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Editors Toronto is part of a national professional association run by and for its members. Everything you see, read, and attend is organized and co-ordinated by volunteers.
During the 2017–18 season we had over 60 unique volunteers, many of them volunteering on more than one occasion. Volunteers are vital to the success of Editors Toronto. Everything we do is possible because of our volunteers. Thank you for your time, your positive attitude, and your willingness to serve this branch. This is truly a team effort.
Being a freelancer is much more than working in your pyjamas. For the privilege of setting your own hours, you also have to be your own boss, the sales team, the office manager, the bookkeeper, as well as the employee. Learn how in this seminar, which outlines the basic steps to your dream job.
Part 1: Getting Ready
Part 2: Getting Going
As a result of attending this session, attendees will be able to start their own freelance business. They’ll know how to register for a business name and HST number, how to start marketing their services and what to track for basic bookkeeping and taxes.
This webinar series is geared towards communication professionals at all stages of their career.
Presenter: Christine LeBlanc
Date: Saturdays, May 5 and 12
Time: 12 p.m., EDT / 9 a.m., PDT
Length: Two 1 hour sessions
Member price: $84
Non-member price: $120
Christine LeBlanc started Dossier Communications in 2005, after a decade in publishing. She has a degree in journalism and a professional certification in marketing.
Reporting back on new directions in self-publishing: A summary of challenges, opportunities and resources
Editors Toronto paired with PWAC Toronto Chapter to present a panel on self-publishing. The following post is from the PWAC Toronto Chapter blog, Networds. Thanks to editor Suzanne Bowness for giving BoldFace permission to share the post.
by Suzanne Bowness
If you’re one of the unfortunate PWAC members who couldn’t make it to the self-publishing panel held on March 27, which was co-organized by PWAC Toronto Chapter and Editors Toronto, you’re in luck: I took notes for you. It’s not quite the same as being there, but here are a few tips and images to give you a flavour of the event.
If there were a quote to summarize the evening, perhaps it was one of the first to be projected on the big screen in the University of Toronto (U of T) lecture hall, where we all gathered:
“Self-publishing used to be a scar; now it’s a tattoo.”
That’s from Greg Cope White, author of The Pink Marine: One Boy’s Journey through Boot Camp to Manhood. I forgot to take a picture, but the quote still sticks in my mind days later.
If the evening had a theme, it was how much has changed in the world of self-publishing, even in the last five years. Seriously, most panellists said those exact words or similar.
Hosted by the Creative Writing program at the School of Continuing Studies, U of T, the panel consisted of four industry pros, who all did a great job of dividing this big topic into digestible sections, providing a helpful mix of new information and personal anecdotes, which allowed their talks to flow together nicely. You can read the panellists’ biographies here, in our original post advertising the event. (more…)
Interview conducted by Jennifer D. Foster
A career as an editor is often a solo adventure, especially if you’re a freelancer. So we thought one way to better connect with fellow editors was to ask them the W5: who, what, where, when, and why. Read on for some thought-provoking, enlightening tidbits from those of us who choose to work with words to earn our keep.
Sandra, please tell us a little about yourself, the kind of work you do (and where you live), and how long you’ve been an editor.
I’ve only been the editor of Canadian Children’s Book News since April 2016. It’s my dream job and one of two publications that the Canadian Children’s Book Centre produces. I work from home, which is in Ajax, Ontario, and I love being able to do that. I’m a wife and the mom of two university-aged kids and two furbabies—both Cavalier King Charles Spaniels.
As the editor of Book News, I choose and assign books to be reviewed by reviewers across the country, decide on and assign articles to be included in the magazine, juggle all sorts of deadlines, and, of course, edit the pieces we include in the magazine. I’m very fortunate that we have a copy editor who catches all the mistakes I don’t. I also work closely with Meghan Howe, the librarian at the Book Centre and our designer. And I read, read, read Canadian children’s literature. (more…)
Interview conducted by Jennifer D. Foster
A career as an editor is often a solo adventure, especially if you’re a freelancer. So, we thought one way to better connect with fellow editors was to ask them the W5: who, what, where, when, and why. Read on for some thought-provoking, enlightening tidbits from those of us who choose to work with words to earn our keep.
Jennifer, please tell us a little about yourself, the kind of work you do (where you live), and how long you’ve been an editor.
I’m one of those odd birds who is both a writer and an editor, and I’ve been doing both professionally for about 14 years. I attended the master of publishing program at SFU, and after graduating my first jobs were in magazines—a field where it’s easy to both write and edit. I published my first book, Fashion That Changed the World, in 2014, and began working at Greystone Books in Vancouver soon after. I’m now Greystone’s editorial director, and spend my days editing and acquiring books and managing the editorial department. I write books at night, and will be publishing my third and fourth books in 2018 and 2019.
Who: If you could edit one famous author, living or dead, who would it be?
I’ll say Dorothy Parker. I’m sure she’d be a handful, but I’d get some stories out of it.
What: Do you have a favourite punctuation mark and/or a favourite word?
That’s a diplomatic question. Editors, from what I know, spend most of their time hating certain words and punctuation marks! I’ll offer you a favourite letter instead: ø. I just finished working on a book written by Norwegians, and I grew quite fond of the slashed o.
Where: If you could work anywhere in the world as an editor, where would that be?
From a luxurious mansion in the south of France, paid for with the millions of dollars I’ve made editing.
When: Was there ever a time in your life when you seriously questioned your career choice?
Yes—in the aftermath of the financial crisis in 2008, when I was freelancing and there was very little work. I’m very glad I didn’t retrain to become a dental hygienist.
Why: Why did you choose to become an editor? Or, should we ask: Why did editing choose you?
After I finished my undergrad degree, I moved to London, England, and looked for a job. It was the first time in my life I’d needed to consider my actual skill set. I saw a job posting for an editorial assistant, thought, “I could do that,” and applied. I had a job on my third day in the country, jet lag be damned. That pretty much settled my fate.
And, of course, we just had to ask the inevitable how: How would you sum up your motto?
Just like that 1970s poster featuring a kitten hanging on for dear life, “Hang in there.”
Jennifer D. Foster is a Toronto-based freelance editor and writer, specializing in book and custom publishing, magazines, and marketing and communications. She is also chair of Editors Toronto and administrative director of the Rowers Reading Series.
This article was copy edited by Nicole North.