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Learn about setting rates (and raising them) from long-time freelancers at the PWAC Toronto February seminar. Note, Editors Toronto members are eligible to receive the PWAC Partners discount.
Date: Monday, February 25, 2019
Time: 7:15 p.m. to 8:45 p.m. (doors open at 7 p.m.)
Location: Miles Nadal JCC, Room 318 (third floor)
Why is talking about freelance pay rates and money in general so challenging? In this seminar, we ask long-time freelancers to share advice on how they’ve set their rates and how they’ve raised them over the years.
- Carol J. Anderson, an editor, proofreader, researcher, and writer for the private sector, non-profits, and government
- Allan Britnell, freelance writer and editor and past-president of the Canadian Society of Magazine Editors
- Diane Peters, a writer and editor who has covered a variety of topics for national publications and also teaches writing at Ryerson University
- Suzanne (Sue) Bowness (seminar moderator), a long-time freelance writer/editor and writing teacher
To learn more about the seminar and the speakers, visit pwactoronto.org.
As always, PWAC Toronto evening seminars are FREE for PWAC members, and while non-members who register online in advance receive a discount.
The organizers ask that you please register in advance so they know how many people to expect.
Recommended reading: Sue Bowness shares a preview of our seminar topic in her latest Networds Blog post.
Interview conducted by Indu Singh.
A career as an editor is often a solo adventure, especially if you’re a freelancer. So we thought one way to better connect with fellow editors was to ask them the W5: who, what, where, when, and why. Read on for some thought-provoking, enlightening tidbits from those of us who choose to work with words to earn our keep.
Allegra, please tell us a little about yourself, the kind of work you do (and where you live), and how long you’ve been an editor.
I still consider myself lucky. Although I had no publishing experience yet, in 2004 I was offered a temporary job filling in for a production editor [at Pearson]. I went on to become a production editor at Pearson and later at HarperCollins Canada. My in-house stints alternated with periods of freelancing, and I’ve been in one of those periods now for four years. I moved to Toronto in 1983 to study fashion design at Ryerson. I lasted one year in that program (it was extremely demanding, and I was extremely unsuited to it).
In academia, papers and theses are one way to test the ability of students to use written words for communicating ideas and arguments. Yet students sometimes ask editors to provide a full gamut of editorial services.
To address this, Editors Canada first developed Guidelines for Ethical Editing of Theses / Dissertations in 2005. We are pleased to announce the association has updated these free guidelines for ethical editing of papers at the graduate and doctoral level. We have also added a second set of free guidelines to cover undergraduate papers.
For more information, read the news release here.
Being a freelancer is much more than working in your pyjamas. For the privilege of setting your own hours, you also have to be your own boss, the sales team, the office manager, the bookkeeper, as well as the employee. Learn how in this seminar, which outlines the basic steps to your dream job.
Part 1: Getting Ready
Part 2: Getting Going
As a result of attending this session, attendees will be able to start their own freelance business. They’ll know how to register for a business name and HST number, how to start marketing their services and what to track for basic bookkeeping and taxes.
This webinar series is geared towards communication professionals at all stages of their career.
Presenter: Christine LeBlanc
Date: Saturdays, May 5 and 12
Time: 12 p.m., EDT / 9 a.m., PDT
Length: Two 1 hour sessions
Member price: $84
Non-member price: $120
Christine LeBlanc started Dossier Communications in 2005, after a decade in publishing. She has a degree in journalism and a professional certification in marketing.
By Jessica Trudel
Do you find your day job fulfilling? If you answered “no,” Side Hustle is for you. If you answered “yes,” Side Hustle is also for you.
That’s what author Chris Guillebeau gets across in the early pages of Side Hustle: From Idea to Income in 27 Days. “Everyone should have a side hustle. Even if you love your job, having more than one source of income will give you more freedom and more options.”
Who doesn’t want the freedom that more money can bring? And if you could start bringing in more money in less than a month, even better.
Side Hustle outlines Guillebeau’s five-week program to launch a successful side hustle. Besides being a veteran side hustler himself, Guillebeau is also the bestselling author of The $100 Startup.
In his book, Guillebeau targets those people who want to want to make money as entrepreneurs but who aren’t prepared to fully commit to self-employment. Perhaps they like their day job and want to keep it, or perhaps they just aren’t ready to quit yet.
Side Hustle is an easy read. Guillebeau uses accessible language, not jargon, to emphasize that you don’t need an MBA to run a successful side hustle. He includes anecdotes in every chapter, telling stories of regular people who came up with an idea for a side hustle and took immediate action. None of his subjects sat down and wrote out a detailed business plan first.
Still, there isn’t much to learn in Side Hustle if you already have entrepreneurial experience. In fact, some of it may seem downright obvious. Regardless, it’s a good reminder that keeping things simple is often the fastest route to success.
Guillebeau’s writing style is entertaining and inventive. He cleverly transitions between ideas and anecdotes. For example, after sharing an anecdote about one person’s sweater-selling side hustle, Guillebeau writes, “Like sweaters, side hustles are not one size fits all.” He also commits to his metaphors, dedicating seven pages to “the recipe for hustling success” and wrapping it up with, “A recipe is only as good as the finished product you take out of the oven.”
I was impressed with the formatting and organization of the book. It expands on the typical table of contents by including a summary of the 27-day plan with short one-to-two-sentence teasers. These teasers reappear at the beginning of the corresponding chapter, to reinforce the importance of sticking to the plan.
Guillebeau admits that he’s a bit indecisive. “If you’re like me, you may sometimes have trouble choosing among all your different side hustle ideas,” he writes. It feels as though Guillebeau couldn’t decide if he wanted Side Hustle to be a workbook or a textbook. Side Hustle includes a few workbook features: he leaves some room to make notes or answer questions in five places within the book. Since Guillebeau touts that most of the planning in his system can be done “on the back of a napkin,” it seems that he could have made room for planning in every chapter. It would have also been okay for him to leave no room for planning at all. Just make a decision, Chris!
Many editors with day jobs think they have a successful side hustle, but Guillebeau wants readers to understand that a truly successful side hustle brings in “passive income.” Editing is labour-intensive; typically an editor is only paid per hour or per word. Passive income is earned if, for example, you write a book about editing that continues to sell without your ever having to write another word. Guillebeau would encourage a side-hustling editor to find a way to make their hustle more self-sufficient.
Ultimately, Guillebeau’s message is this: “A good side hustle…can help support your life, but it doesn’t have to be your whole life.” I think all of us who dedicate almost every waking minute to writing and editing can all take a little wisdom from that.
Jessica Trudel has been a freelance writer and editor since 2006 and is an outspoken advocate for the arts in Northern Ontario. A mother of four girls, she is also on the board of directors of her local writers’ guild. She recently began hosting LitBulbs on YouTube.
This article was copy edited by Ellen Fleischer.
By Alethea Spiridon
Nicole Lapin knows what she’s talking about. She’s a wildly successful career woman who has blazed a path for herself as both a businesswoman (launching the CASH Smartwatch) and as a news anchor for CNN and CNBC. A boss bitch is the “she-ro” of her own story, Lapin writes on page 1 of the book: “She is the heroine who doesn’t need saving because she has her own shit handled. I became a Boss Bitch by embracing being a ‘boss’ in all aspects of the word.”
That opening sets the tone and pace for this marvellous book that will no doubt empower women who need a nudge, or even an all-out kick in the butt, to take their career—and life—to the next level, and to be as successful as wanted and needed. Lapin’s tone is forthright and honest, and girlfriend to girlfriend, something she says at the outset is exactly how she intends it to be.
Her voice and approach make the content relatable and easy to digest; it’s like going for drinks with a great friend who has your back, but calls you out on your nonsense because all she wants is the best for you. Lapin has plenty of insights to share that can really help women get back on track or consider what track to finally take to become the Boss Bitch in their own lives.
Though the book promises a “12-Step Plan to Take Charge of Your Career” it really isn’t a 12-step approach because not all steps will apply to all women. The steps are divided into three sections: Being the Boss of You, Being the Boss at Work, and Being the Boss of Your Own Business. This is the book’s only failing. Although many women will fall into one of these categories, it seemed as though there would be a 12-step outline you should follow to become a Boss Bitch. But no. This is a little misleading, but not enough to condemn the book as a whole. Boss Bitch contains hidden gems of advice given throughout and offers much valuable insight and advice for every woman at whatever stage of her career she is in.
One of the book’s best aspects is what Lapin calls the “Bottom Line”, offered at the end of each chapter, tackling a piece of conventional wisdom, then giving it her spin on the “Real Deal.” The real deal is her no sugar-coating take on the situation presented, and she shows how the conventional wisdom of the topic at hand may or may not be accurate. For example, one piece of conventional wisdom is that assertive women are overbearing. Her first response to this, her Real Deal reply? “Hell no.” These insights alone, as well as the Bitch Tips and Confessions of a Boss Bitch sprinkled throughout each chapter, are worth the price of the book alone.
She holds nothing back, from revealing her salary level along the course of her career, to personal anecdotes of failure, to how she got back up and learned from those experiences. Her strength of character and steadfastness in her desire to succeed is utterly infectious and is sure to inspire the women who take the time to invest in themselves by reading her book. Boss Bitch is a manifesto of sorts on how to achieve your best self and best life without compromising your values, ethics, and true desires.
Alethea Spiridon is a writer and editor in Southern Ontario. Her first book, Kissing Strangers: How to Online Date Like a Boss is out now and available on Amazon. [www.freelanceeditor.ca]
This article was copy edited by Nicole North.
Reporting back on new directions in self-publishing: A summary of challenges, opportunities and resources
Editors Toronto paired with PWAC Toronto Chapter to present a panel on self-publishing. The following post is from the PWAC Toronto Chapter blog, Networds. Thanks to editor Suzanne Bowness for giving BoldFace permission to share the post.
by Suzanne Bowness
If you’re one of the unfortunate PWAC members who couldn’t make it to the self-publishing panel held on March 27, which was co-organized by PWAC Toronto Chapter and Editors Toronto, you’re in luck: I took notes for you. It’s not quite the same as being there, but here are a few tips and images to give you a flavour of the event.
If there were a quote to summarize the evening, perhaps it was one of the first to be projected on the big screen in the University of Toronto (U of T) lecture hall, where we all gathered:
“Self-publishing used to be a scar; now it’s a tattoo.”
That’s from Greg Cope White, author of The Pink Marine: One Boy’s Journey through Boot Camp to Manhood. I forgot to take a picture, but the quote still sticks in my mind days later.
If the evening had a theme, it was how much has changed in the world of self-publishing, even in the last five years. Seriously, most panellists said those exact words or similar.
Hosted by the Creative Writing program at the School of Continuing Studies, U of T, the panel consisted of four industry pros, who all did a great job of dividing this big topic into digestible sections, providing a helpful mix of new information and personal anecdotes, which allowed their talks to flow together nicely. You can read the panellists’ biographies here, in our original post advertising the event. (more…)