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Making Smart Choices: Which freelance projects are right for you?

Date: Tuesday, January 28, 7:00 – 9:30 pm
Location: Viola Desmond Room (3rd floor) at the Centre for Social Innovation (CSI), 192 Spadina Ave.
Map: goo.gl/maps/VRvEPVLumjmuHWbz8

In 2020, get the jobs you really want and stop working on projects you might regret later. Michelle Waitzman’s Making Smart Choices: Which freelance projects are right for you? is based on her standing-room-only session at the 2019 Editors Canada conference in Halifax (co-presented with Jess Shulman).

The discussion will include ways to methodically evaluate new opportunities, so you can move your career in the direction you want. Bring a pen and paper (or your favourite device), and you’ll leave with a game plan for the year ahead. In this interactive presentation, we’ll crowdsource ideas and share experiences. Whether you are just starting out as a freelancer or have decades of experience, Michelle will get you thinking about what you’d love to work on and what you’d rather avoid.

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Thank You to Our Volunteers!

Card on wooden table reads "Thank You Very Much"

Photo by Jon Tyson on Unsplash

Editors Toronto is part of a national professional association run by and for its members. Everything you see, read, and attend is organized and coordinated by volunteers.

We had over 15 unique volunteers this season, many of them volunteering on more than one occasion. Volunteers are vital to the success of Editors Toronto. Everything we do is possible because of our volunteers. Thank you for your time, your positive attitude, and your willingness to serve this branch. This is truly a team effort.

The Editors Toronto’s executive would like to thank you for making 2019 such a great year, and we look forward to working with all of you again in 2020!

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Recap of Editing Comics: From Concept to Publication

by Catherine Dorton and Paul Ling

Editing Comics: From Concept to Publication panellists Allison O’Toole, Megan Kearney, and Steven Andrews

Panellists Allison O’Toole, Megan Kearney, and Steven Andrews

On Tuesday, October 22, Editors Toronto hosted a lively panel discussion with comics anthology editor Allison O’Toole, cartoonist Megan Kearney, and TO Comix Press founder Steven Andrews.

These three industry pros were full of ideas and inspiration for comic book creators, anthology curators, editors, and anyone else interested in breaking into the field. They introduced us to some trends, including the explosion of sales in comics, new publishing imprints dedicated to graphic novels, and self-publishing opportunities. They made sure we knew what counts as a comic (hint: it isn’t merch!) and what kinds of stories readers are hungry for (lesson #1: not capes). According to the trio, superhero comic sales are down, while emotionally complex, historical, and pop culture content is on the rise. Also, the growing landscape of new artists is wonderfully diverse, expanding the field for audiences of all ages, ethnicities, abilities, and orientations.

Next, the panellists outlined the roles an editor might play in all stages of the publishing process, from gathering the material to editing the story and art to creating publishing schedules and resolving disputes. (So editors of comics need to be flexible and comfortable in various roles!)

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A Discussion on the Business of Editing

Stock photo of people in a group (faces not in frame), gesturing with their hands, having a conversation

Date: Tuesday, November 26, 7:00 – 9:00 pm
Location: Viola Desmond Room (3rd floor) at the Centre for Social Innovation (CSI), 192 Spadina Ave.
Map: goo.gl/maps/VRvEPVLumjmuHWbz8

We are thrilled to have received amazing feedback from our members through our recent programming survey. As it turns out, many of you want more of a community feel to our programs and are looking for opportunities to get to know your fellow editors. So, this month, we are hosting an evening of connecting and chatting about the business of editing.

The evening will begin with a short Editors Toronto business meeting. We’ll follow that with introductions and a moderated discussion on the business of editing. You will have a chance to present your questions to the group and share your own expertise with others. The floor will be open to talk to peers about anything related to working as an editor.

Potential discussion points include:

  • finding and keeping clients
  • pricing your services
  • training opportunities
  • dealing with challenging situations
  • managing your time and prioritizing jobs
  • working from home vs. working in-house
  • marketing yourself (e.g., website, social media)
  • leveraging Editors Canada to achieve your goals

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Recap of Screen to Page and Back: In Conversation with Zoe Whittall and Wiebke von Carolsfeld

by B.A. Tanner

Zoe Whittall, Wiebke von Carolsfeld, and Lee Parpart on stage at Screen to Page and Back

Zoe Whittall, Wiebke von Carolsfeld, and Lee Parpart at Screen to Page and Back, September 24, 2019. Photo courtesy of the author.

Editors Toronto and Canadian Authors Toronto (CA-T) were thrilled to co-present their first event of the fall season, in partnership with the Creative Writing Program at the School of Continuing Studies at the University of Toronto, on Tuesday, September 24.

The evening brought together award-winning, medium-crossing writers Zoe Whittall and Wiebke von Carolsfeld. Zoe has published four novels and three poetry collections to date and written for TV shows such as Degrassi and Schitt’s Creek. Wiebke started as a film director, editor, and writer with her directorial debut, Toronto International Film Festival winner Marion Bridge. She launched her first novel, Claremont (Linda Leith Publishing), earlier this year.

CA-T co-president Lee Parpart moderated the discussion and Q&A session. She guided an enlightening conversation focused on writing for both screen and page, and the differences between the two processes. Lee warmed up the audience for the featured discussion by showing video clips from Zoe and Wiebke’s film and TV work. Wiebke shared a trailer for The Saver, a drama she wrote and directed about an orphaned teenager with a desire to build a new life using a self-help book she found at her cleaning job. The tone switched gears when Zoe contributed a short skit called “Buffin’ Your Muffin” that aired on Baroness von Sketch Show and captured oodles of laughs from the audience.

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Editing Comics: From Concept to Publication with Steven Andrews, Allison O’Toole, and Megan Kearney

"Editing Comics: From Concept to Publication" October 22 program flyer

Date: Tuesday, October 22, 7:00 – 9:30 pm
Location: Viola Desmond Room (3rd floor) at the Centre for Social Innovation (CSI), 192 Spadina Ave.
Map: goo.gl/maps/VRvEPVLumjmuHWbz8

On Tuesday, October 22, Steven Andrews, Allison O’Toole, and Megan Kearney, each a force in the Canadian comic publishing industry, join us for a panel discussion that will introduce us to how independent comics are created and the role an editor plays in the process.

Enter the world of comics in this deep-dive discussion on how editors work with text and images and find their way into this expanding field, and how newcomers can build their comic editing skills with award-winning freelance comics editor Allison O’Toole. Acclaimed cartoonist Megan Kearney will take us through an illustrator’s role and their relationship with editors, and Steven Andrews will provide insight into the production of self-published comic anthologies.

The evening will conclude with a Q&A session with our panellists.

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From Screen to Page and Back: In Conversation with Zoe Whittall and Wiebke von Carolsfeld

2019-09-24 program promoTuesday, September 24, 7:30–9:30 pm

Leslie L. Dan Pharmacy Building, 144 College St., Room B150, Toronto

Map: http://map.utoronto.ca/building/161

Co-presented by Editors Toronto, Canadian Authors–Toronto, and the Creative Writing Program at the School of Continuing Studies, University of Toronto (UofT).

Our first joint program meeting of the 2019–20 season will feature a conversation about books and movies with two of the brightest lights in Canadian film, TV, and book publishing. Multiple award-winning writer Zoe Whittall and renowned film editor, director, and now novelist Wiebke von Carolsfeld will read from their novels, show clips from their film and TV work, and share stories about what it’s like to write, edit, and be edited across different media.

Have you ever wondered how some writers manage to do it all, publishing novels, stories, and sometimes poetry, while also writing, directing, or editing for film and TV? What kind of versatility, skills, and industry knowledge are required to move fluidly between page and screen? What can writers, filmmakers, and editors learn from those who thrive on such border crossings? Zoe and Wiebke will address these and other questions in a wide-ranging discussion moderated by writer, editor, and arts critic Lee Parpart, whose career has taken her from newspapers to film studies classrooms and hybrid publishing.

Admission is FREE for members of Canadian Authors–Toronto, members of Editors Toronto, and students and affiliates of the Creative Writing Program at the School of Continuing Studies, University of Toronto. General admission is $10 ($5 for students).

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How to Find Freelance Editing Work: A recap

by Celina Fazio

Greg Ioannou giving presentation on "How to find freelance editing work" for the Editors Toronto April program

The April program meeting featured Editors Canada co-founder Greg Ioannou. The topic of the evening was finding freelance work, and, in addition to listening to Ioannou’s talk, attendees had the pleasure of viewing a series of short video presentations by four freelance editors: Jahleen Turnbull-Sousa, Susannah Noel, Adrienne Montgomerie, and Carolyn Camilleri.

These guests shared some tips and strategies on how to generate freelance editing work and illuminated the variety of sectors that editors work in—everywhere from trade publishing to government branches. The question addressed was, how do we connect editors with people who need work edited?

Jahleen Turnbull-Sousa spoke about the importance of not being shy and reaching out to online networks: social media platforms are great places to meet people and connect with other professionals in the industry. Maintaining a presence online makes you easily discoverable by people looking for editorial services. She also discussed cold emailing ideal clients—in addition to the possibility of getting work, cold calling gets your name out and recognized. Turnbull-Sousa also suggested trying mentorship programs, such as the one that Editors Canada offers, to work closely with someone in the industry who can share their experiences and expertise. Finally, Turnbull-Sousa shared her number one tip: volunteering! By offering your skills and services for the greater good, you not only gain valuable experience, but also express your interest in becoming more involved in the editorial field.

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