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An evening with Michael Redhill and Martha Kanya-Forstner

By Joanne Haskins

Editors Toronto hosted a special branch meeting in January, when acclaimed author Michael Redhill took the stage with his editor, Martha Kanya-Forstner, to discuss the writing and editing of Bellevue Square, the 2017 Scotiabank Giller Prize winner.

Redhill’s novels include Consolation (longlisted for the Man Booker Prize) and Martin Sloane (a finalist for the Giller Prize). He has written a novel for young adults, four collections of poetry and two plays. Redhill also writes a series of crime novels under the name Inger Ash Wolfe and is an editor and Editors Canada member. Kanya-Forstner is editor-in-chief for both Doubleday Canada and McClelland & Stewart. Along with Redhill’s prizewinner, she’s edited David Chariandy’s novel Brother, which won the Rogers Writers’ Trust Fiction Prize, and James Maskalyk’s Life on the Ground Floor, winner of the Hilary Weston Writers’ Trust Prize for Nonfiction.

There were few empty seats and the audience of writers, writing students and editors anticipated an enlightening discussion as two of the most highly regarded figures in Canadian literature today promised to reveal the ins and outs of the editor-writer working relationship. The biggest takeaway of the evening for editors was “Ask questions.”

After introductions of both Redhill and Kanya-Forstner, each discussed their process as writer/writer-editor, and editor. The respect they had for each other was evident throughout the discussion as they listened carefully to one another, built upon each other’s responses, and focused on each other’s strengths and abilities to bring the best of the writer’s words to the page. (more…)

Webinar: Starting a freelance editing or writing career

Being a freelancer is much more than working in your pyjamas. For the privilege of setting your own hours, you also have to be your own boss, the sales team, the office manager, the bookkeeper, as well as the employee. Learn how in this seminar, which outlines the basic steps to your dream job.

Part 1: Getting Ready
Part 2: Getting Going

As a result of attending this session, attendees will be able to start their own freelance business. They’ll know how to register for a business name and HST number, how to start marketing their services and what to track for basic bookkeeping and taxes.

This webinar series is geared towards communication professionals at all stages of their career.

Presenter: Christine LeBlanc
Date: Saturdays, May 5 and 12
Time: 12 p.m., EDT / 9 a.m., PDT
Length: Two 1 hour sessions
Language: English
Level: Introductory
Member price: $84
Non-member price: $120
Register HERE

Christine LeBlanc started Dossier Communications in 2005, after a decade in publishing. She has a degree in journalism and a professional certification in marketing.

Twitter: @DossierCom

Reporting back on new directions in self-publishing: A summary of challenges, opportunities and resources

Editors Toronto paired with PWAC Toronto Chapter to present a panel on self-publishing. The following post is from the PWAC Toronto Chapter blog,  Networds. Thanks to editor Suzanne Bowness for giving BoldFace permission to share the post.

by Suzanne Bowness

PWAC Toronto chapter president Karen Luttrell introduces the panel

If you’re one of the unfortunate PWAC members who couldn’t make it to the self-publishing panel held on March 27, which was co-organized by PWAC Toronto Chapter and Editors Toronto, you’re in luck: I took notes for you. It’s not quite the same as being there, but here are a few tips and images to give you a flavour of the event.

If there were a quote to summarize the evening, perhaps it was one of the first to be projected on the big screen in the University of Toronto (U of T) lecture hall, where we all gathered:

“Self-publishing used to be a scar; now it’s a tattoo.”

That’s from Greg Cope White, author of The Pink Marine: One Boy’s Journey through Boot Camp to Manhood. I forgot to take a picture, but the quote still sticks in my mind days later.

Helpful slide of panellists’ names!

If the evening had a theme, it was how much has changed in the world of self-publishing, even in the last five years. Seriously, most panellists said those exact words or similar.

Hosted by the Creative Writing program at the School of Continuing Studies, U of T, the panel consisted of four industry pros, who all did a great job of dividing this big topic into digestible sections, providing a helpful mix of new information and personal anecdotes, which allowed their talks to flow together nicely. You can read the panellists’ biographies here, in our original post advertising the event. (more…)

Notes on New Directions in Self-Publishing

Editors Toronto paired with PWAC Toronto Chapter to present a panel on self-publishing. The following post is from freelance editor Michelle MacAlees’s blog Many thanks to Michelle for giving BoldFace permission to cross-post this post.

by Michelle MacAleese

“Self-publishing [used to be] a scar; now it’s a tattoo.”— Greg White

Last night [Tuesday, March 27, 2018]  four of Canada’s most savvy publishing professionals addressed the subject of new directions in self-publishing together with Editors Canada (Toronto branch)PWAC Toronto Chapter, and the U of T School of Continuing Education.

This morning I am reviewing my notes, and I share them here:

  • Many in the biz draw a distinction between self-published authors and hybrid-published authors; both are “independent,” but the self-published authors are a special breed, who understand art and business and (usually) gladly develop proficiency in all the technical and administrative details of the process.
  • Not surprisingly, options for authors continue to change rapidly. What worked best in 2011 is irrelevant today. Many quality companies offer publishing services and hybrid publishing deals. (Many companies will pretty much just steal your money. One must read up before signing up.)
  • The best publishing option for e-only genre fiction won’t be the same as for a debut hardcover business book. It’s a wide world of independent publishing.
  • Authors: If you don’t love technical things (formatting ebooks, working Amazon’s categories, tweaking descriptive copy), you probably won’t enjoy starting a publishing house of one.
  • Editors: Working with self-published authors is a specialty and those editors who are good at taking on that relationship and guiding the process are worth their weight in gold. (Isn’t it about time we begin to mentor each other in why this kind of author-editor relationship is unique, and how it borders on the agent role at times?)
  • Editors who already specialize in working with self-published authors: Let’s talk about how to partner with reputable publishing services companies as well as with other independent designers and book marketing professionals to launch great self-published books that sell!

Thanks to panelists Stephanie FyshMeghan BehseMark Leslie LefebvreNina Munteanu, and to my audience buddy Bronwyn Kienapple. Let’s keep sharing!

Being a digital nomad: Or how to edit from the beach

Beach editing

Photo by Rachel Stuckey

By Rachel Stuckey

I’m a digital nomad. For years I’ve told anyone who asked that I was a writer and editor (even though editing pays most of my bills). But lately, the way I work has been more interesting than the work I actually do.

But I’m still getting used to saying “I’m a digital nomad” (and sometimes, I confess, I often use air quotes when I do say it). I know what “digital nomad” conjures up: visions of twenty-somethings with no job prospects and an unnatural attachment to their smartphones.

Air quotes aside, such visions are really just the surface of this cultural phenomenon. (And thanks to Insta-influencers and click-bait web content, that surface seems both beautiful and vacuous). But there are plenty of Gen Xers, Xennials, and even grown-up millennials doing marvellous and fascinating things on the road.

I’d like to think I’m one of the grown-up digital nomads. For the last several years, I’ve been seeking out new temporary homes for me and my editorial services business, sometimes spending months in one place and sometimes changing it up every few weeks.

In 2012, I was a burned-out freelancer looking for adventure. After months of preparation, I headed out on a trip around the world, with stops in Thailand, China, Cambodia, India, the UAE, Spain, France, Italy, and the UK before coming home nine months later. Everyone thought that might be it, adventure had.

But I wasn’t ready to settle back into the same old same old. And I’ve been on the move ever since, spending some months each year in Toronto and the rest of my time in Europe, South and Central America, Thailand, and Vietnam. In 2018, I’m returning to Thailand, and then on to Southern Africa.

This wanderlust may have begun as therapy for my tertiary life crisis. But over the last five years of living and working abroad and living and working in Toronto, I’ve realized that there is a strong economic argument for tackling our gig economy as a nomad. After several months living at home in TO again, my pocketbook is itching to get the heck out of Dodge! (Also, winter is coming, and I hate wearing socks and shoes.) (more…)

Editor for Life: Rehana Begg, editor of Machinery and Equipment MRO magazine and REM—Resource Engineering & Maintenance, Annex Business Media

Interview conducted by Jennifer D. Foster

A career as an editor is often a solo adventure, especially if you’re a freelancer. So we thought one way to better connect with fellow editors was to ask them the W5: who, what, where, when, and why. Read on for some thought-provoking, enlightening tidbits from those of us who choose to work with words to earn our keep.

Rehanna Begg

 

Rehana, please tell us a little about yourself, the kind of work you do (where you live), and how long you’ve been an editor.

A couple of decades ago, an internship turned into my first paying job as an editorial assistant at Homemakers Magazine, a women’s lifestyle magazine. I had the pleasure of working with a group of brilliant women who inspired me to change course from being an aspiring news reporter to pursuing a career in magazine editing. I stayed on that course for about 10 years, working at Canadian Home Workshop and launching a freelance writer/editor career. As a freelancer, I was able to peddle my magazine journalism skills all the way to Cape Town, South Africa, where a stint at Best Life, a men’s lifestyle publication, allowed me to interview sources from the sandy beaches of Llandudno. The freelance experience strengthened my belief that journalism nurtures an insatiable curiosity and clued me into what I wanted to focus on in the next leg of my career. When I returned to Toronto in 2008, I decided to pursue a master of journalism degree as a way to foster my interest in business-to-business (B2B) publishing. But the program did not offer business reporting at the time and I had to find a role that would give me hands-on experience. I accepted a contract role as the editor at Benefits Canada, a B2B publication formerly owned by Rogers Media, which was an excellent inroad into the world of finance and institutional investments. From there, I was offered an opportunity at Annex Business Media, where I would edit a couple of maintenance and engineering publications. My role at Annex has been more of a content manager than magazine editor because my multi-platform portfolio includes managing the content of two magazines, two websites, and newsletters, as well as developing events such as webinars, round tables, and video production. It’s a busy desk, but I have still managed to complete an MBA with a project management specialization in my spare time. Staying relevant has been pivotal in ensuring personal satisfaction and career longevity in today’s content farm environment. (more…)

Editor for Life: Kerry Clare, editor of 49th Shelf, author, writing and blogging instructor, freelance writer and editor

Interview conducted by Jennifer D. Foster

A career as an editor is often a solo adventure, especially if you’re a freelancer. So we thought one way to better connect with fellow editors was to ask them the W5: who, what, where, when, and why. Read on for some thought-provoking, enlightening tidbits from those of us who choose to work with words to earn our keep.

Kerry Clare

Kerry, please tell us a little about yourself, the kind of work you do (where you live), and how long you’ve been an editor.

My true confession is that I don’t feel totally comfortable identifying as an editor—I’m not very good at it. I learned this when I edited the essay anthology, The M Word: Conversations About Motherhood, which was published in 2014. I was very effective at coming up with a vision for the book, for conceptualizing it, coordinating the writers and the project as a whole. But when the time came for the nitty-gritty editing work, I realized that I had no idea what I was doing. Thankfully my publisher, Goose Lane Editions, enlisted their fiction editor, Bethany Gibson, to come on board, and it’s from watching her work that I learned that editing is truly a vocation. She had such an awesome sense of the shape of the book and how its pieces fit together, and also a spectacular talent for diplomacy, which is an essential part of the job.

Since 2011, I’ve been the editor at 49thShelf.com, a huge and wonderful Canadian books website, where my tasks involve those that “editor” has grown to comprise in the digital world and helping to envision the site’s focus. I’ve been similarly fortunate to work with an excellent editor who makes me look legit. My colleague, Kiley Turner—nominally the site’s managing editor, among many other hats she wears—has taught me everything I know about style, grammar, punctuation, capitalization, and being detail-oriented. Unfortunately for her, I forget a lot, and she has to tell me over and over again.

While I might fall down in the grammar department, I’m very good at other parts of my job, including staying on top of the hundreds of Canadian-authored books released each month and choosing which ones to feature on our site. Right now I am going through spring 2018 books to find noteworthy titles to feature in our spring preview. I write blog posts and create reading lists to draw interesting connections between different books and find different ways to spotlight titles and catch readers’ interest. I love that reading books is officially part of my job, and that I get to work with authors to help spread the word about their books. This isn’t a job that existed back when I was dreaming up my future, and my younger self would not be able to fathom it. Quite frankly, I still can’t quite fathom it.

My office is my kitchen table at my apartment in downtown Toronto, and I work while my children are at school. (more…)

Webinar: Copy editing live!

Try your hand at copy editing a short text provided in advance, then see how a seasoned editor works through it with lively and informative running commentary: explaining the edits, discussing alternative possibilities, pointing out how the editing tasks relate to the Editors Canada standards for copy editing, and recommending resources for further study.

Attendees will have opportunities to ask questions and will receive a copy of the professionally edited exercise with changes tracked.

Webinars:

  • Trade book excerpt
  • Academic article excerpt
  • Educational materials excerpt (elementary-school level)

Participants will get a chance to do the one thing that beginning editors need most: practise, with feedback from an experienced editor.

The idea is to recreate the experience of taking up an assignment in the final class of an editing course.

As a result of attending this session, attendees will be able to

  • apply their intermediate editing skills with more confidence
  • identify some strengths, weaknesses, and gaps in their editing
  • recognize some conventions of copy editing in particular genre of text

It is recommended that you have some knowledge of copy editing before taking this webinar—enough to know

  • how copy editing differs from stylistic editing and proofreading;
  • how to make a style sheet; and
  • how to write an author query.

Presenter: Elizabeth d’Anjou
Date: Mondays, January 15, 22 and 29
Time: 12 p.m., EST / 9 a.m., PST
Length: Three sessions of 1.5 hours each
Language: English
Level: Introductory
Member price: $178.50
Non-member price: $255.00
Register HERE

elizabeth-danjou
In over 20 years as a freelance editor, Elizabeth d’Anjou has edited trade books, textbooks, academic articles, memoirs, government reports, games, and more. She teaches copy editing for Ryerson University and presents communications workshops across Canada. Follow her on Twitter: @ElizdAnjou