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Author Archives: Editors Toronto

How to Find Freelance Editing Work

When: Tuesday, April 23, 7:30–9:30 pm

Where: Centre for Social Innovation (CSI) Spadina, 192 Spadina Ave., Third Floor, Room F

For the penultimate program meeting of 2018–19, we are pleased to feature publisher and Editors Canada co-founder Greg Ioannou, who will speak about how freelancers can generate work, and what Editors Canada plans to do to help freelancers find jobs in today’s evolving marketplace. We’re also treating members to a specially curated collection of short video presentations, by a diverse group of editors adept at generating freelance work. Please join us for what will surely be an informative program devoted to the practical and business side of the editing profession.

More about our speaker:

Greg IoannouGreg Ioannou has a long history in publishing. He’s worked on well over 3,000 books, on topics ranging from cannibalism to vegetarian cuisine, and from science fiction to how to design a helicopter. He’s taught publishing at Ryerson University, George Brown College, and elsewhere, and served four terms as president of Editors Canada. He is the CEO of Colborne Communications, a writing and editing company, and president of the Toronto hybrid publisher Iguana Books. Through Colborne, Greg and his team have worked on everything from websites and self-published books to board games and government reports. As a hybrid publisher, Greg has helped more than 100 authors publish top-quality books in genres ranging from mysteries to political thrillers to humour, and in 2018, Iguana Books co-published with Canadian Authors Association the first in a series of planned anthologies of new Canadian writing.

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Book Review: Nabokov’s Favorite Word Is Mauve by Ben Blatt

By Michelle Waitzman

Cover of Nabokov’s Favorite Word Is Mauve by Ben BlattCan you tell whether a book was written by a man or a woman, based only on the words the author used? Is the road to hell (or at least to bad writing) paved with adverbs, as Stephen King once claimed? Do American authors write “louder” than British authors? If you’re intrigued by these questions, Nabokov’s Favorite Word Is Mauve will satisfy your curiosity.

Author Ben Blatt uses data journalism to apply statistical analysis to a wide variety of topics. In this book, literary works and bestselling fiction are subjected to his big-data approach, often with surprising results. While this isn’t meant to be an instructional book by any stretch of the imagination, writers and editors might find some of the takeaways applicable to their own work. His statistics on sentence length, repetition, gender balance, and other topics may give readers some additional things to think about when they write or evaluate a novel. But generally, Nabokov’s Favorite Word Is Mauve is simply an interesting and unusual way to look at writing.

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A Conversation with Esi Edugyan and her editors: Another successful collaboration between Editors Toronto, Canadian Authors–Toronto, and University of Toronto

By Raya P. Morrison

In January, Editors Toronto, Canadian Authors–Toronto, and the Creative Writing program at the University of Toronto (UofT) School of Continuing Studies struck gold, bringing Esi Edugyan, two-time winner of the Giller Prize, for Half-Blood Blues (2011) and Washington Black (2018), to speak in front of a packed audience of writers and editors. The brilliant Edugyan took the stage along with four of her editors—Patrick Crean, Marie-Lynn Hammond, John Sweet, and Jane Warren—to discuss their collaborations and the editing process.

The event, which took place at UofT’s Sidney Smith Hall, started with an introduction by Lee Parpart, program chair at Editors Toronto, and was followed by Edugyan reading the opening passage from Half-Blood Blues. The audience was then treated to a fascinating behind-the-scenes look into the editorial process as structural editor Jane Warren and copy editor Marie-Lynn Hammond shed light on the different stages of editing, from the first structural edit to the minutia of copy editing.

Here is a short video of Jane Warren discussing the crucial part a structural editor plays in shaping a novel, and how honoured she was “to work on something that’s going to be read and re-read for the decades to come.”

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Editor for Life: Carolyn Camilleri, editor and writer

Interview conducted by Jennifer D. Foster.

A career as an editor is often a solo adventure, especially if you’re a freelancer. So we thought one way to better connect with fellow editors was to ask them the W5: who, what, where, when, and why. Read on for some thought-provoking, enlightening tidbits from those of us who choose to work with words to earn our keep.

Photo of Carolyn Camilleri

Please tell us a little about yourself, the kind of work you do (and where you live), and how long you’ve been an editor.

I am a freelance writer and editor based mostly in Toronto but also in Victoria. I have been doing this work since 1996, and I have been self-employed since 1998. I write for and edit magazines, mostly custom and trade publications now, but I have a few consumer magazines on my resumé. I especially enjoy launching and rebranding publications; it’s a lot of work, but it’s exciting and fun. I also help businesses with websites, marketing materials, and anything else they have that might need new words or better words.

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Editors Unplugged: Get to know our panellists for Sound Mind: A Celebration of Mindfulness and Mental Health through Fiction, Memoir, and Music

Interviews conducted by Catherine Dorton.

Our popular monthly program meetings often feature a jam-packed agenda. We like to keep our introductions short, so you can hear more from our panellists and less from us! It’s hard to do justice to the incredible wealth of experience these guests bring to the table, so we are offering you a preview with this short Q&A beforehand. 

This month, we are honoured to be joined by Ranjini George, Rebecca Higgins, and Erika Nielsen.

Photo of Ranjini George by Fred Loek for Mississauga News

Photo of Ranjini George by Fred Loek for Mississauga News

Ranjini George 

We hear you use a gong. What’s that for?

Sound is a wonderful way to centre oneself and move beyond the carousel of non-stop thoughts. It is a way to be present to the Now, the Present Moment. The gong is a way of coming home to oneself. I love the words of Zen master Thích Nhất Hạnh regarding the bell/gong: “Listen, listen to the sound of the bell that calls you back to your true home.”

Try this: If you walk by the lake, listen to the sound of the waves. If you’re taking a neighbourhood walk (yes, spring is here!), listen to the sound of the birds. Notice your breath. Feel your feet on the earth. Breathe. Be present.

Listen to the lovely bell chant offered by the Plum Village community.

Why do writers and editors need mindfulness training?

I think it’s not just writers or editors who need mindfulness training. I think mindfulness is something that can help anyone. We enter this life with our first breath and transition from it with our last. So, we always have our breath.

Mindfulness is a way of using our breath—it is a way of being awake to our lives. Mindfulness is a practice: it is a simple and profound way of creating peace in our hearts. In our work as editors or writers, mindfulness helps create focus and clarity. We can bring the energy of mindfulness into our home, our workplace, and the world.

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Sound Mind: A Celebration of Mindfulness and Mental Health through Fiction, Memoir, and Music

When: Thursday, March 28, 7:30–9:30 PM

Where: Room 1050, Earth Sciences Centre, 33 Willcocks St., University of Toronto

Important notice: This month’s program meeting will take place on Thursday, March 28, not on our usual date of the fourth Tuesday of the month. Please mark your calendars. The location is also different this month as we’re meeting at the University of Toronto (UofT). We’ll return to the Centre for Social Innovation (CSI) Spadina for our April 23 meeting on poetry editing.

Graphic with photos of three speakers at March 28 program meeting titled "Sound Mind: A Celebration of Mindfulness and Mental Health through Fiction, Memoir, and Music"

Sound Mind: A Celebration of Mindfulness and Mental Health through Fiction, Memoir, and Music is geared to helping cultural producers across a variety of fields (including writers, editors, visual artists, and musicians) learn about mental health challenges and adopt new strategies for wellness, mindfulness, and creativity. Participants will have the opportunity to engage in a mindfulness session at the beginning and end of this event.

This special event is a joint production of Editors Toronto; Canadian Authors–Toronto; and the Creative Writing Program at the School of Continuing Studies, University of Toronto.

Our featured guests this month are Ranjini George, Rebecca Higgins, and Erika Nielsen.

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Book Review: Cite Right (3rd ed.) by Charles Lipson

By Summer Cowley

Cover of Cite Right, Third Edition by Charles Lipson

As an editor with editor friends, I find myself often reading works by authors who use citation styles other than the ones I regularly use in my own writing. Even though I become more comfortable with different styles every time I see them, many styles are unfamiliar in my APA-dominated world of the social sciences. Many times, I have wished there were an easier and more reliable way to quickly learn citation styles than running internet searches. Luckily, I’ve recently found Cite Right: A Quick Guide to Citation Styles—MLA, APA, Chicago, the Sciences, Professions, and More (2018) by Charles Lipson.

Cite Right is a short book (180 pages) in which Lipson provides summary explanations and examples of many citation styles. The book is divided into two general sections: “Citations: An Overview,” which contains introductory material and a general explanation of the practice of citing, and “Citations in Every Format: A Quick Guide,” which addresses Chicago/Turabian, MLA, APA, CSE, AMA, ACS, AIP for physics/astrophysics/astronomy, and mathematics/computer science/engineering citation styles.

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Editor for Life: JF Garrard, Deputy Editor for Ricepaper Magazine

Interview conducted by Jennifer D. Foster.

A career as an editor is often a solo adventure, especially if you’re a freelancer. So we thought one way to better connect with fellow editors was to ask them the W5: who, what, where, when, and why. Read on for some thought-provoking, enlightening tidbits from those of us who choose to work with words to earn our keep.

Please tell us a little about yourself, the kind of work you do (and where you live), and how long you’ve been an editor.

I’m a publisher and writer of speculative fiction, based in Toronto. I fell into editing in 2014 when Derwin Mak (fellow writer/editor) told me that an Asian-Canadian magazine called Ricepaper Magazine wanted to create a speculative fiction issue but didn’t have enough people to do it. I volunteered to help, and we edited an issue together in record time! In 2017, I was recruited by Ricepaper to help with writing film reviews, marketing, and coordinating events. In 2018, my role progressed to editorial and administrative work. My tasks now involve editing, interviewing potential editors, networking, coordinating events, and leading the production work for books and magazines. In parallel timelines, for my own press, Dark Helix Press, I began working on different anthology projects with editorial teams. Over time, I’ve learned a lot from leading projects and working with many diverse editors on magazine and book production. At the moment, I’m also in the middle of finishing up courses for a creative writing certificate from Ryerson University.

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