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Editors Unplugged: Get to know our panellists for Sound Mind: A Celebration of Mindfulness and Mental Health through Fiction, Memoir, and Music

Interviews conducted by Catherine Dorton.

Our popular monthly program meetings often feature a jam-packed agenda. We like to keep our introductions short, so you can hear more from our panellists and less from us! It’s hard to do justice to the incredible wealth of experience these guests bring to the table, so we are offering you a preview with this short Q&A beforehand. 

This month, we are honoured to be joined by Ranjini George, Rebecca Higgins, and Erika Nielsen.

Photo of Ranjini George by Fred Loek for Mississauga News

Photo of Ranjini George by Fred Loek for Mississauga News

Ranjini George 

We hear you use a gong. What’s that for?

Sound is a wonderful way to centre oneself and move beyond the carousel of non-stop thoughts. It is a way to be present to the Now, the Present Moment. The gong is a way of coming home to oneself. I love the words of Zen master Thích Nhất Hạnh regarding the bell/gong: “Listen, listen to the sound of the bell that calls you back to your true home.”

Try this: If you walk by the lake, listen to the sound of the waves. If you’re taking a neighbourhood walk (yes, spring is here!), listen to the sound of the birds. Notice your breath. Feel your feet on the earth. Breathe. Be present.

Listen to the lovely bell chant offered by the Plum Village community.

Why do writers and editors need mindfulness training?

I think it’s not just writers or editors who need mindfulness training. I think mindfulness is something that can help anyone. We enter this life with our first breath and transition from it with our last. So, we always have our breath.

Mindfulness is a way of using our breath—it is a way of being awake to our lives. Mindfulness is a practice: it is a simple and profound way of creating peace in our hearts. In our work as editors or writers, mindfulness helps create focus and clarity. We can bring the energy of mindfulness into our home, our workplace, and the world.

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Sound Mind: A Celebration of Mindfulness and Mental Health through Fiction, Memoir, and Music

When: Thursday, March 28, 7:30–9:30 PM

Where: Room 1050, Earth Sciences Centre, 33 Willcocks St., University of Toronto

Important notice: This month’s program meeting will take place on Thursday, March 28, not on our usual date of the fourth Tuesday of the month. Please mark your calendars. The location is also different this month as we’re meeting at the University of Toronto (UofT). We’ll return to the Centre for Social Innovation (CSI) Spadina for our April 23 meeting on poetry editing.

Graphic with photos of three speakers at March 28 program meeting titled "Sound Mind: A Celebration of Mindfulness and Mental Health through Fiction, Memoir, and Music"

Sound Mind: A Celebration of Mindfulness and Mental Health through Fiction, Memoir, and Music is geared to helping cultural producers across a variety of fields (including writers, editors, visual artists, and musicians) learn about mental health challenges and adopt new strategies for wellness, mindfulness, and creativity. Participants will have the opportunity to engage in a mindfulness session at the beginning and end of this event.

This special event is a joint production of Editors Toronto; Canadian Authors–Toronto; and the Creative Writing Program at the School of Continuing Studies, University of Toronto.

Our featured guests this month are Ranjini George, Rebecca Higgins, and Erika Nielsen.

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Book Review: Cite Right (3rd ed.) by Charles Lipson

By Summer Cowley

Cover of Cite Right, Third Edition by Charles Lipson

As an editor with editor friends, I find myself often reading works by authors who use citation styles other than the ones I regularly use in my own writing. Even though I become more comfortable with different styles every time I see them, many styles are unfamiliar in my APA-dominated world of the social sciences. Many times, I have wished there were an easier and more reliable way to quickly learn citation styles than running internet searches. Luckily, I’ve recently found Cite Right: A Quick Guide to Citation Styles—MLA, APA, Chicago, the Sciences, Professions, and More (2018) by Charles Lipson.

Cite Right is a short book (180 pages) in which Lipson provides summary explanations and examples of many citation styles. The book is divided into two general sections: “Citations: An Overview,” which contains introductory material and a general explanation of the practice of citing, and “Citations in Every Format: A Quick Guide,” which addresses Chicago/Turabian, MLA, APA, CSE, AMA, ACS, AIP for physics/astrophysics/astronomy, and mathematics/computer science/engineering citation styles.

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Editor for Life: JF Garrard, Deputy Editor for Ricepaper Magazine

Interview conducted by Jennifer D. Foster.

A career as an editor is often a solo adventure, especially if you’re a freelancer. So we thought one way to better connect with fellow editors was to ask them the W5: who, what, where, when, and why. Read on for some thought-provoking, enlightening tidbits from those of us who choose to work with words to earn our keep.

Please tell us a little about yourself, the kind of work you do (and where you live), and how long you’ve been an editor.

I’m a publisher and writer of speculative fiction, based in Toronto. I fell into editing in 2014 when Derwin Mak (fellow writer/editor) told me that an Asian-Canadian magazine called Ricepaper Magazine wanted to create a speculative fiction issue but didn’t have enough people to do it. I volunteered to help, and we edited an issue together in record time! In 2017, I was recruited by Ricepaper to help with writing film reviews, marketing, and coordinating events. In 2018, my role progressed to editorial and administrative work. My tasks now involve editing, interviewing potential editors, networking, coordinating events, and leading the production work for books and magazines. In parallel timelines, for my own press, Dark Helix Press, I began working on different anthology projects with editorial teams. Over time, I’ve learned a lot from leading projects and working with many diverse editors on magazine and book production. At the moment, I’m also in the middle of finishing up courses for a creative writing certificate from Ryerson University.

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Editing Worlds: Speculative Fiction and the Editorial Process

When: Tuesday, February 26, 7–9:30 PM (Please note the earlier start time, to accommodate our business meeting.)

Where: Centre for Social Innovation (CSI) Spadina, 192 Spadina Ave., Third Floor, Room F

Robert A. Heinlein first used the term “speculative fiction” in 1947 to describe the highest aspiration of science fiction. Over time, the term has expanded to include other genres, including fantasy and horror, as well as derivatives and hybrids. As an umbrella genre in which worlds are often built from scratch rather than patterned after our own, speculative fiction has provided fertile ground for social and political critique. It has also evolved to support a diversity of voices, though expanding the representational repertoire of speculative fiction remains a concern.

Join Editors Toronto on February 26 to hear four seasoned writers and editors discuss their experiences with the genre. Toronto’s Jen Frankel, JF Garrard, Dominik Parisien, and Drew Hayden Taylor will talk about various topics, including

  • the expanding role of Indigenous Voice in genre fiction (Drew Hayden Taylor);
  • the pressures of representation within texts and in relation to the broader publishing industry (Dominik Parisien);
  • the realities of indie publishing, crowdfunding, editing, and world building (Jen Frankel and JF Garrard);
  • the lessons learned from panels on writing and pop culture about the need for diverse stories in literature, film, and media (Jen Frankel and JF Garrard); and
  • strategies for supporting authors of different backgrounds and identities while keeping their voices intact throughout the editing process (Jen Frankel).

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Editors Unplugged: Get to know our panellists for Editing Worlds: Speculative Fiction and the Editorial Process

Interviews conducted by Catherine Dorton.

More details on the program forthcoming.

Our popular monthly program meetings often feature a jam-packed agenda. We like to keep our introductions short, so you can hear more from our panellists and less from us! It’s hard to do justice to the incredible wealth of experience these guests bring to the table, so we are offering you a preview with this short Q&A beforehand.

This month, we are honoured to be joined by Jen Frankel, JF Garrard, Dominik Parisien, and Drew Hayden Taylor.

Photo of Jen FrankelJen Frankel

If you could co-write a piece of speculative fiction with a famous author of any genre, who would you pick?

Definitely Anne McCaffrey. As long as I’m allowed to go back in time to do it. If I’m limited to now, Val McDermid. I’d drag her to the dark side and make her consider some supernatural interjections.

Star Wars, Star Trek, or Doctor Who? 

Marry: Star Trek. Date: Star Wars. Kill: Doctor Who. I really want to love the Doctor, but ever since the reboot, I feel like I’m in a downward spiral toward despair. But I haven’t watched the new season…

Who is your favourite monster? 

My favourite monster is Lilith, mother of all monsters and I’m absolutely sure totally maligned!

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Let’s Talk Rates! How to Ask for What You’re Worth and Get Paid on Time

Learn about setting rates (and raising them) from long-time freelancers at the PWAC Toronto February seminar. Note, Editors Toronto members are eligible to receive the PWAC Partners discount.

PWAC Feb 25 seminar Let's Talk Rates

Date: Monday, February 25, 2019
Time: 7:15 p.m. to 8:45 p.m. (doors open at 7 p.m.)
Location: Miles Nadal JCC, Room 318 (third floor)

Why is talking about freelance pay rates and money in general so challenging? In this seminar, we ask long-time freelancers to share advice on how they’ve set their rates and how they’ve raised them over the years.

Speakers:

  • Carol J. Anderson, an editor, proofreader, researcher, and writer for the private sector, non-profits, and government
  • Allan Britnell, freelance writer and editor and past-president of the Canadian Society of Magazine Editors
  • Diane Peters, a writer and editor who has covered a variety of topics for national publications and also teaches writing at Ryerson University
  • Suzanne (Sue) Bowness (seminar moderator), a long-time freelance writer/editor and writing teacher

To learn more about the seminar and the speakers, visit pwactoronto.org.

As always, PWAC Toronto evening seminars are FREE for PWAC members, and while non-members who register online in advance receive a discount.

The organizers ask that you please register in advance so they know how many people to expect.

REGISTER FOR THE SEMINAR

Recommended reading: Sue Bowness shares a preview of our seminar topic in her latest Networds Blog post.

Did you know? Editors Toronto offers in-house seminars

Editors Toronto in-house seminars postcard cover

Does your organization need help with editing and communication?

Editors Toronto offers specialized professional development training through our in-house seminars. Offered year-round, our seminars are taught by in-demand editorial professionals, curated and organized exclusively for your team!

Seminar topics offered include Plain Language, Copy Editing, Proofreading, Grammar and Punctuation, and many more.

Interested? Contact the Editors Toronto seminars chair today for more information about our group rates and customized training for your workplace:

[email protected]

“This seminar exceeded our expectations. The team felt that it was a fantastic refresh…it was very helpful!” —Toronto International Festival of Authors

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