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A Discussion on the Business of Editing

Stock photo of people in a group (faces not in frame), gesturing with their hands, having a conversation

Date: Tuesday, November 26, 7:00 – 9:00 pm
Location: Viola Desmond Room (3rd floor) at the Centre for Social Innovation (CSI), 192 Spadina Ave.
Map: goo.gl/maps/VRvEPVLumjmuHWbz8

We are thrilled to have received amazing feedback from our members through our recent programming survey. As it turns out, many of you want more of a community feel to our programs and are looking for opportunities to get to know your fellow editors. So, this month, we are hosting an evening of connecting and chatting about the business of editing.

The evening will begin with a short Editors Toronto business meeting. We’ll follow that with introductions and a moderated discussion on the business of editing. You will have a chance to present your questions to the group and share your own expertise with others. The floor will be open to talk to peers about anything related to working as an editor.

Potential discussion points include:

  • finding and keeping clients
  • pricing your services
  • training opportunities
  • dealing with challenging situations
  • managing your time and prioritizing jobs
  • working from home vs. working in-house
  • marketing yourself (e.g., website, social media)
  • leveraging Editors Canada to achieve your goals

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Recap of Screen to Page and Back: In Conversation with Zoe Whittall and Wiebke von Carolsfeld

by B.A. Tanner

Zoe Whittall, Wiebke von Carolsfeld, and Lee Parpart on stage at Screen to Page and Back

Zoe Whittall, Wiebke von Carolsfeld, and Lee Parpart at Screen to Page and Back, September 24, 2019. Photo courtesy of the author.

Editors Toronto and Canadian Authors Toronto (CA-T) were thrilled to co-present their first event of the fall season, in partnership with the Creative Writing Program at the School of Continuing Studies at the University of Toronto, on Tuesday, September 24.

The evening brought together award-winning, medium-crossing writers Zoe Whittall and Wiebke von Carolsfeld. Zoe has published four novels and three poetry collections to date and written for TV shows such as Degrassi and Schitt’s Creek. Wiebke started as a film director, editor, and writer with her directorial debut, Toronto International Film Festival winner Marion Bridge. She launched her first novel, Claremont (Linda Leith Publishing), earlier this year.

CA-T co-president Lee Parpart moderated the discussion and Q&A session. She guided an enlightening conversation focused on writing for both screen and page, and the differences between the two processes. Lee warmed up the audience for the featured discussion by showing video clips from Zoe and Wiebke’s film and TV work. Wiebke shared a trailer for The Saver, a drama she wrote and directed about an orphaned teenager with a desire to build a new life using a self-help book she found at her cleaning job. The tone switched gears when Zoe contributed a short skit called “Buffin’ Your Muffin” that aired on Baroness von Sketch Show and captured oodles of laughs from the audience.

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Editor for Life: Janice Zawerbny, senior editor, HarperCollins Canada

Interview conducted by Adrineh Der-Boghossian.

A career as an editor is often a solo adventure, especially if you’re a freelancer. So we thought one way to better connect with fellow editors was to ask them the Five Ws: who, what, where, when, and why. Read on for some thought-provoking, enlightening tidbits from those of us who choose to work with words to earn our keep.

Black-and-white headshot of Janice Zawerbny

Please tell us a little about yourself, the kind of work you do (and where you live), and how long you’ve been an editor.

I’ve been an editor for more than 20 years in Toronto. I’ve worked in-house for most of my career: I’ve been an acquisitions and developmental editor, who also completes the substantive and stylistic edit after the books have been acquired. I mainly work on literary fiction and non-fiction but have worked on commercial fiction and non-fiction projects as well. I think one of the best traits of a good editor is versatility.

Who: If you could edit one famous author, living or dead, who would it be?

I like working with smart, kind, and humorous people, so I think I’d have to choose David Foster Wallace. I think working with him would have been both fun and intellectually stimulating.

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Book Review: Elements of Indigenous Style: A Guide for Writing By and About Indigenous Peoples by Gregory Younging

by Indu Singh

Cover of "Elements of Indigenous Style" style manual next to photo of Gregory Younging

Exactly one year ago today, members of Editors Toronto had the privilege of hearing Gregory Younging speak about his recently published style guide, Elements of Indigenous Style: A Guide for Writing By and About Indigenous Peoples, at a regular monthly Editors Toronto program meeting. The standing-room-only program was one of our most popular to date.

Gregory Younging passed away on May 3, 2019. The executive of Editors Toronto was profoundly saddened by this news and issued a statement at the time. We publish this book review to honour his memory and the important work he did, and to mark the one-year anniversary of his presentation to Editors Toronto.

 

Gregory Younging—publisher, editor, poet, educator, and member of the Opaskwayak Cree Nation in northern Manitoba—is known for his groundbreaking advocacy of Indigenous issues and his enduring legacy of nurturing Indigenous writing and publishing in Canada. In Elements of Indigenous Style: A Guide for Writing By and About Indigenous Peoples (Brush Education, 2018), he assesses Indigenous literature and publishing from the perspective of Indigenous Peoples. The result is a book of 22 editorial principles that guide readers through a new approach to writing and editing material with Indigenous content.

Younging believes it’s high time to decolonize Canadian English—a trend that he points out is already underway. Problematic terms such as primitive and heathen have largely been dropped from usage, while others like land claim and Native are increasingly becoming outdated.

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Editors Unplugged: Get to know our panellists for Editing Comics: From Concept to Publication

Interviews conducted by Indu Singh.

Our popular monthly program meetings often feature a jam-packed agenda. We like to keep our introductions short, so you can hear more from our panellists and less from us! It’s hard to do justice to the incredible wealth of experience these guests bring to the table, so we are offering you a preview with this short Q&A beforehand.

This month, we are honoured to be joined by Steven Andrews, Allison O’Toole, and Megan Kearney. Meet all three panellists in person at this month’s program meeting on October 22.

Raina Telgemeier has been topping bestseller charts since the release of her middle grade autobio, Smile, in 2010 and is credited with changing both the face of comics and the publishing landscape. Her most recent title, Guts, is currently the #1 bestselling book in North America. What other graphic novels do you think are deserving of this attention?

Steven Andrews: I’m fascinated by the recent resurgence in political and historical comics. Congressman John Lewis, inspired by the protest comics he read as a child, created a graphic novel series called March recounting his work in the Civil Rights Movement. Beautifully illustrated by Nate Powell, it carefully navigates a harrowing period of recent history and ties it to the modern day with eternally relevant themes.

Similarly, the comic magazine The Nib collects short illustrated essays and comic journalism. You might find deeply personal stories from refugees, an introduction to net neutrality, or silly satire taken from the headlines in it.

Allison O’Toole: While she’s also quite popular, I think that everything Tillie Walden makes should be an instant bestseller—her work is incredible. Her colour palettes are always unbelievable, her figures very emotive, her characters nuanced, and her emotions complex and engaging. Her work would be accessible and relatable for teen readers, but they’re so smartly written that they’re wonderful for adults as well.

Megan Kearney: Linda Medley has been flying below the radar since the 90s, when she toured with Jeff Smith and Charles Vess, and then sort of dropped out of the spotlight. Castle Waiting is basically perfect, everything I could ever ask for out of a comic—draftsmanship, storytelling, the whole package. The first time I read it, I was shocked. I had never seen something so perfectly suited for my sensibilities. I read it front to back three times in a row.  It’s such a masterful work, I can’t understand how it hasn’t been more lauded!

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Editing Comics: From Concept to Publication with Steven Andrews, Allison O’Toole, and Megan Kearney

"Editing Comics: From Concept to Publication" October 22 program flyer

Date: Tuesday, October 22, 7:00 – 9:30 pm
Location: Viola Desmond Room (3rd floor) at the Centre for Social Innovation (CSI), 192 Spadina Ave.
Map: goo.gl/maps/VRvEPVLumjmuHWbz8

On Tuesday, October 22, Steven Andrews, Allison O’Toole, and Megan Kearney, each a force in the Canadian comic publishing industry, join us for a panel discussion that will introduce us to how independent comics are created and the role an editor plays in the process.

Enter the world of comics in this deep-dive discussion on how editors work with text and images and find their way into this expanding field, and how newcomers can build their comic editing skills with award-winning freelance comics editor Allison O’Toole. Acclaimed cartoonist Megan Kearney will take us through an illustrator’s role and their relationship with editors, and Steven Andrews will provide insight into the production of self-published comic anthologies.

The evening will conclude with a Q&A session with our panellists.

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Editor for Life: Michael Mirolla, publisher and editor-in-chief, Guernica Editions

Interview conducted by Adrineh Der-Boghossian.

A career as an editor is often a solo adventure, especially if you’re a freelancer. So, we thought one way to better connect with fellow editors was to ask them the W5: who, what, where, when, and why. Read on for some thought-provoking, enlightening tidbits from those of us who choose to work with words to earn our keep.

Michael Mirolla

Please tell us a little about yourself, the kind of work you do (and where you live), and how long you’ve been an editor.

Right now, I live in Hamilton (on The Mountain, as they call it around here—the bottom end of the escarpment). Before that, I lived in Montreal, Mount Forest (with its “Happy & High” motto on the water tower), Toronto, and Oakville—with a teaching stint in Nigeria just for a bit of variety. My partner and I have run Guernica Editions for ten years, a Canadian literary publishing house where I serve as editor-in-chief, cook, and bottle washer. One of my tasks is to evaluate and then help edit any accepted manuscripts that come in. The great thing about editing manuscripts at a literary press is you get to work on different genres. We publish between 30 and 40 books a year and the final editing always comes through me. In some cases, the manuscripts are shipped out (a metaphor really, as they are sent electronically) to some freelance editors we have on call. They do the heavy lifting. By the time the manuscript comes to me, I’m mostly looking for consistency and formatting. In other cases, I take on the task of editing from start to finish. That includes checking the final PDF typeset version and even making sure the title and author name are spelled correctly!

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Editor for Life: Alana Chalmers, editorial consultant, Bell Canada

Interview conducted by Adrineh Der-Boghossian

A career as an editor is often a solo adventure, especially if you’re a freelancer. So we thought one way to better connect with fellow editors was to ask them the W5: who, what, where, when, and why. Read on for some thought-provoking, enlightening tidbits from those of us who choose to work with words to earn our keep.

Alana Chalmers

Photo credit: James Harbeck

Please tell us a little about yourself, the kind of work you do (and where you live), and how long you’ve been an editor.

I’m an editorial consultant at Bell Canada and my job is a mix of editing and consulting on document design. Editing people who have to write for their job is different from editing writers and it comes with some interesting challenges. I have to be extra careful of how I give feedback and part of my job is educating the team on clear communication.

I’ve been an editor for about eight years. I live in Toronto with zero cats but two kids who sometimes pretend to be cats.

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