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When: Thursday, March 28, 7:30–9:30 PM
Where: Room 1050, Earth Sciences Centre, 33 Willcocks St., University of Toronto
Important notice: This month’s program meeting will take place on Thursday, March 28, not on our usual date of the fourth Tuesday of the month. Please mark your calendars. The location is also different this month as we’re meeting at the University of Toronto (UofT). We’ll return to the Centre for Social Innovation (CSI) Spadina for our April 23 meeting on poetry editing.
Sound Mind: A Celebration of Mindfulness and Mental Health through Fiction, Memoir, and Music is geared to helping cultural producers across a variety of fields (including writers, editors, visual artists, and musicians) learn about mental health challenges and adopt new strategies for wellness, mindfulness, and creativity. Participants will have the opportunity to engage in a mindfulness session at the beginning and end of this event.
This special event is a joint production of Editors Toronto; Canadian Authors–Toronto; and the Creative Writing Program at the School of Continuing Studies, University of Toronto.
Our featured guests this month are Ranjini George, Rebecca Higgins, and Erika Nielsen.
When: Tuesday, February 26, 7–9:30 PM (Please note the earlier start time, to accommodate our business meeting.)
Where: Centre for Social Innovation (CSI) Spadina, 192 Spadina Ave., Third Floor, Room F
Robert A. Heinlein first used the term “speculative fiction” in 1947 to describe the highest aspiration of science fiction. Over time, the term has expanded to include other genres, including fantasy and horror, as well as derivatives and hybrids. As an umbrella genre in which worlds are often built from scratch rather than patterned after our own, speculative fiction has provided fertile ground for social and political critique. It has also evolved to support a diversity of voices, though expanding the representational repertoire of speculative fiction remains a concern.
Join Editors Toronto on February 26 to hear four seasoned writers and editors discuss their experiences with the genre. Toronto’s Jen Frankel, JF Garrard, Dominik Parisien, and Drew Hayden Taylor will talk about various topics, including
- the expanding role of Indigenous Voice in genre fiction (Drew Hayden Taylor);
- the pressures of representation within texts and in relation to the broader publishing industry (Dominik Parisien);
- the realities of indie publishing, crowdfunding, editing, and world building (Jen Frankel and JF Garrard);
- the lessons learned from panels on writing and pop culture about the need for diverse stories in literature, film, and media (Jen Frankel and JF Garrard); and
- strategies for supporting authors of different backgrounds and identities while keeping their voices intact throughout the editing process (Jen Frankel).
Editors Toronto is part of a national professional association run by and for its members. Everything you see, read, and attend is organized and coordinated by volunteers.
We have had over 30 unique volunteers this season, many of them volunteering on more than one occasion. Volunteers are vital to the success of Editors Toronto. Everything we do is possible because of our volunteers. Thank you for your time, your positive attitude, and your willingness to serve this branch. This is truly a team effort.
The Editors Toronto’s executive would like to thank you for making 2018 such a great year, and we look forward to working with all of you again in 2019!
When: Tuesday, November 27, 2018, 7–9 PM (Please note the earlier start time, to accommodate our rescheduled business meeting.)
Where: Centre for Social Innovation (CSI) Spadina, 192 Spadina Ave., Third Floor, Room F
(Note: CSI Spadina moved across the street, to 192 Spadina Ave., as of late September 2018.)
Have you ever wondered whether your work as an editor meets the criteria set out in Editors Canada’s 2016 Professional Editorial Standards (PES) document? Have you read the standards but been left with questions about how to apply them to your own editing, or not read them and wondered what you might be missing?
Whether you’re familiar with the document or not, are new to the field or have been editing for years, or work in-house or freelance, our November program will help you gain a better understanding of the updated professional standards that were adopted by Editors Canada on October 1, 2016, and implemented on January 1, 2017. This meeting brings together four experienced editors for a panel that’s designed to take the mystery out of the standards by exploring how they work in practice.
Drawing insight and examples from their own backgrounds as practicing editors and members of various standards committees, Elizabeth d’Anjou, Amy Brown, Jennifer Dinsmore, and Laura Edlund will explore the four stages of editing covered by PES: structural editing, stylistic editing, copy editing, and proofreading. They will discuss the type of knowledge and practices that are required of all professional editors and the skills needed at each stage of editing. They will also talk about how they have applied the standards in their own work as in-house and freelance editors of Indigenous literature, fantasy and speculative fiction, educational texts, government documents, and more.
Indigenous editing principles, featuring Gregory Younging and his new style guide, Elements of Indigenous Style
When: NEW TIME: Tuesday, October 23, 2018, 6:30–8 PM
Where: NEW LOCATION: Centre for Social Innovation (CSI) Spadina, 192 Spadina Ave., Third Floor, Room F
(CSI Spadina moved across the street, to 192 Spadina Ave., as of late September.)
For the second program meeting of 2018–19, we are excited to feature Dr. Gregory Younging, author of the new and indispensable style guide, Elements of Indigenous Style (Brush Education, 2018).
Gregory’s exciting study—move over Strunk and White—is the first comprehensive style guide on Indigenous writing. It comprises 22 editorial principles or guidelines and explains why each one is needed. The first principle stresses, in part, that Indigenous Peoples must prioritize their self-perceptions and epistemologies. And the last, on the seemingly straightforward matter of verb tense, probes the nuts and bolts of how to write responsibly about Indigenous Peoples past and present. The other 20 supply much needed advice on ensuring appropriate and respectful interaction with Indigenous cultural materials and their custodians.
In introducing his new book, Gregory has recently delivered talks and conducted workshops across Canada. Now, happily, it’s Toronto’s turn! Please join us for what will surely be an enlightening discussion of Indigenous style—a subject of vital relevance for writers, editors, and publishers today.
When: Tuesday, September 25, 7–9 PM
NEW, TEMPORARY LOCATION: CSI Regent Park, 585 Dundas St. East, Room 1
Welcome back to Editors Toronto, and a special welcome to any new or returning members.
Editors Canada turns 40 this year, and we are thrilled to mark this big round number with another season of programming designed to inspire and keep us all learning and growing together as editors of the written word.
For the first program of 2018–19, we bring you two fascinating case studies on the editorial process and the editorial relationship.
Toronto author Trevor Cole and his editor Jennifer Lambert of HarperCollins Canada will discuss their work on Cole’s award-winning non-fiction book The Whisky King (2017), while Toronto author Robert Marrone and his editor Michael Mirolla of Guernica Editions will explore Marrone’s 2017 novel, The New Vine.
Reporting back on new directions in self-publishing: A summary of challenges, opportunities and resources
Editors Toronto paired with PWAC Toronto Chapter to present a panel on self-publishing. The following post is from the PWAC Toronto Chapter blog, Networds. Thanks to editor Suzanne Bowness for giving BoldFace permission to share the post.
by Suzanne Bowness
If you’re one of the unfortunate PWAC members who couldn’t make it to the self-publishing panel held on March 27, which was co-organized by PWAC Toronto Chapter and Editors Toronto, you’re in luck: I took notes for you. It’s not quite the same as being there, but here are a few tips and images to give you a flavour of the event.
If there were a quote to summarize the evening, perhaps it was one of the first to be projected on the big screen in the University of Toronto (U of T) lecture hall, where we all gathered:
“Self-publishing used to be a scar; now it’s a tattoo.”
That’s from Greg Cope White, author of The Pink Marine: One Boy’s Journey through Boot Camp to Manhood. I forgot to take a picture, but the quote still sticks in my mind days later.
If the evening had a theme, it was how much has changed in the world of self-publishing, even in the last five years. Seriously, most panellists said those exact words or similar.
Hosted by the Creative Writing program at the School of Continuing Studies, U of T, the panel consisted of four industry pros, who all did a great job of dividing this big topic into digestible sections, providing a helpful mix of new information and personal anecdotes, which allowed their talks to flow together nicely. You can read the panellists’ biographies here, in our original post advertising the event. (more…)