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From Screen to Page and Back: In Conversation with Zoe Whittall and Wiebke von Carolsfeld

2019-09-24 program promoTuesday, September 24, 7:30–9:30 pm

Leslie L. Dan Pharmacy Building, 144 College St., Room B150, Toronto

Map: http://map.utoronto.ca/building/161

Co-presented by Editors Toronto, Canadian Authors–Toronto, and the Creative Writing Program at the School of Continuing Studies, University of Toronto (UofT).

Our first joint program meeting of the 2019–20 season will feature a conversation about books and movies with two of the brightest lights in Canadian film, TV, and book publishing. Multiple award-winning writer Zoe Whittall and renowned film editor, director, and now novelist Wiebke von Carolsfeld will read from their novels, show clips from their film and TV work, and share stories about what it’s like to write, edit, and be edited across different media.

Have you ever wondered how some writers manage to do it all, publishing novels, stories, and sometimes poetry, while also writing, directing, or editing for film and TV? What kind of versatility, skills, and industry knowledge are required to move fluidly between page and screen? What can writers, filmmakers, and editors learn from those who thrive on such border crossings? Zoe and Wiebke will address these and other questions in a wide-ranging discussion moderated by writer, editor, and arts critic Lee Parpart, whose career has taken her from newspapers to film studies classrooms and hybrid publishing.

Admission is FREE for members of Canadian Authors–Toronto, members of Editors Toronto, and students and affiliates of the Creative Writing Program at the School of Continuing Studies, University of Toronto. General admission is $10 ($5 for students).

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Editor for Life: Alexandra Leggat, publisher and editor of Two Wolves Press

Interview conducted by Adrineh Der-Boghossian.

A career as an editor is often a solo adventure, especially if you’re a freelancer. So we thought one way to better connect with fellow editors was to ask them the W5: who, what, where, when, and why. Read on for some thought-provoking, enlightening tidbits from those of us who choose to work with words to earn our keep.

Alexandra Leggat

Please tell us a little about yourself, the kind of work you do (and where you live), and how long you’ve been an editor.

I live in West Hill [a neighbourhood in Toronto] with my partner, musician Cameron Watters, and my Alaskan malamute, Lupa. I am an author and an editor, a creative writing instructor, and a tutor, and I play in a band called Pineville. I’ve been editing for years. I used to be the managing editor of Write Magazine, even before the publication of my first book. As a creative writing instructor and final project supervisor at the University of Toronto School of Continuing Studies, I have been editing students’ writing for the past 11 years. As a freelancer, I edit manuscripts for various independent clients, and two years ago I started my own small publishing house called Two Wolves Press. I am the publisher and the editor and have had the privilege of editing and publishing Aileen Santo’s debut novel Someone Like You and highly acclaimed poet Catherine Graham’s award-winning debut novel Quarry.

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An Evening with Friends — Recap of Sound Mind: A Celebration of Mindfulness and Mental Health through Fiction, Memoir, and Music

By B.A. Tanner

A piece of paper with the word "mindfulness" on it leaning against a window

On the Thursday evening of March 28, room 1050 of the Earth Sciences Centre at University of Toronto (UofT) swelled with the comforting sounds of meditative gong notes, honest conversation, and an impressive cello performance.

Sharing the stage were Ranjini George, Rebecca Higgins, and Erika Nielsen, once again bringing together Editors Toronto, Canadian Authors–Toronto, and the Creative Writing Program at the School of Continuing Studies, University of Toronto (SCS–UofT), to deliver an inspirational and informative panel discussion. These three talented women used their life experiences to tackle the tough subject matter of mental health and wellness as it applies to freelance artists.

The program started with an introduction by Lee Parpart, programs chair of Editors Toronto and co-president of Canadian Authors–Toronto, then moved to the first speaker of the night: Ranjini George, who teaches courses on mindfulness, meditation, and creative writing at the SCS–UofT.

Ranjini addressed the need for freelance writers, editors, and artists to foster mental and physical well-being while they manage numerous projects with various deadlines. Referencing the stories from her 2016 book Through My Mother’s Window: Emirati Women Tell their Stories and Recipes, she talked about her own experiences working in the field of mental wellness and encouraged everyone to practise mindfulness regularly. Ranjini explained how sound can be used to help centre the self and control our continuous wave of thoughts. Treating the crowd to the sounding of the gong, combined with several moments of meditation and deep breathing, she left us with the simple but powerful reminder to “Breathe. Be present.”

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A Conversation with Esi Edugyan and her editors: Another successful collaboration between Editors Toronto, Canadian Authors–Toronto, and University of Toronto

By Raya P. Morrison

In January, Editors Toronto, Canadian Authors–Toronto, and the Creative Writing program at the University of Toronto (UofT) School of Continuing Studies struck gold, bringing Esi Edugyan, two-time winner of the Giller Prize, for Half-Blood Blues (2011) and Washington Black (2018), to speak in front of a packed audience of writers and editors. The brilliant Edugyan took the stage along with four of her editors—Patrick Crean, Marie-Lynn Hammond, John Sweet, and Jane Warren—to discuss their collaborations and the editing process.

The event, which took place at UofT’s Sidney Smith Hall, started with an introduction by Lee Parpart, program chair at Editors Toronto, and was followed by Edugyan reading the opening passage from Half-Blood Blues. The audience was then treated to a fascinating behind-the-scenes look into the editorial process as structural editor Jane Warren and copy editor Marie-Lynn Hammond shed light on the different stages of editing, from the first structural edit to the minutia of copy editing.

Here is a short video of Jane Warren discussing the crucial part a structural editor plays in shaping a novel, and how honoured she was “to work on something that’s going to be read and re-read for the decades to come.”

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Winning Two Gillers: A Conversation with Esi Edugyan and Her Editors

Flyer for event "Winning Two Gillers: A Conversation with Esi Edugyan and Her Editors"

When: Tuesday, January 22, 7–9 pm

Where: University of Toronto, Sidney Smith Hall (amphitheatre), 100 St. George St., (Room 2102) 

Co-presented by Editors Toronto, Canadian Authors–Toronto, and the Creative Writing Program at the School of Continuing Studies (SCS), University of Toronto

This special event will bring acclaimed novelist Esi Edugyan together with four of her editors — Patrick CreanMarie-Lynn Hammond, John Sweet, and Jane Warren — for a discussion about the writing and editing of Ms. Edugyan’s two Giller Prize–winning novels, Half-Blood Blues (2011) and Washington Black (2018).

Have you wondered what it’s like, editorially speaking, to work with an author who has won not one but two Giller Prizes? Would you like to know more about the author-editor relationship on these celebrated books? Esi Edugyan and her panel of accomplished editors will address issues such as these during their talks and the Q&A.

We’ll hear from editors Patrick Crean, Marie-Lynn Hammond, and Jane Warren about the scrambling that ensued when Key Porter Books, the original publisher for Half-Blood Blues, closed down during the edit. And we’ll find out why Montreal editor John Sweet is still talking about the amazing experience he had copy editing Washington Black for HarperCollins imprint Patrick Crean Editions.

This event will feature a reading and a brief talk about the author-editor relationship by Ms. Edugyan and short presentations from her editors, followed by a Q&A. We’ll close the event with a raffle, and time will be allowed for Ms. Edugyan to sign books.

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An evening with Michael Redhill and Martha Kanya-Forstner

By Joanne Haskins

Editors Toronto hosted a special branch meeting in January, when acclaimed author Michael Redhill took the stage with his editor, Martha Kanya-Forstner, to discuss the writing and editing of Bellevue Square, the 2017 Scotiabank Giller Prize winner.

Redhill’s novels include Consolation (longlisted for the Man Booker Prize) and Martin Sloane (a finalist for the Giller Prize). He has written a novel for young adults, four collections of poetry and two plays. Redhill also writes a series of crime novels under the name Inger Ash Wolfe and is an editor and Editors Canada member. Kanya-Forstner is editor-in-chief for both Doubleday Canada and McClelland & Stewart. Along with Redhill’s prizewinner, she’s edited David Chariandy’s novel Brother, which won the Rogers Writers’ Trust Fiction Prize, and James Maskalyk’s Life on the Ground Floor, winner of the Hilary Weston Writers’ Trust Prize for Nonfiction.

There were few empty seats and the audience of writers, writing students and editors anticipated an enlightening discussion as two of the most highly regarded figures in Canadian literature today promised to reveal the ins and outs of the editor-writer working relationship. The biggest takeaway of the evening for editors was “Ask questions.”

After introductions of both Redhill and Kanya-Forstner, each discussed their process as writer/writer-editor, and editor. The respect they had for each other was evident throughout the discussion as they listened carefully to one another, built upon each other’s responses, and focused on each other’s strengths and abilities to bring the best of the writer’s words to the page. (more…)