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Taming time

Lion tamer

A lion tamer at Bertram Mills Touring Circus, Ascot/Edward G Malindine/
Collection of National Media Museum/ CREATIVE COMMONS ATTRIBUTION-NONCOMMERCIAL-SHAREALIKE (CC BY-NC-SA 4.0)

By Jaye Marsh

Time management was a popular topic to start off the year for Editors Toronto branch meetings.

A full house of approximately 40 people greeted the guest panellists at our new venue. Thanks to Greg Ioannou, lifetime member of Editors Canada, the Toronto branch now meets at the Centre for Social Innovation, a lovely multimedia-capable space on Spadina Avenue near Queen Street West.

The evening’s program, held on September 26, was about “Time-management for busy editors.” Program chair Lee Parpart invited four panellists: Jennifer D. Foster, Jeanne McKane, Dr. Nicole Lyon Roccas, and Jayne S. Huhtanen.

Jennifer gave us a list of practical tips and guiding principles that work for her: knowing your needs, discipline, attitude, and creating the right space in which to work. She reviewed her unsuccessful experience with the Pomodoro technique (setting tasks and using timers); making lists; using a hard-copy calendar; the importance of checklists to relieve the memory banks; taking regular breaks; exercising; setting rewards; and learning to say no. At the end, Jennifer stressed the importance of surrounding herself with positive, kind people who are supportive and respectful of her and her work. The end result? A favourable effect on productivity, motivation, and efficiency. (more…)

Editor for Life: Jeanne McKane, freelance editor, co-chair of the Editors Canada Certification Steering Committee, and 2017 recipient of the Lee d’Anjou Volunteer of the Year award

Interview conducted by Jennifer D. Foster

A career as an editor is often a solo adventure, especially if you’re a freelancer. So we thought one way to better connect with fellow editors was to ask them the W5: who, what, where, when, and why. Read on for some thought-provoking, enlightening tidbits from those of us who choose to work with words to earn our keep.

Jeanne McKane

Jeanne, please tell us a little about yourself, the kind of work you do (where you live), and how long you’ve been an editor.

I have been an editor for 21 years (gulp), and a freelancer for 16 of those (whoa). My first-ever paid work in editing was as a proofreader for a small company that publishes travel trade magazines. It was spectacular training ground: an endless supply of proofreading, and a production manager who wanted an apprentice, so I was able to learn a great deal about print production. From there, I worked in publications at the Canadian Diabetes Association, and when another staff member left, I suddenly became managing editor of their medical journal! I didn’t know much about the world of journal publishing, so it was a real trial by fire, but that job turned into another job in medical editing, which led to a freelance career specializing in medical and science editing, and I absolutely love it. Now I work with government, non-profit organizations, journal publishers, corporations and individual authors to improve the quality of science communication. My favourite thing is to help people prepare their journal articles for publication, particularly people whose first language is not English. Sort of an odd career path for someone who studied English, Celtic Studies, and Scottish Literature, but you never know where life will take you!

My work in science editing got me very interested in certification, because I work so much with doctors, nurses, and people in other regulated professions. Early in my career, I was very glad to find the Board of Editors in the Life Sciences, which runs a certification program for science editors, so I took their exam as soon as I was eligible. Not long after that, Editors Canada launched its certification program, and I jumped at the chance to do that, too. I have appreciated the chance to test my editorial skills against the standards set by two national-level organizations. As well, both certifications have been really valuable in my everyday work: they allow me to present myself to clients as a specialist in another field, which creates a very different working relationship. (more…)

Join us for holiday cheer!

Happy Holidays

The chill in the air says it’s that time of year! Let’s get together for some holiday cheer.

 

What better way to celebrate the holidays and the end of 2017 than by swapping stories and sharing some laughs with your colleagues? Seize this opportunity to relax and review the year among friends. Members are welcome to bring a guest.

 

Where: The Pickle Barrel, 312 Yonge St. (Yonge and Dundas)

When: Tuesday, December 12, 2017, at 6:30 PM

 

Attendees pay for their own dinner and drinks.

 

RSVP by December 10, 2017.

 

Note: The Pickle Barrel is fully accessible, has a varied menu to accommodate food preferences, and validates parking. 

 

For elevators: Enter through The Atrium doors (just north of The Pickle Barrel entrance on Yonge Street).

Editors Canada member Michael Redhill wins the 2017 Scotiabank Giller Prize

FOR IMMEDIATE RELEASE

Toronto, November 21, 2017—The Editors’ Association of Canada (Editors Canada) congratulates member Michael Redhill, winner of the 2017 Scotiabank Giller Prize for Bellevue Square.

Bellevue Square is a darkly comic literary thriller about a woman who fears for her sanity and eventually her life when she learns that her doppelganger has appeared in a local park.

Redhill is an award-winning poet, playwright, short-story writer and novelist, and a member of Editors Toronto. He gave the keynote address at Editors Canada’s 2010 national conference in Montreal, where his clever speech kept the audience laughing (and the interpreters jumping).

Last night, Redhill’s address to the audience in attendance at the gala at the Ritz-Carlton Toronto was an emotional one. He thanked Michael Ondaatje and Linda Spalding who “over 30 years ago…opened their door to me and I’m grateful for the enthusiasm and encouragement they brought to my life.”

He went on to thank his mother. “Our house was full of books because of [her]. Because of her love of reading, I wanted to make her books,” he said.

The $100,000 Scotiabank Giller Prize is the richest literary award for a work of fiction in Canada. The prize has been awarded annually since 1994. It was founded by the late Jack Rabinovitch to honour his wife, the journalist Doris Giller, who died a year earlier. Rabinovitch died this year at the age of 87.

An editor all his life, Redhill is no stranger to the “best supporting actor” role that goes along with this invisible art in publishing. Earlier this year, he posted on Facebook looking for editing work. “The ends, they do not meet,” he wrote.

“The ends are going to meet for a while now,” he joked after winning the prize.

Born in Maryland in 1966, Redhill has lived in Canada for most of his life. His career formally began in the early nineties at Coach House Press. He taught “Editing Poetry” at Ryerson University and is the author of the novels Consolation, longlisted for the Man Booker Prize, and Martin Sloane, a finalist for the Giller Prize. He has written a novel for young adults, four collections of poetry and two plays, including the internationally celebrated Goodness. He also writes a series of crime novels under the name Inger Ash Wolfe. He lives in Toronto.

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About Editors Canada
Editors Canada began in 1979 as the Freelance Editors’ Association of Canada to promote and maintain high standards of editing. In 1994, the word “Freelance” was dropped to reflect the association’s expanding focus to serve both freelance and in-house editors. As Canada’s only national editorial association, it is the hub for 1,300 members and affiliates, both salaried and freelance, who work in the corporate, technical, government, not-for-profit and publishing sectors. The association’s professional development programs and services include professional certification, an annual conference, seminars, webinars, guidelines for fair pay and working conditions, and networking with other associations. Editors Canada has five regional branches: British Columbia; Saskatchewan; Toronto; Ottawa–Gatineau; and Quebec/Atlantic Canada, as well as smaller branches (called twigs) in Calgary, Edmonton, Manitoba, Kitchener-Waterloo-Guelph, Hamilton/Halton, Kingston, Nova Scotia, and Newfoundland and Labrador.

www.editors.ca
Media Contact
Michelle Ou
Senior Communications Manager
Editors Canada
416 975-1379 / 1 866 226-3348
[email protected]

Retirement savings for freelancers: What you need to know

  • Retirement Saving for Freelancers
  • by Michelle Waitzman

    When you’re self-employed, saving for retirement is anything but simple. There’s no employee pension, no group RRSPs, and no steady paycheque to count on. I sat down with Aldwin Chin, a financial advisor with Edward Jones in Toronto, to get his insights on how to save for retirement as a freelancer. This is a very general overview, but you can use the links at the end of the article to find more information.

    How much of my income should I be saving?

    You need to prioritize your money to figure out how much you can and should save. Most freelancers should allocate their income like this:

    1. Pay for your current living and business expenses.
    2. Save three to six months’ living expenses in case of emergency or lack of work.
    3. Anything that’s left should go into long-term savings and investments for retirement or for other major expenses.

    (more…)

    Editor for Life: Greg Ioannou, freelance editor, owner of Colborne Communications, and co-founder of PubLaunch.com and Iguana Books

    Interview conducted by Jennifer D. Foster

    A career as an editor is often a solo adventure, especially if you’re a freelancer. So we thought one way to better connect with fellow editors was to ask them the W5: who, what, where, when, and why. Read on for some thought-provoking, enlightening tidbits from those of us who choose to work with words to earn our keep.

    Greg Ioannou

    Greg, please tell us a little about yourself, the kind of work you do, and how long you’ve been an editor.

    I started freelancing on September 6, 1977, though I’d done lots of writing and some volunteer editing for a couple of years before that. So not quite 40 years. My first paid editing gig was working on Coles Notes (I edited almost 200 of them), and from there I branched out into textbooks, dictionaries, and trade books. By 1982, I was working for a range of publishers, and also editing a section of Ontario’s provincial budget. I’ve always been a complete generalist. My all-time favourite customer was Cranium, the board game company. I worked on over 30 games for them.

    In 1985, I agreed to share a small office with two friends, which ended my days as a lonely freelancer working from my spare bedroom. That became a company that was originally called The Editorial Centre and is now Colborne Communications.

    Five of us founded Iguana Books in 1991 as a book packaging company. (We put out one book soon after we launched the company. It was someone else’s pet project—an academic book on a business subject—and I’ve never seen a copy of it.) In 2011 I converted Iguana to a hybrid publisher, serving self-publishing authors. Iguana has published about 70 books, many of which I’m intensely proud of.

    Iguana publishes general trade books—fiction, non-fiction, poetry, kids’ books, whatever. I won’t publish a book unless it is at a fully professional standard. Our books are as well edited and designed as the books coming out of the major trade-publishing companies. As an editor, I’ve always been a complete generalist, and my publishing company is the same.

    Iguana started crowdfunding its books in 2013, mostly using a New York-based website called Pubslush. By early 2015, a large portion of my income was coming through Pubslush, so when the company announced in August 2015 that it was going out of business, I sort of acquired the company. That deal fell apart seven weeks later. We’d been planning to rebrand the company as PubLaunch anyway, so that was an opportunity to program PubLaunch the way we’d wished that Pubslush had worked. (more…)

    Editor for life: Marnie Lamb, freelance editor, indexer, and writer

    Interview conducted by Jennifer D. Foster

    A career as an editor is often a solo adventure, especially if you’re a freelancer. So we thought one way to better connect with fellow editors was to ask them the W5: who, what, where, when, and why. Read on for some thought-provoking, enlightening tidbits from those of us who choose to work with words to earn our keep.

    Marnie Lamb
     

    Please tell us a little about yourself, Marnie, the kind of work you do, and how long you’ve been an editor.

    My first paid editing job was at the, then named, Department of Indian Affairs and Northern Development, in Hull, Quebec. I was hired during the summer when I was doing my master’s degree in English literature. (I won’t tell you how many years ago that was!) The job was quite a coup for a student, considering that most of my classmates stacked books at Chapters or worked as teaching assistants in mandatory English courses for unruly engineering students.

    After I graduated, I left Indian Affairs and pursued other goals over the next few years (including a second master’s degree, this one a combined creative writing and English literature program). I then worked for a year as an editor for a professor at the University of Ottawa before moving to Toronto. I freelanced for a few months and then landed a position as a catalogue editor for an advertising agency that produced all of Sears’s advertising. I remained in that job over five years before making one of the best decisions of my life in September 2009, when I left the agency to start my own freelance editing business, Ewe Editorial Services.

    Since then, I’ve completed a Publishing certificate at Ryerson University and watched my business blossom. I work mainly in book publishing, with scholarly, educational, and trade publishers. My specialties are permissions research, indexing, copy editing, and proofreading. Like most other freelancers, I love the variety and the freedom that comes with being my own boss.

    Outside of editing, I have many hobbies and not enough time to pursue them! My passion is writing fiction. Several of my short stories have been published in Canadian literary journals. My first book, a preteen/teen novel named The History of Hilary Hambrushina, has just been published by Iguana Books, the publishing company of Editors Canada past president Greg Ioannou. (more…)

    Toronto summers are made for freelancing

    Toronto Summers Are for Freelancers
    by Emma Warnken Johnson

    When I first started full-time freelancing a little over a year ago, I worried about working from home. Would I feel cooped up in my little apartment? Would I end up editing from my couch? Would I ever remember to leave the house again?

    Luckily, I started freelancing just as the weather got warmer. After years of life as a nine-to-fiver, it shocked me to discover that Toronto is a busy, bustling place—all day, every day. This is even truer in the summer: businesses bust down their doors and windows and spill out onto the sidewalks, and people take advantage of every inch of outdoor space. Once I figured out how to do the same, Toronto summers quickly became one of my favourite things about going freelance. (more…)