s paw–style situation. I mean, I’m sure it would be lovely to edit books from a beach in the south of Spain, but not if I had to wear a horsehair shirt, you know what I mean? I guess it would be nice if I worked somewhere with free bagels and energy drinks.

When: Was there ever a time in your life when you seriously questioned your career choice?

I was previously working as a baker (I wasn’t good at it), and my boss told me I was a terrible baker and that I should try to get a job with my English degree. That sounded easier said than done, but then she fired me and so okay. I asked some friends for a job and they helped me out, then later I asked some other friends for a different job and they were like, “Do you have any experience” and I said, “Yeah I had that first job.” I feel extremely lucky to have a job where I don’t have to wake up at 4 AM, so I haven’t questioned much since then.

Why: Why did you choose to become an editor? Or, should we ask: Why did editing choose you? 

I used to really like writing when I was younger, and I even went to creative writing school in England. I wrote some poorly received Medieval fiction, but it took so much time and energy, and then no one liked it after all that anyways. Writing is hard work . . . you have to generate so much text, and you get so little feedback along the way. Being an editor is much easier. You can delegate all the ideas to other people, and they generate the text for you! Just kidding, sort of. Maybe this would be a good place for an emoticon.

And, of course, we just had to ask the inevitable how: How would you sum up your motto?

Do whatever you want, don’t do whatever you don’t want.

Jennifer D. Foster is a Toronto-based freelance editor and writer, specializing in book and custom publishing, magazines, and marketing and communications. She is also chair of Editors Toronto and administrative director of the Rowers Reading Series.

This article was copy edited by Afara Kimkeran.

Webinar: What’s wrong with this sentence?

Correct usage of language is paramount to effective communication. The education system—from primary through post-secondary—does not offer students the tools needed for communicating effectively, whether verbally or in writing. The webinar is based on a workshop that was originally developed for the Canadian Authors’ Association national conference, and has since been presented to numerous groups, from university professors to public relations experts to journalists. It returns to the basics of language: when and how to use me, “myself, and I; clarifying appropriate adjectives and adverbs such as effective versus affective; avoiding split infinitives; the possessive apostrophe versus the contractive apostrophe; and dangling modifiers, among many other common usage issues.

The key concept of the webinar is that participants will gain (or possibly regain) a sense of the importance of correct usage of grammar and punctuation in the written and spoken word.

Date: Thursday, May 25
Time: 2 p.m., EDT / 11 a.m., PDT
Length: 1.5 hours
Language: English
Member price: $56.25
Non-Member price: $75
Register HERE

Melanie Scott
Melanie Scott is freelance writer and the editor of the Low Down to Hull and Back News, an award-winning community newspaper based in Wakefield, QC.

Seminar: Intermediate copy editing workshop

This seminar is a hands-on workshop in which you’ll edit actual short manuscripts; the instructor will review the edits in detail with the group, discussing the reasoning behind various edits, alternative choices, and techniques. Throughout the course of the day, you’ll work on several different types of documents, practise using key resources such as dictionaries and style guides, create and follow style sheets, write queries to the author, and discuss the merits of specific editing choices with fellow attendees and the instructor. The session will also include a review of key copy editing guidelines, advice on finding information as you edit, and plenty of pro tips.

You are encouraged to bring
• a laptop computer with word-processing software (paper copies of manuscripts will also be provided) and
• a copy of the second edition of the Canadian Oxford Dictionary, if you have one.

Note: This session is not for beginners. Attendees should be graduates of a copy editing course or have equivalent skills and experience (such as editing under the supervision of a senior copy editor for six months or more). Further, attendees should know how to create style sheets and write author queries. (more…)

Webinar: Techniques de révision après traduction

This webinar will focus on the specificities of editing translated material. The key learning objectives of this webinar are English to French consistency, and
key areas of focus in the editing of translated material (e.g., punctuation, syntax, anglicisms, etc.).

Date: Wednesday, May 3
Time: 12 p.m., EDT / 9 a.m., PDT
Length: 1.5 hours
Language: French
Member price: $56.25
Non-Member price: $75
Register HERE

Aude Gwendoline holds a PhD in Translation Studies. She has over 13 years of experience as a French translator/editor. So far, she has translated close to 80 novels for Parisian publishers.