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Editor for Life: Katherine Dearlove, managing editor, Owlkids

Interview conducted by Jennifer D. Foster.

A career as an editor is often a solo adventure, especially if you’re a freelancer. So we thought one way to better connect with fellow editors was to ask them the W5: who, what, where, when, and why. Read on for some thought-provoking, enlightening tidbits from those of us who choose to work with words to earn our keep.

Please tell us a little about yourself, the kind of work you do (and where you live), and how long you’ve been an editor.

You might say I’m a homebody in terms of my career, having spent most of it at Owlkids in Toronto, with the exception of two initial years at Key Porter Books. Over my two decades with Owlkids, I’ve had the privilege of holding a variety of positions, such as editor of both Chickadee and Chirp, senior editor of OWL, freelance writer and editor while I was home with small kids, and, currently, managing editor for both magazines and books. I’m also the author of My Canada, a picture book atlas illustrated by Lori Joy Smith. My career has given me a rare opportunity to create and edit high-quality content for kids in magazine, book, and electronic formats, and to work with so many talented and creative people.

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Editor for Life: JF Garrard, Deputy Editor for Ricepaper Magazine

Interview conducted by Jennifer D. Foster.

A career as an editor is often a solo adventure, especially if you’re a freelancer. So we thought one way to better connect with fellow editors was to ask them the W5: who, what, where, when, and why. Read on for some thought-provoking, enlightening tidbits from those of us who choose to work with words to earn our keep.

Please tell us a little about yourself, the kind of work you do (and where you live), and how long you’ve been an editor.

I’m a publisher and writer of speculative fiction, based in Toronto. I fell into editing in 2014 when Derwin Mak (fellow writer/editor) told me that an Asian-Canadian magazine called Ricepaper Magazine wanted to create a speculative fiction issue but didn’t have enough people to do it. I volunteered to help, and we edited an issue together in record time! In 2017, I was recruited by Ricepaper to help with writing film reviews, marketing, and coordinating events. In 2018, my role progressed to editorial and administrative work. My tasks now involve editing, interviewing potential editors, networking, coordinating events, and leading the production work for books and magazines. In parallel timelines, for my own press, Dark Helix Press, I began working on different anthology projects with editorial teams. Over time, I’ve learned a lot from leading projects and working with many diverse editors on magazine and book production. At the moment, I’m also in the middle of finishing up courses for a creative writing certificate from Ryerson University.

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Editor for Life: Rehana Begg, editor of Machinery and Equipment MRO magazine and REM—Resource Engineering & Maintenance, Annex Business Media

Interview conducted by Jennifer D. Foster

A career as an editor is often a solo adventure, especially if you’re a freelancer. So we thought one way to better connect with fellow editors was to ask them the W5: who, what, where, when, and why. Read on for some thought-provoking, enlightening tidbits from those of us who choose to work with words to earn our keep.

Rehanna Begg

 

Rehana, please tell us a little about yourself, the kind of work you do (where you live), and how long you’ve been an editor.

A couple of decades ago, an internship turned into my first paying job as an editorial assistant at Homemakers Magazine, a women’s lifestyle magazine. I had the pleasure of working with a group of brilliant women who inspired me to change course from being an aspiring news reporter to pursuing a career in magazine editing. I stayed on that course for about 10 years, working at Canadian Home Workshop and launching a freelance writer/editor career. As a freelancer, I was able to peddle my magazine journalism skills all the way to Cape Town, South Africa, where a stint at Best Life, a men’s lifestyle publication, allowed me to interview sources from the sandy beaches of Llandudno. The freelance experience strengthened my belief that journalism nurtures an insatiable curiosity and clued me into what I wanted to focus on in the next leg of my career. When I returned to Toronto in 2008, I decided to pursue a master of journalism degree as a way to foster my interest in business-to-business (B2B) publishing. But the program did not offer business reporting at the time and I had to find a role that would give me hands-on experience. I accepted a contract role as the editor at Benefits Canada, a B2B publication formerly owned by Rogers Media, which was an excellent inroad into the world of finance and institutional investments. From there, I was offered an opportunity at Annex Business Media, where I would edit a couple of maintenance and engineering publications. My role at Annex has been more of a content manager than magazine editor because my multi-platform portfolio includes managing the content of two magazines, two websites, and newsletters, as well as developing events such as webinars, round tables, and video production. It’s a busy desk, but I have still managed to complete an MBA with a project management specialization in my spare time. Staying relevant has been pivotal in ensuring personal satisfaction and career longevity in today’s content farm environment. (more…)