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Joining Editors Canada forged my path!

By Ann Kennedy

I joined Editors Canada as a student affiliate looking for opportunities to network with “real live” editors. I was partway through the Editing Certificate program at George Brown College and already thinking past graduation. Three years on, I don’t remember my exact Google search term, but I was thrilled to discover that the 2015 Editors Canada conference—their first international one, no less—was taking place in Toronto. I’m an old hand at conference planning, having worked at the local NXNE Music Festival and Conference for nine years, so I jumped at the chance.

I had no qualms about joining the organization in order to volunteer with it. I recognized the enormous potential for meeting people who could definitely advise me in my new career. And the Editors Canada website promised all manner of other benefits to members, too.

I’m so glad I did.

Volunteering at the registration desk was the ideal way to learn who was who in the editing world. I quickly found out that editors are an extraordinarily friendly and supportive group. My Facebook friend list doubled after the conference!

I went on to volunteer at the Editors Toronto booth at Word On The Street and join a national committee. The student relations committee represents the interests of students and fledgling editors in the association. Our mandate is to raise awareness of the association in editing and journalism programs and grow Editors Canada membership through attracting new student affiliates.

I was also honoured to be asked to join a task force whose goal is to improve access to member services for people who live in remote areas or who cannot access Editors Canada services for other reasons, such as disability.

All of this activity has paid off! I’ve made some great friends and I’ve done two copy editing contracts that were referred to me by members I’d met through volunteering. I highly recommend both joining Editors Canada and volunteering. The more you give of your time and talents, the more you’ll get!

Ann Kennedy is dedicated to reviving the skills and importance of excellent spelling, grammar, punctuation, and syntax in the digital age. She specializes in biography and memoir, travel literature and plain language.

This article was copy edited by Ambrose Li .

 

Webinar: Starting a freelance editing or writing career

Being a freelancer is much more than working in your pyjamas. For the privilege of setting your own hours, you also have to be your own boss, the sales team, the office manager, the bookkeeper, as well as the employee. Learn how in this seminar, which outlines the basic steps to your dream job.

Part 1: Getting Ready
Part 2: Getting Going

As a result of attending this session, attendees will be able to start their own freelance business. They’ll know how to register for a business name and HST number, how to start marketing their services and what to track for basic bookkeeping and taxes.

This webinar series is geared towards communication professionals at all stages of their career.

Presenter: Christine LeBlanc
Date: Saturdays, May 5 and 12
Time: 12 p.m., EDT / 9 a.m., PDT
Length: Two 1 hour sessions
Language: English
Level: Introductory
Member price: $84
Non-member price: $120
Register HERE

Christine LeBlanc started Dossier Communications in 2005, after a decade in publishing. She has a degree in journalism and a professional certification in marketing.

Twitter: @DossierCom

Book Review: Side Hustle by Chris Guillebeau

Side Hustle

(Crown, 2017)

By Jessica Trudel

Do you find your day job fulfilling? If you answered “no,” Side Hustle is for you. If you answered “yes,” Side Hustle is also for you.

That’s what author Chris Guillebeau gets across in the early pages of Side Hustle: From Idea to Income in 27 Days. “Everyone should have a side hustle. Even if you love your job, having more than one source of income will give you more freedom and more options.”

Who doesn’t want the freedom that more money can bring? And if you could start bringing in more money in less than a month, even better.

Side Hustle outlines Guillebeau’s five-week program to launch a successful side hustle. Besides being a veteran side hustler himself, Guillebeau is also the bestselling author of The $100 Startup.

In his book, Guillebeau targets those people who want to want to make money as entrepreneurs but who aren’t prepared to fully commit to self-employment. Perhaps they like their day job and want to keep it, or perhaps they just aren’t ready to quit yet.

Side Hustle is an easy read. Guillebeau uses accessible language, not jargon, to emphasize that you don’t need an MBA to run a successful side hustle. He includes anecdotes in every chapter, telling stories of regular people who came up with an idea for a side hustle and took immediate action. None of his subjects sat down and wrote out a detailed business plan first.

Still, there isn’t much to learn in Side Hustle if you already have entrepreneurial experience. In fact, some of it may seem downright obvious. Regardless, it’s a good reminder that keeping things simple is often the fastest route to success.

Guillebeau’s writing style is entertaining and inventive. He cleverly transitions between ideas and anecdotes. For example, after sharing an anecdote about one person’s sweater-selling side hustle, Guillebeau writes, “Like sweaters, side hustles are not one size fits all.” He also commits to his metaphors, dedicating seven pages to “the recipe for hustling success” and wrapping it up with, “A recipe is only as good as the finished product you take out of the oven.”

I was impressed with the formatting and organization of the book. It expands on the typical table of contents by including a summary of the 27-day plan with short one-to-two-sentence teasers. These teasers reappear at the beginning of the corresponding chapter, to reinforce the importance of sticking to the plan.

Guillebeau admits that he’s a bit indecisive. “If you’re like me, you may sometimes have trouble choosing among all your different side hustle ideas,” he writes. It feels as though Guillebeau couldn’t decide if he wanted Side Hustle to be a workbook or a textbook. Side Hustle includes a few workbook features: he leaves some room to make notes or answer questions in five places within the book. Since Guillebeau touts that most of the planning in his system can be done “on the back of a napkin,” it seems that he could have made room for planning in every chapter. It would have also been okay for him to leave no room for planning at all. Just make a decision, Chris!

Many editors with day jobs think they have a successful side hustle, but Guillebeau wants readers to understand that a truly successful side hustle brings in “passive income.” Editing is labour-intensive; typically an editor is only paid per hour or per word. Passive income is earned if, for example, you write a book about editing that continues to sell without your ever having to write another word. Guillebeau would encourage a side-hustling editor to find a way to make their hustle more self-sufficient.

Ultimately, Guillebeau’s message is this: “A good side hustle…can help support your life, but it doesn’t have to be your whole life.” I think all of us who dedicate almost every waking minute to writing and editing can all take a little wisdom from that.

Jessica Trudel has been a freelance writer and editor since 2006 and is an outspoken advocate for the arts in Northern Ontario. A mother of four girls, she is also on the board of directors of her local writers’ guild. She recently began hosting LitBulbs on YouTube.

This article was copy edited by Ellen Fleischer.

Book Review: Boss Bitch by Nicole Lapin

Boss Bitch

(Crown, 2017)

By Alethea Spiridon

 

Nicole Lapin knows what she’s talking about. She’s a wildly successful career woman who has blazed a path for herself as both a businesswoman (launching the CASH Smartwatch) and as a news anchor for CNN and CNBC. A boss bitch is the “she-ro” of her own story, Lapin writes on page 1 of the book: “She is the heroine who doesn’t need saving because she has her own shit handled. I became a Boss Bitch by embracing being a ‘boss’ in all aspects of the word.”

 

That opening sets the tone and pace for this marvellous book that will no doubt empower women who need a nudge, or even an all-out kick in the butt, to take their career—and life—to the next level, and to be as successful as wanted and needed. Lapin’s tone is forthright and honest, and girlfriend to girlfriend, something she says at the outset is exactly how she intends it to be.

 

Her voice and approach make the content relatable and easy to digest; it’s like going for drinks with a great friend who has your back, but calls you out on your nonsense because all she wants is the best for you. Lapin has plenty of insights to share that can really help women get back on track or consider what track to finally take to become the Boss Bitch in their own lives.

 

Though the book promises a “12-Step Plan to Take Charge of Your Career” it really isn’t a 12-step approach because not all steps will apply to all women. The steps are divided into three sections: Being the Boss of You, Being the Boss at Work, and Being the Boss of Your Own Business. This is the book’s only failing. Although many women will fall into one of these categories, it seemed as though there would be a 12-step outline you should follow to become a Boss Bitch. But no. This is a little misleading, but not enough to condemn the book as a whole. Boss Bitch contains hidden gems of advice given throughout and offers much valuable insight and advice for every woman at whatever stage of her career she is in.

 

One of the book’s best aspects is what Lapin calls the “Bottom Line”, offered at the end of each chapter, tackling a piece of conventional wisdom, then giving it her spin on the “Real Deal.” The real deal is her no sugar-coating take on the situation presented, and she shows how the conventional wisdom of the topic at hand may or may not be accurate. For example, one piece of conventional wisdom is that assertive women are overbearing. Her first response to this, her Real Deal reply? “Hell no.” These insights alone, as well as the Bitch Tips and Confessions of a Boss Bitch sprinkled throughout each chapter, are worth the price of the book alone.

 

She holds nothing back, from revealing her salary level along the course of her career, to personal anecdotes of failure, to how she got back up and learned from those experiences. Her strength of character and steadfastness in her desire to succeed is utterly infectious and is sure to inspire the women who take the time to invest in themselves by reading her book. Boss Bitch is a manifesto of sorts on how to achieve your best self and best life without compromising your values, ethics, and true desires.

Alethea Spiridon is a writer and editor in Southern Ontario. Her first book, Kissing Strangers: How to Online Date Like a Boss is out now and available on Amazon. [www.freelanceeditor.ca]

This article was copy edited by Nicole North.

Reporting back on new directions in self-publishing: A summary of challenges, opportunities and resources

Editors Toronto paired with PWAC Toronto Chapter to present a panel on self-publishing. The following post is from the PWAC Toronto Chapter blog,  Networds. Thanks to editor Suzanne Bowness for giving BoldFace permission to share the post.

by Suzanne Bowness

PWAC Toronto chapter president Karen Luttrell introduces the panel

If you’re one of the unfortunate PWAC members who couldn’t make it to the self-publishing panel held on March 27, which was co-organized by PWAC Toronto Chapter and Editors Toronto, you’re in luck: I took notes for you. It’s not quite the same as being there, but here are a few tips and images to give you a flavour of the event.

If there were a quote to summarize the evening, perhaps it was one of the first to be projected on the big screen in the University of Toronto (U of T) lecture hall, where we all gathered:

“Self-publishing used to be a scar; now it’s a tattoo.”

That’s from Greg Cope White, author of The Pink Marine: One Boy’s Journey through Boot Camp to Manhood. I forgot to take a picture, but the quote still sticks in my mind days later.

Helpful slide of panellists’ names!

If the evening had a theme, it was how much has changed in the world of self-publishing, even in the last five years. Seriously, most panellists said those exact words or similar.

Hosted by the Creative Writing program at the School of Continuing Studies, U of T, the panel consisted of four industry pros, who all did a great job of dividing this big topic into digestible sections, providing a helpful mix of new information and personal anecdotes, which allowed their talks to flow together nicely. You can read the panellists’ biographies here, in our original post advertising the event. (more…)

Book Review: What Next? by Dr. Barbara Moses

What Next?

by Karen Kemlo

Dr. Barbara Moses, known as “Canada’s career guru,” is a leading expert in work satisfaction and career success. This updated third edition of her best-selling book What Next? has something for anyone who is at a crossroads in their career or work life.

From millennials starting out in their job searches to more mature workers changing careers, this is a great step-by-step guide to making the next move. But be warned—it’s a big read with lots of homework in the form of self-assessment questions. Although likely meant to instill greater self-reflection, the detailed questions often bring the book and the reader to a full stop.

The early chapters discuss the notion of identifying one’s “core motivators” for seeking certain types of work. Based on her research, Moses has identified eight motivational types: sociability seekers, career builders, authenticity seekers, personal developers, novelty seekers, entrepreneurs, lifestylers, and stability seekers. The challenge, according to Moses, is “to find a work environment that provides the best possible match.”

It’s a unique approach to career guidance, something I wish I’d known about when starting out in the work world. Perhaps it would’ve focused my early job and education goals sooner. It might have also saved me the horror of dead-end and minimum-wage jobs. But I also know that my 20-year-old self would never have taken the time to fill out all of the questionnaires in this book.

Given the current job market, and the rise of part-time and precarious work, it seems unrealistic to assume that all workers will always have the ability to choose. Sometimes you have to take jobs and work with difficult people, simply in order to pay the bills. Life challenges, such as downsizing, divorce or illness get in the way of career goals.

What Next? is still a great resource for people at different stages in their careers and touches on some of the issues that everyone has to deal with at some point: how to overcome job burnout, how to deal with difficult bosses, what to do if you’re fired, how to write a resumé, and the benefits of networking. These chapters are shorter and less detailed than the ones on self-assessment and motivational types. As a consequence, the author—and the reader—spend more time inside the world of ideas and ideal jobs than in the real world of work.

Karen Kemlo is a freelance editor and writer in Toronto. 

This article was copy edited by Ellen Fleischer

Notes on New Directions in Self-Publishing

Editors Toronto paired with PWAC Toronto Chapter to present a panel on self-publishing. The following post is from freelance editor Michelle MacAlees’s blog Many thanks to Michelle for giving BoldFace permission to cross-post this post.

by Michelle MacAleese

“Self-publishing [used to be] a scar; now it’s a tattoo.”— Greg White

Last night [Tuesday, March 27, 2018]  four of Canada’s most savvy publishing professionals addressed the subject of new directions in self-publishing together with Editors Canada (Toronto branch)PWAC Toronto Chapter, and the U of T School of Continuing Education.

This morning I am reviewing my notes, and I share them here:

  • Many in the biz draw a distinction between self-published authors and hybrid-published authors; both are “independent,” but the self-published authors are a special breed, who understand art and business and (usually) gladly develop proficiency in all the technical and administrative details of the process.
  • Not surprisingly, options for authors continue to change rapidly. What worked best in 2011 is irrelevant today. Many quality companies offer publishing services and hybrid publishing deals. (Many companies will pretty much just steal your money. One must read up before signing up.)
  • The best publishing option for e-only genre fiction won’t be the same as for a debut hardcover business book. It’s a wide world of independent publishing.
  • Authors: If you don’t love technical things (formatting ebooks, working Amazon’s categories, tweaking descriptive copy), you probably won’t enjoy starting a publishing house of one.
  • Editors: Working with self-published authors is a specialty and those editors who are good at taking on that relationship and guiding the process are worth their weight in gold. (Isn’t it about time we begin to mentor each other in why this kind of author-editor relationship is unique, and how it borders on the agent role at times?)
  • Editors who already specialize in working with self-published authors: Let’s talk about how to partner with reputable publishing services companies as well as with other independent designers and book marketing professionals to launch great self-published books that sell!

Thanks to panelists Stephanie FyshMeghan BehseMark Leslie LefebvreNina Munteanu, and to my audience buddy Bronwyn Kienapple. Let’s keep sharing!

Being a digital nomad: Or how to edit from the beach

Beach editing

Photo by Rachel Stuckey

By Rachel Stuckey

I’m a digital nomad. For years I’ve told anyone who asked that I was a writer and editor (even though editing pays most of my bills). But lately, the way I work has been more interesting than the work I actually do.

But I’m still getting used to saying “I’m a digital nomad” (and sometimes, I confess, I often use air quotes when I do say it). I know what “digital nomad” conjures up: visions of twenty-somethings with no job prospects and an unnatural attachment to their smartphones.

Air quotes aside, such visions are really just the surface of this cultural phenomenon. (And thanks to Insta-influencers and click-bait web content, that surface seems both beautiful and vacuous). But there are plenty of Gen Xers, Xennials, and even grown-up millennials doing marvellous and fascinating things on the road.

I’d like to think I’m one of the grown-up digital nomads. For the last several years, I’ve been seeking out new temporary homes for me and my editorial services business, sometimes spending months in one place and sometimes changing it up every few weeks.

In 2012, I was a burned-out freelancer looking for adventure. After months of preparation, I headed out on a trip around the world, with stops in Thailand, China, Cambodia, India, the UAE, Spain, France, Italy, and the UK before coming home nine months later. Everyone thought that might be it, adventure had.

But I wasn’t ready to settle back into the same old same old. And I’ve been on the move ever since, spending some months each year in Toronto and the rest of my time in Europe, South and Central America, Thailand, and Vietnam. In 2018, I’m returning to Thailand, and then on to Southern Africa.

This wanderlust may have begun as therapy for my tertiary life crisis. But over the last five years of living and working abroad and living and working in Toronto, I’ve realized that there is a strong economic argument for tackling our gig economy as a nomad. After several months living at home in TO again, my pocketbook is itching to get the heck out of Dodge! (Also, winter is coming, and I hate wearing socks and shoes.) (more…)