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Editors Unplugged: Get to know our panellists for Editing Worlds: Speculative Fiction and the Editorial Process

Interviews conducted by Catherine Dorton.

More details on the program forthcoming.

Our popular monthly program meetings often feature a jam-packed agenda. We like to keep our introductions short, so you can hear more from our panellists and less from us! It’s hard to do justice to the incredible wealth of experience these guests bring to the table, so we are offering you a preview with this short Q&A beforehand.

This month, we are honoured to be joined by Jen Frankel, JF Garrard, Dominik Parisien, and Drew Hayden Taylor.

Photo of Jen FrankelJen Frankel

If you could co-write a piece of speculative fiction with a famous author of any genre, who would you pick?

Definitely Anne McCaffrey. As long as I’m allowed to go back in time to do it. If I’m limited to now, Val McDermid. I’d drag her to the dark side and make her consider some supernatural interjections.

Star Wars, Star Trek, or Doctor Who? 

Marry: Star Trek. Date: Star Wars. Kill: Doctor Who. I really want to love the Doctor, but ever since the reboot, I feel like I’m in a downward spiral toward despair. But I haven’t watched the new season…

Who is your favourite monster? 

My favourite monster is Lilith, mother of all monsters and I’m absolutely sure totally maligned!

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Let’s Talk Rates! How to Ask for What You’re Worth and Get Paid on Time

Learn about setting rates (and raising them) from long-time freelancers at the PWAC Toronto February seminar. Note, Editors Toronto members are eligible to receive the PWAC Partners discount.

PWAC Feb 25 seminar Let's Talk Rates

Date: Monday, February 25, 2019
Time: 7:15 p.m. to 8:45 p.m. (doors open at 7 p.m.)
Location: Miles Nadal JCC, Room 318 (third floor)

Why is talking about freelance pay rates and money in general so challenging? In this seminar, we ask long-time freelancers to share advice on how they’ve set their rates and how they’ve raised them over the years.

Speakers:

  • Carol J. Anderson, an editor, proofreader, researcher, and writer for the private sector, non-profits, and government
  • Allan Britnell, freelance writer and editor and past-president of the Canadian Society of Magazine Editors
  • Diane Peters, a writer and editor who has covered a variety of topics for national publications and also teaches writing at Ryerson University
  • Suzanne (Sue) Bowness (seminar moderator), a long-time freelance writer/editor and writing teacher

To learn more about the seminar and the speakers, visit pwactoronto.org.

As always, PWAC Toronto evening seminars are FREE for PWAC members, and while non-members who register online in advance receive a discount.

The organizers ask that you please register in advance so they know how many people to expect.

REGISTER FOR THE SEMINAR

Recommended reading: Sue Bowness shares a preview of our seminar topic in her latest Networds Blog post.

Did you know? Editors Toronto offers in-house seminars

Editors Toronto in-house seminars postcard cover

Does your organization need help with editing and communication?

Editors Toronto offers specialized professional development training through our in-house seminars. Offered year-round, our seminars are taught by in-demand editorial professionals, curated and organized exclusively for your team!

Seminar topics offered include Plain Language, Copy Editing, Proofreading, Grammar and Punctuation, and many more.

Interested? Contact the Editors Toronto seminars chair today for more information about our group rates and customized training for your workplace:

[email protected]

“This seminar exceeded our expectations. The team felt that it was a fantastic refresh…it was very helpful!” —Toronto International Festival of Authors

Editor for Life: Allegra Robinson, freelance editor

Interview conducted by Indu Singh.

A career as an editor is often a solo adventure, especially if you’re a freelancer. So we thought one way to better connect with fellow editors was to ask them the W5: who, what, where, when, and why. Read on for some thought-provoking, enlightening tidbits from those of us who choose to work with words to earn our keep.

Portrait of Allegra Robinson

Allegra, please tell us a little about yourself, the kind of work you do (and where you live), and how long you’ve been an editor.

I still consider myself lucky. Although I had no publishing experience yet, in 2004 I was offered a temporary job filling in for a production editor [at Pearson]. I went on to become a production editor at Pearson and later at HarperCollins Canada. My in-house stints alternated with periods of freelancing, and I’ve been in one of those periods now for four years. I moved to Toronto in 1983 to study fashion design at Ryerson. I lasted one year in that program (it was extremely demanding, and I was extremely unsuited to it).

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Editors Canada launches Guidelines for Ethical Editing of Student Texts

In academia, papers and theses are one way to test the ability of students to use written words for communicating ideas and arguments. Yet students sometimes ask editors to provide a full gamut of editorial services.

To address this, Editors Canada first developed Guidelines for Ethical Editing of Theses / Dissertations in 2005. We are pleased to announce the association has updated these free guidelines for ethical editing of papers at the graduate and doctoral level. We have also added a second set of free guidelines to cover undergraduate papers.

For more information, read the news release here.

Editors Unplugged: Get to know our panellists for Winning Two Gillers: A Conversation with Esi Edugyan and Her Editors

Interviews conducted by Catherine Dorton.

Our popular monthly program meetings often feature a jam-packed agenda. We like to keep our introductions short, so you can hear more from our panellists and less from us! It’s hard to do justice to the incredible wealth of experience these guests bring to the table, so we are offering you a preview with this short Q&A beforehand.

This month, we are honoured to be joined by not only acclaimed novelist Esi Edugyan, but also four (!) of her editors: Patrick Crean, John Sweet, Jane Warren, and Marie-Lynn Hammond.

Patrick CreanPatrick Crean

If you could travel to any fictional world, where would you go?

If you mean an entirely made-up place in fiction, then I would love to visit Alice in Wonderland! Oddly enough, I wouldn’t mind visiting Orwell’s 1984 (Orwell is an all-time fave of mine) as long as I didn’t get stuck there…. But if you mean real settings in fiction, I would want to visit the Alexandria in Lawrence Durrell’s Alexandria Quartet and/or the Morocco of Paul Bowles’s novel The Sheltering Sky.

What’s your favourite way of procrastinating? And how do you get back to work?

Procrastinating? I can’t say I do a lot of that, but if I am having a tough start to an editing day, I’ll make another pot of coffee and clean up the kitchen before heading back to my manuscripts. A good way to reboot for me is to power walk five km around the Central Tech track near our house! Or I might do an aural tune-up by reading something by Chekhov or W.H. Auden or Elizabeth Bishop or J.D. Salinger or James Salter.

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Winning Two Gillers: A Conversation with Esi Edugyan and Her Editors

Flyer for event "Winning Two Gillers: A Conversation with Esi Edugyan and Her Editors"

When: Tuesday, January 22, 7–9 pm

Where: University of Toronto, Sidney Smith Hall (amphitheatre), 100 St. George St., (Room 2102) 

Co-presented by Editors Toronto, Canadian Authors–Toronto, and the Creative Writing Program at the School of Continuing Studies (SCS), University of Toronto

This special event will bring acclaimed novelist Esi Edugyan together with four of her editors — Patrick CreanMarie-Lynn Hammond, John Sweet, and Jane Warren — for a discussion about the writing and editing of Ms. Edugyan’s two Giller Prize–winning novels, Half-Blood Blues (2011) and Washington Black (2018).

Have you wondered what it’s like, editorially speaking, to work with an author who has won not one but two Giller Prizes? Would you like to know more about the author-editor relationship on these celebrated books? Esi Edugyan and her panel of accomplished editors will address issues such as these during their talks and the Q&A.

We’ll hear from editors Patrick Crean, Marie-Lynn Hammond, and Jane Warren about the scrambling that ensued when Key Porter Books, the original publisher for Half-Blood Blues, closed down during the edit. And we’ll find out why Montreal editor John Sweet is still talking about the amazing experience he had copy editing Washington Black for HarperCollins imprint Patrick Crean Editions.

This event will feature a reading and a brief talk about the author-editor relationship by Ms. Edugyan and short presentations from her editors, followed by a Q&A. We’ll close the event with a raffle, and time will be allowed for Ms. Edugyan to sign books.

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Post-script: Professional Editorial Standards in action

By Michelle Waitzman

Anyone who has considered (or completed) any of the Editors Canada certifications has probably reviewed Professional Editorial Standards (PES). But how were these standards developed, and what do they have to do with the day-to-day tasks of editors and proofreaders?

Editors Toronto’s November program looked at PES through the eyes of four editors, each working at a different career stage and/or in a different editing niche. The speakers made it clear that the standards involve much more than taking tests; they are a practical and evolving guide to professional editing, which editors can use in a variety of ways.

The program started with an overview and history of PES from experienced freelance editor and instructor Elizabeth d’Anjou. Editors Canada first began discussing the standards in the early 1980s, and Elizabeth’s mother was a member of the committee that first created the standards, so Elizabeth practically grew up with them!

One of Editors Canada’s early goals was to set up a certification program so that professional editors could be easily identified (and their work properly valued) by potential clients. But before the organization could create a test for editors, it first had to define what it was testing. They considered questions such as the following: What skills are important? What tasks should editors know how to do? What kind of industry knowledge should they be expected to have? PES was created to answer these types of questions—a task that took many years and involved a number of consultations with members. The standards were not only important for informing a certification program, they were also a key tool for Editors Canada to use to raise awareness about editing as a profession and to explain what editors do.

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