BoldFace

Home » Editors for Life

Category Archives: Editors for Life

Editor for Life: Michael Mirolla, publisher and editor-in-chief, Guernica Editions

Interview conducted by Adrineh Der-Boghossian.

A career as an editor is often a solo adventure, especially if you’re a freelancer. So, we thought one way to better connect with fellow editors was to ask them the W5: who, what, where, when, and why. Read on for some thought-provoking, enlightening tidbits from those of us who choose to work with words to earn our keep.

Michael Mirolla

Please tell us a little about yourself, the kind of work you do (and where you live), and how long you’ve been an editor.

Right now, I live in Hamilton (on The Mountain, as they call it around here—the bottom end of the escarpment). Before that, I lived in Montreal, Mount Forest (with its “Happy & High” motto on the water tower), Toronto, and Oakville—with a teaching stint in Nigeria just for a bit of variety. My partner and I have run Guernica Editions for ten years, a Canadian literary publishing house where I serve as editor-in-chief, cook, and bottle washer. One of my tasks is to evaluate and then help edit any accepted manuscripts that come in. The great thing about editing manuscripts at a literary press is you get to work on different genres. We publish between 30 and 40 books a year and the final editing always comes through me. In some cases, the manuscripts are shipped out (a metaphor really, as they are sent electronically) to some freelance editors we have on call. They do the heavy lifting. By the time the manuscript comes to me, I’m mostly looking for consistency and formatting. In other cases, I take on the task of editing from start to finish. That includes checking the final PDF typeset version and even making sure the title and author name are spelled correctly!

(more…)

Editor for Life: Alana Chalmers, editorial consultant, Bell Canada

Interview conducted by Adrineh Der-Boghossian

A career as an editor is often a solo adventure, especially if you’re a freelancer. So we thought one way to better connect with fellow editors was to ask them the W5: who, what, where, when, and why. Read on for some thought-provoking, enlightening tidbits from those of us who choose to work with words to earn our keep.

Alana Chalmers

Photo credit: James Harbeck

Please tell us a little about yourself, the kind of work you do (and where you live), and how long you’ve been an editor.

I’m an editorial consultant at Bell Canada and my job is a mix of editing and consulting on document design. Editing people who have to write for their job is different from editing writers and it comes with some interesting challenges. I have to be extra careful of how I give feedback and part of my job is educating the team on clear communication.

I’ve been an editor for about eight years. I live in Toronto with zero cats but two kids who sometimes pretend to be cats.

(more…)

Editor for Life: Jess Shulman, owner of Jess Shulman Editorial

Interview conducted by Adrineh Der-Boghossian.

A career as an editor is often a solo adventure, especially if you’re a freelancer. So we thought one way to better connect with fellow editors was to ask them the W5: who, what, where, when, and why. Read on for some thought-provoking, enlightening tidbits from those of us who choose to work with words to earn our keep.

Portrait photo of Jess Shulman

Please tell us a little about yourself, the kind of work you do (and where you live), and how long you’ve been an editor.

I spent 17 years at major international corporations, doing sales, process improvement, proposal writing and communications. Those last two involved a lot of editing over a decade, and eventually I took the leap (and studied hard) and tackled Editors Canada’s Certification exams. I earned my CPE, and that gave me the confidence to finally leave the corporate world and start a freelance editorial business in 2016.

I like to keep my options way open, both in the types of editing I do and in the topic areas I work on. I mostly do copy editing, stylistic editing, and proofreading, working on novels, trade non-fiction, textbooks, and all kinds of corporate materials. For indie authors, I also offer a quite detailed substantive manuscript-evaluation service. For my corporate clients, I do quite a bit of writing—web copy, social media posts, marketing materials, articles, reports. Never a dull day at Jess Shulman Editorial! I live in Toronto with my husband, two kids and, of course, a cat.

(more…)

Editor for Life: Alexandra Leggat, publisher and editor of Two Wolves Press

Interview conducted by Adrineh Der-Boghossian.

A career as an editor is often a solo adventure, especially if you’re a freelancer. So we thought one way to better connect with fellow editors was to ask them the W5: who, what, where, when, and why. Read on for some thought-provoking, enlightening tidbits from those of us who choose to work with words to earn our keep.

Alexandra Leggat

Please tell us a little about yourself, the kind of work you do (and where you live), and how long you’ve been an editor.

I live in West Hill [a neighbourhood in Toronto] with my partner, musician Cameron Watters, and my Alaskan malamute, Lupa. I am an author and an editor, a creative writing instructor, and a tutor, and I play in a band called Pineville. I’ve been editing for years. I used to be the managing editor of Write Magazine, even before the publication of my first book. As a creative writing instructor and final project supervisor at the University of Toronto School of Continuing Studies, I have been editing students’ writing for the past 11 years. As a freelancer, I edit manuscripts for various independent clients, and two years ago I started my own small publishing house called Two Wolves Press. I am the publisher and the editor and have had the privilege of editing and publishing Aileen Santo’s debut novel Someone Like You and highly acclaimed poet Catherine Graham’s award-winning debut novel Quarry.

(more…)

Editor for Life: Maria Golikova, managing editor, House of Anansi Press

Interview conducted by Jennifer D. Foster.

A career as an editor is often a solo adventure, especially if you’re a freelancer. So we thought one way to better connect with fellow editors was to ask them the W5: who, what, where, when, and why. Read on for some thought-provoking, enlightening tidbits from those of us who choose to work with words to earn our keep.

Black and white portrait of Maria Golikova standing in front of bookcase.

Please tell us a little about yourself, the kind of work you do (and where you live), and how long you’ve been an editor.

I started out as an in-house production editor in 2013, and now I work as managing editor at House of Anansi Press in Toronto. I describe my role in the editorial department as a mix of air traffic controller and book doula: I support our team by creating and managing editorial schedules and by liaising with our publishers, in-house editors, freelancers, authors, and members of our design and production departments to ensure books are sent off to press on time and error-free (gulp!). Working at an independent publisher affords a wonderful opportunity to wear many hats, and I’m learning constantly. I also love to work collaboratively and in a supportive role—it’s really the authors and their editors at any given stage of the editorial process who do the heavy lifting.

(more…)

Editor for Life: Katherine Dearlove, managing editor, Owlkids

Interview conducted by Jennifer D. Foster.

A career as an editor is often a solo adventure, especially if you’re a freelancer. So we thought one way to better connect with fellow editors was to ask them the W5: who, what, where, when, and why. Read on for some thought-provoking, enlightening tidbits from those of us who choose to work with words to earn our keep.

Please tell us a little about yourself, the kind of work you do (and where you live), and how long you’ve been an editor.

You might say I’m a homebody in terms of my career, having spent most of it at Owlkids in Toronto, with the exception of two initial years at Key Porter Books. Over my two decades with Owlkids, I’ve had the privilege of holding a variety of positions, such as editor of both Chickadee and Chirp, senior editor of OWL, freelance writer and editor while I was home with small kids, and, currently, managing editor for both magazines and books. I’m also the author of My Canada, a picture book atlas illustrated by Lori Joy Smith. My career has given me a rare opportunity to create and edit high-quality content for kids in magazine, book, and electronic formats, and to work with so many talented and creative people.

(more…)

Editor for Life: Carolyn Camilleri, editor and writer

Interview conducted by Jennifer D. Foster.

A career as an editor is often a solo adventure, especially if you’re a freelancer. So we thought one way to better connect with fellow editors was to ask them the W5: who, what, where, when, and why. Read on for some thought-provoking, enlightening tidbits from those of us who choose to work with words to earn our keep.

Photo of Carolyn Camilleri

Please tell us a little about yourself, the kind of work you do (and where you live), and how long you’ve been an editor.

I am a freelance writer and editor based mostly in Toronto but also in Victoria. I have been doing this work since 1996, and I have been self-employed since 1998. I write for and edit magazines, mostly custom and trade publications now, but I have a few consumer magazines on my resumé. I especially enjoy launching and rebranding publications; it’s a lot of work, but it’s exciting and fun. I also help businesses with websites, marketing materials, and anything else they have that might need new words or better words.

(more…)

Editor for Life: JF Garrard, deputy editor for Ricepaper Magazine

Interview conducted by Jennifer D. Foster.

A career as an editor is often a solo adventure, especially if you’re a freelancer. So we thought one way to better connect with fellow editors was to ask them the W5: who, what, where, when, and why. Read on for some thought-provoking, enlightening tidbits from those of us who choose to work with words to earn our keep.

Please tell us a little about yourself, the kind of work you do (and where you live), and how long you’ve been an editor.

I’m a publisher and writer of speculative fiction, based in Toronto. I fell into editing in 2014 when Derwin Mak (fellow writer/editor) told me that an Asian-Canadian magazine called Ricepaper Magazine wanted to create a speculative fiction issue but didn’t have enough people to do it. I volunteered to help, and we edited an issue together in record time! In 2017, I was recruited by Ricepaper to help with writing film reviews, marketing, and coordinating events. In 2018, my role progressed to editorial and administrative work. My tasks now involve editing, interviewing potential editors, networking, coordinating events, and leading the production work for books and magazines. In parallel timelines, for my own press, Dark Helix Press, I began working on different anthology projects with editorial teams. Over time, I’ve learned a lot from leading projects and working with many diverse editors on magazine and book production. At the moment, I’m also in the middle of finishing up courses for a creative writing certificate from Ryerson University.

(more…)