Editor for Life: Jeanne McKane, freelance editor, co-chair of the Editors Canada Certification Steering Committee, and 2017 recipient of the Lee d’Anjou Volunteer of the Year award
Interview conducted by Jennifer D. Foster
A career as an editor is often a solo adventure, especially if you’re a freelancer. So we thought one way to better connect with fellow editors was to ask them the W5: who, what, where, when, and why. Read on for some thought-provoking, enlightening tidbits from those of us who choose to work with words to earn our keep.
Jeanne, please tell us a little about yourself, the kind of work you do (where you live), and how long you’ve been an editor.
I have been an editor for 21 years (gulp), and a freelancer for 16 of those (whoa). My first-ever paid work in editing was as a proofreader for a small company that publishes travel trade magazines. It was spectacular training ground: an endless supply of proofreading, and a production manager who wanted an apprentice, so I was able to learn a great deal about print production. From there, I worked in publications at the Canadian Diabetes Association, and when another staff member left, I suddenly became managing editor of their medical journal! I didn’t know much about the world of journal publishing, so it was a real trial by fire, but that job turned into another job in medical editing, which led to a freelance career specializing in medical and science editing, and I absolutely love it. Now I work with government, non-profit organizations, journal publishers, corporations and individual authors to improve the quality of science communication. My favourite thing is to help people prepare their journal articles for publication, particularly people whose first language is not English. Sort of an odd career path for someone who studied English, Celtic Studies, and Scottish Literature, but you never know where life will take you!
My work in science editing got me very interested in certification, because I work so much with doctors, nurses, and people in other regulated professions. Early in my career, I was very glad to find the Board of Editors in the Life Sciences, which runs a certification program for science editors, so I took their exam as soon as I was eligible. Not long after that, Editors Canada launched its certification program, and I jumped at the chance to do that, too. I have appreciated the chance to test my editorial skills against the standards set by two national-level organizations. As well, both certifications have been really valuable in my everyday work: they allow me to present myself to clients as a specialist in another field, which creates a very different working relationship. (more…)
Knowing how to use WordPress is an empowering and essential business skill in today’s world of writing, editing, collaborating and publishing online content. This is a four-part webinar series that will teach you how to use WordPress, the world’s leading content management system and blogging platform. It’s ideal for writers, editors, and anyone who needs to have a website or blog.
The four webinars are:
- WordPress at 10,000
- Building Your Site: Beyond The Basics
- All About Blogging
- Plugins: The Apps That Make WP Useful
This series is foundational and practical and covers everything that you need to know—no matter what type of website you wish to make. By attending this webinar series, you will be able to create a WordPress site.
Taking this series entitles you to a free WordPress site to practise what you’ll be learning.
This webinar is geared to editorial and communication professionals who are at any stage of their career, but who have little to no knowledge of WordPress.
Presenter: Bud Kraus
Dates: Wednesday, December 6; Thursday, December 7; Monday, December 11; and Tuesday, December 12
Time: 12 p.m., EST / 9 a.m., PST
Length: Four 75-min. sessions
Member price: $192.50
Non-member price: $275
Bud Kraus has been teaching WordPress online and in NYC classrooms for many years. His WordPress series has been presented over the past few years for the Editorial Freelancers Association. Follow him on Twitter.
The Nitpicker’s Nook is a monthly collection of language-related articles, interviews, blog posts, and podcasts. If you read or hear something that would make a good addition, email your suggestion to [email protected].
By Carol Harrison
Need a five-minute break from hacking and chopping and cursing the English language? Open Culture features a short lesson by Yale linguistics professor Claire Bowern on the roots of English. A sweet, simple, and smart TED Talk, cheekily animated by Patrick Smith.
Speaking of roots, The Independent’s Natasha Salmon reports on how the French language is facing a backlash on gender-neutral words.
I’m a big fan of Words to that Effect, “a literary podcast of the intriguing, the curious, and the unexplored” hosted by Conor Reid from Dublin, Ireland. In episode 9, “Imaginary Countries and the Ruritanian Romance,” Conor talks about making up place names. Lovely stuff!
And for those days when you’ve run so low on dilithium crystals that your flux capacitor just goes kablooey, consider listening to “Technobabble” on Imaginary Words. In this episode, scientists and screenwriters team up to get the words right. It’s the droid you’re looking for.
Carol Harrison is editor-in-chief of BoldFace and quality assurance specialist at CPA Canada. When she isn’t focusing on words, she’s focusing her Nikon D3200.
This article was copy edited by Afara Kimkeran.
As an editor, do you want to know more about cutting-edge developments in multimedia, including print-based storytelling combined with new work in 360-degree photography and Virtual Reality? Are you looking for ways to adapt your skills and experience to an increasingly multimedia publishing industry by learning how to think and edit across multiple platforms? Join us on November 28 for an exciting panel discussion led by four experienced editors whose work combines various aspects of print, digital, audio, and video content. Andrew Tolson (Rogers Media), Katie Underwood (Chatelaine), Anne-Marie Jackson (Toronto Star), and Jennifer Albert (Colborne Communications) will discuss their work on the digital and audiovisual side of formerly print-only publications, and address a wide range of issues related to industry-wide shifts from print to multimedia production.
New this month: fabulous prizes!
Editors Toronto raffle: $1 per ticket.
This month’s prizes: two copies of Michael Redhill’s 2017 Scotiabank Giller Prize–winning novel, Bellevue Square; two 2017 general admission passes to the Art Gallery of Ontario, and a smattering of office supplies.
Remember to pocket a loonie before you leave the house!
All raffle proceeds will be donated to a literacy charity selected by the Editors Toronto executive committee.
FOR IMMEDIATE RELEASE
Toronto, November 21, 2017—The Editors’ Association of Canada (Editors Canada) congratulates member Michael Redhill, winner of the 2017 Scotiabank Giller Prize for Bellevue Square.
Bellevue Square is a darkly comic literary thriller about a woman who fears for her sanity and eventually her life when she learns that her doppelganger has appeared in a local park.
Redhill is an award-winning poet, playwright, short-story writer and novelist, and a member of Editors Toronto. He gave the keynote address at Editors Canada’s 2010 national conference in Montreal, where his clever speech kept the audience laughing (and the interpreters jumping).
Last night, Redhill’s address to the audience in attendance at the gala at the Ritz-Carlton Toronto was an emotional one. He thanked Michael Ondaatje and Linda Spalding who “over 30 years ago…opened their door to me and I’m grateful for the enthusiasm and encouragement they brought to my life.”
He went on to thank his mother. “Our house was full of books because of [her]. Because of her love of reading, I wanted to make her books,” he said.
The $100,000 Scotiabank Giller Prize is the richest literary award for a work of fiction in Canada. The prize has been awarded annually since 1994. It was founded by the late Jack Rabinovitch to honour his wife, the journalist Doris Giller, who died a year earlier. Rabinovitch died this year at the age of 87.
An editor all his life, Redhill is no stranger to the “best supporting actor” role that goes along with this invisible art in publishing. Earlier this year, he posted on Facebook looking for editing work. “The ends, they do not meet,” he wrote.
“The ends are going to meet for a while now,” he joked after winning the prize.
Born in Maryland in 1966, Redhill has lived in Canada for most of his life. His career formally began in the early nineties at Coach House Press. He taught “Editing Poetry” at Ryerson University and is the author of the novels Consolation, longlisted for the Man Booker Prize, and Martin Sloane, a finalist for the Giller Prize. He has written a novel for young adults, four collections of poetry and two plays, including the internationally celebrated Goodness. He also writes a series of crime novels under the name Inger Ash Wolfe. He lives in Toronto.
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About Editors Canada
Editors Canada began in 1979 as the Freelance Editors’ Association of Canada to promote and maintain high standards of editing. In 1994, the word “Freelance” was dropped to reflect the association’s expanding focus to serve both freelance and in-house editors. As Canada’s only national editorial association, it is the hub for 1,300 members and affiliates, both salaried and freelance, who work in the corporate, technical, government, not-for-profit and publishing sectors. The association’s professional development programs and services include professional certification, an annual conference, seminars, webinars, guidelines for fair pay and working conditions, and networking with other associations. Editors Canada has five regional branches: British Columbia; Saskatchewan; Toronto; Ottawa–Gatineau; and Quebec/Atlantic Canada, as well as smaller branches (called twigs) in Calgary, Edmonton, Manitoba, Kitchener-Waterloo-Guelph, Hamilton/Halton, Kingston, Nova Scotia, and Newfoundland and Labrador.
By Michelle Waitzman
Working in front of a computer monitor all day, as most editors do, takes a toll on your eyes. Here are some tips on how to reduce the eye strain that can lead to fatigue, headaches, dry eyes, and loss of concentration.
Beware of Glare
Glare is caused by light reflecting off your monitor and into your eyes. It can come from your windows or from light fixtures and lamps. Glare makes it harder to read your documents, reduces contrast, and can reflect bright spots into your eyes causing you to squint. It’s best to reduce glare at the source, but if that isn’t possible you can purchase an anti-glare screen to attach to your monitor.
Glare from daylight can usually be fixed by moving your monitor to a better position. Your monitor should be perpendicular to the window in the room, so that the daylight hits it from the side. Placing your monitor in front of the window will cause the backlighting to be too strong, which makes your monitor appear dark. Placing your monitor across from the window will cause the most direct glare.
Even with the monitor angled correctly to the window, glare can be an issue when the sun is low in the sky. Curtains or blinds are the best way to control the amount of daylight entering the room. (more…)
by Michelle Waitzman
When you’re self-employed, saving for retirement is anything but simple. There’s no employee pension, no group RRSPs, and no steady paycheque to count on. I sat down with Aldwin Chin, a financial advisor with Edward Jones in Toronto, to get his insights on how to save for retirement as a freelancer. This is a very general overview, but you can use the links at the end of the article to find more information.
How much of my income should I be saving?
You need to prioritize your money to figure out how much you can and should save. Most freelancers should allocate their income like this:
- Pay for your current living and business expenses.
- Save three to six months’ living expenses in case of emergency or lack of work.
- Anything that’s left should go into long-term savings and investments for retirement or for other major expenses.