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Book Review: Boss Bitch by Nicole Lapin

Boss Bitch

(Crown, 2017)

By Alethea Spiridon

 

Nicole Lapin knows what she’s talking about. She’s a wildly successful career woman who has blazed a path for herself as both a businesswoman (launching the CASH Smartwatch) and as a news anchor for CNN and CNBC. A boss bitch is the “she-ro” of her own story, Lapin writes on page 1 of the book: “She is the heroine who doesn’t need saving because she has her own shit handled. I became a Boss Bitch by embracing being a ‘boss’ in all aspects of the word.”

 

That opening sets the tone and pace for this marvellous book that will no doubt empower women who need a nudge, or even an all-out kick in the butt, to take their career—and life—to the next level, and to be as successful as wanted and needed. Lapin’s tone is forthright and honest, and girlfriend to girlfriend, something she says at the outset is exactly how she intends it to be.

 

Her voice and approach make the content relatable and easy to digest; it’s like going for drinks with a great friend who has your back, but calls you out on your nonsense because all she wants is the best for you. Lapin has plenty of insights to share that can really help women get back on track or consider what track to finally take to become the Boss Bitch in their own lives.

 

Though the book promises a “12-Step Plan to Take Charge of Your Career” it really isn’t a 12-step approach because not all steps will apply to all women. The steps are divided into three sections: Being the Boss of You, Being the Boss at Work, and Being the Boss of Your Own Business. This is the book’s only failing. Although many women will fall into one of these categories, it seemed as though there would be a 12-step outline you should follow to become a Boss Bitch. But no. This is a little misleading, but not enough to condemn the book as a whole. Boss Bitch contains hidden gems of advice given throughout and offers much valuable insight and advice for every woman at whatever stage of her career she is in.

 

One of the book’s best aspects is what Lapin calls the “Bottom Line”, offered at the end of each chapter, tackling a piece of conventional wisdom, then giving it her spin on the “Real Deal.” The real deal is her no sugar-coating take on the situation presented, and she shows how the conventional wisdom of the topic at hand may or may not be accurate. For example, one piece of conventional wisdom is that assertive women are overbearing. Her first response to this, her Real Deal reply? “Hell no.” These insights alone, as well as the Bitch Tips and Confessions of a Boss Bitch sprinkled throughout each chapter, are worth the price of the book alone.

 

She holds nothing back, from revealing her salary level along the course of her career, to personal anecdotes of failure, to how she got back up and learned from those experiences. Her strength of character and steadfastness in her desire to succeed is utterly infectious and is sure to inspire the women who take the time to invest in themselves by reading her book. Boss Bitch is a manifesto of sorts on how to achieve your best self and best life without compromising your values, ethics, and true desires.

Alethea Spiridon is a writer and editor in Southern Ontario. Her first book, Kissing Strangers: How to Online Date Like a Boss is out now and available on Amazon. [www.freelanceeditor.ca]

This article was copy edited by Nicole North.

Reporting back on new directions in self-publishing: A summary of challenges, opportunities and resources

Editors Toronto paired with PWAC Toronto Chapter to present a panel on self-publishing. The following post is from the PWAC Toronto Chapter blog,  Networds. Thanks to editor Suzanne Bowness for giving BoldFace permission to share the post.

by Suzanne Bowness

PWAC Toronto chapter president Karen Luttrell introduces the panel

If you’re one of the unfortunate PWAC members who couldn’t make it to the self-publishing panel held on March 27, which was co-organized by PWAC Toronto Chapter and Editors Toronto, you’re in luck: I took notes for you. It’s not quite the same as being there, but here are a few tips and images to give you a flavour of the event.

If there were a quote to summarize the evening, perhaps it was one of the first to be projected on the big screen in the University of Toronto (U of T) lecture hall, where we all gathered:

“Self-publishing used to be a scar; now it’s a tattoo.”

That’s from Greg Cope White, author of The Pink Marine: One Boy’s Journey through Boot Camp to Manhood. I forgot to take a picture, but the quote still sticks in my mind days later.

Helpful slide of panellists’ names!

If the evening had a theme, it was how much has changed in the world of self-publishing, even in the last five years. Seriously, most panellists said those exact words or similar.

Hosted by the Creative Writing program at the School of Continuing Studies, U of T, the panel consisted of four industry pros, who all did a great job of dividing this big topic into digestible sections, providing a helpful mix of new information and personal anecdotes, which allowed their talks to flow together nicely. You can read the panellists’ biographies here, in our original post advertising the event. (more…)

Book review: What Next? by Dr. Barbara Moses

What Next?

by Karen Kemlo

Dr. Barbara Moses, known as “Canada’s career guru,” is a leading expert in work satisfaction and career success. This updated third edition of her best-selling book What Next? has something for anyone who is at a crossroads in their career or work life.

From millennials starting out in their job searches to more mature workers changing careers, this is a great step-by-step guide to making the next move. But be warned—it’s a big read with lots of homework in the form of self-assessment questions. Although likely meant to instill greater self-reflection, the detailed questions often bring the book and the reader to a full stop.

The early chapters discuss the notion of identifying one’s “core motivators” for seeking certain types of work. Based on her research, Moses has identified eight motivational types: sociability seekers, career builders, authenticity seekers, personal developers, novelty seekers, entrepreneurs, lifestylers, and stability seekers. The challenge, according to Moses, is “to find a work environment that provides the best possible match.”

It’s a unique approach to career guidance, something I wish I’d known about when starting out in the work world. Perhaps it would’ve focused my early job and education goals sooner. It might have also saved me the horror of dead-end and minimum-wage jobs. But I also know that my 20-year-old self would never have taken the time to fill out all of the questionnaires in this book.

Given the current job market, and the rise of part-time and precarious work, it seems unrealistic to assume that all workers will always have the ability to choose. Sometimes you have to take jobs and work with difficult people, simply in order to pay the bills. Life challenges, such as downsizing, divorce or illness get in the way of career goals.

What Next? is still a great resource for people at different stages in their careers and touches on some of the issues that everyone has to deal with at some point: how to overcome job burnout, how to deal with difficult bosses, what to do if you’re fired, how to write a resumé, and the benefits of networking. These chapters are shorter and less detailed than the ones on self-assessment and motivational types. As a consequence, the author—and the reader—spend more time inside the world of ideas and ideal jobs than in the real world of work.

Karen Kemlo is a freelance editor and writer in Toronto. 

This article was copy edited by Ellen Fleischer

Notes on New Directions in Self-Publishing

Editors Toronto paired with PWAC Toronto Chapter to present a panel on self-publishing. The following post is from freelance editor Michelle MacAlees’s blog Many thanks to Michelle for giving BoldFace permission to cross-post this post.

by Michelle MacAleese

“Self-publishing [used to be] a scar; now it’s a tattoo.”— Greg White

Last night [Tuesday, March 27, 2018]  four of Canada’s most savvy publishing professionals addressed the subject of new directions in self-publishing together with Editors Canada (Toronto branch)PWAC Toronto Chapter, and the U of T School of Continuing Education.

This morning I am reviewing my notes, and I share them here:

  • Many in the biz draw a distinction between self-published authors and hybrid-published authors; both are “independent,” but the self-published authors are a special breed, who understand art and business and (usually) gladly develop proficiency in all the technical and administrative details of the process.
  • Not surprisingly, options for authors continue to change rapidly. What worked best in 2011 is irrelevant today. Many quality companies offer publishing services and hybrid publishing deals. (Many companies will pretty much just steal your money. One must read up before signing up.)
  • The best publishing option for e-only genre fiction won’t be the same as for a debut hardcover business book. It’s a wide world of independent publishing.
  • Authors: If you don’t love technical things (formatting ebooks, working Amazon’s categories, tweaking descriptive copy), you probably won’t enjoy starting a publishing house of one.
  • Editors: Working with self-published authors is a specialty and those editors who are good at taking on that relationship and guiding the process are worth their weight in gold. (Isn’t it about time we begin to mentor each other in why this kind of author-editor relationship is unique, and how it borders on the agent role at times?)
  • Editors who already specialize in working with self-published authors: Let’s talk about how to partner with reputable publishing services companies as well as with other independent designers and book marketing professionals to launch great self-published books that sell!

Thanks to panelists Stephanie FyshMeghan BehseMark Leslie LefebvreNina Munteanu, and to my audience buddy Bronwyn Kienapple. Let’s keep sharing!

Editor for Life: Sandra O’Brien, editor of Canadian Children’s Book News

Interview conducted by Jennifer D. Foster
A career as an editor is often a solo adventure, especially if you’re a freelancer. So we thought one way to better connect with fellow editors was to ask them the W5: who, what, where, when, and why. Read on for some thought-provoking, enlightening tidbits from those of us who choose to work with words to earn our keep.

Sandra O'Brien

Sandra, please tell us a little about yourself, the kind of work you do (and where you live), and how long you’ve been an editor.

I’ve only been the editor of Canadian Children’s Book News since April 2016. It’s my dream job and one of two publications that the Canadian Children’s Book Centre produces. I work from home, which is in Ajax, Ontario, and I love being able to do that. I’m a wife and the mom of two university-aged kids and two furbabies—both Cavalier King Charles Spaniels.

As the editor of Book News, I choose and assign books to be reviewed by reviewers across the country, decide on and assign articles to be included in the magazine, juggle all sorts of deadlines, and, of course, edit the pieces we include in the magazine. I’m very fortunate that we have a copy editor who catches all the mistakes I don’t. I also work closely with Meghan Howe, the librarian at the Book Centre and our designer. And I read, read, read Canadian children’s literature. (more…)

Book Review: Making Sense: The Glamorous Story of English Grammar by David Crystal

Crystal against crystallization

by James Harbeck

(Oxford University Press, 2017) MAKING SENSE

How can we have crystal-clear language spoken by people with a crystal-clear understanding of how it works? For one thing, don’t try to crystallize it—just Crystal-ize. Making Sense: The Glamorous Story of English Grammar, by David Crystal, is for anyone who wants to get Crystal clarity on the function and uses of English. Crystal is a world-renowned British linguist, academic, and author. He is one of the leading lights of popularizing linguistic understanding; he has written, co-written, or edited more than 120 books, including the Cambridge Encyclopedia of Language, The Stories of English, Language and the Internet, and, most recently, a series of books beginning with Spell It Out: The Curious, Enthralling and Extraordinary Story of English Spelling, continuing with Making a Point: The Pernickety Story of English Punctuation, and now adding Making Sense, which gives us what is effectively an introductory course in English linguistics—syntax, morphology, semantics, pragmatics, and history—written for people who want something readable and usable. And he adds some extra details that you’re more likely to get in a course in effective writing.

It can be difficult to review a book that has nothing wrong with it. Honestly, in real life I would normally just say, “If you’re interested in grammar, read this book; if your work in any way involves grammar—and of course it does—read this book; even if you know a lot about grammar already, it will still be worth your time.” But let me give you some more details so you know why I’m recommending it. (more…)

Editor for Life: Jennifer Croll, editorial director of Greystone Books and author

Interview conducted by Jennifer D. Foster

A career as an editor is often a solo adventure, especially if you’re a freelancer. So, we thought one way to better connect with fellow editors was to ask them the W5: who, what, where, when, and why. Read on for some thought-provoking, enlightening tidbits from those of us who choose to work with words to earn our keep.

Jennifer Croll

 

Jennifer, please tell us a little about yourself, the kind of work you do (where you live), and how long you’ve been an editor.

I’m one of those odd birds who is both a writer and an editor, and I’ve been doing both professionally for about 14 years. I attended the master of publishing program at SFU, and after graduating my first jobs were in magazines—a field where it’s easy to both write and edit. I published my first book, Fashion That Changed the World, in 2014, and began working at Greystone Books in Vancouver soon after. I’m now Greystone’s editorial director, and spend my days editing and acquiring books and managing the editorial department. I write books at night, and will be publishing my third and fourth books in 2018 and 2019.

Who: If you could edit one famous author, living or dead, who would it be?

I’ll say Dorothy Parker. I’m sure she’d be a handful, but I’d get some stories out of it.

What: Do you have a favourite punctuation mark and/or a favourite word?

That’s a diplomatic question. Editors, from what I know, spend most of their time hating certain words and punctuation marks! I’ll offer you a favourite letter instead: ø. I just finished working on a book written by Norwegians, and I grew quite fond of the slashed o.

Where: If you could work anywhere in the world as an editor, where would that be?

From a luxurious mansion in the south of France, paid for with the millions of dollars I’ve made editing.

When: Was there ever a time in your life when you seriously questioned your career choice?

Yes—in the aftermath of the financial crisis in 2008, when I was freelancing and there was very little work. I’m very glad I didn’t retrain to become a dental hygienist.

Why: Why did you choose to become an editor? Or, should we ask: Why did editing choose you? 

 After I finished my undergrad degree, I moved to London, England, and looked for a job. It was the first time in my life I’d needed to consider my actual skill set. I saw a job posting for an editorial assistant, thought, “I could do that,” and applied. I had a job on my third day in the country, jet lag be damned. That pretty much settled my fate.

And, of course, we just had to ask the inevitable how: How would you sum up your motto?

Just like that 1970s poster featuring a kitten hanging on for dear life, “Hang in there.”

Jennifer D. Foster is a Toronto-based freelance editor and writer, specializing in book and custom publishing, magazines, and marketing and communications. She is also chair of Editors Toronto and administrative director of the Rowers Reading Series.

This article was copy edited by Nicole North.

 

 

Being a digital nomad: Or how to edit from the beach

Beach editing

Photo by Rachel Stuckey

By Rachel Stuckey

I’m a digital nomad. For years I’ve told anyone who asked that I was a writer and editor (even though editing pays most of my bills). But lately, the way I work has been more interesting than the work I actually do.

But I’m still getting used to saying “I’m a digital nomad” (and sometimes, I confess, I often use air quotes when I do say it). I know what “digital nomad” conjures up: visions of twenty-somethings with no job prospects and an unnatural attachment to their smartphones.

Air quotes aside, such visions are really just the surface of this cultural phenomenon. (And thanks to Insta-influencers and click-bait web content, that surface seems both beautiful and vacuous). But there are plenty of Gen Xers, Xennials, and even grown-up millennials doing marvellous and fascinating things on the road.

I’d like to think I’m one of the grown-up digital nomads. For the last several years, I’ve been seeking out new temporary homes for me and my editorial services business, sometimes spending months in one place and sometimes changing it up every few weeks.

In 2012, I was a burned-out freelancer looking for adventure. After months of preparation, I headed out on a trip around the world, with stops in Thailand, China, Cambodia, India, the UAE, Spain, France, Italy, and the UK before coming home nine months later. Everyone thought that might be it, adventure had.

But I wasn’t ready to settle back into the same old same old. And I’ve been on the move ever since, spending some months each year in Toronto and the rest of my time in Europe, South and Central America, Thailand, and Vietnam. In 2018, I’m returning to Thailand, and then on to Southern Africa.

This wanderlust may have begun as therapy for my tertiary life crisis. But over the last five years of living and working abroad and living and working in Toronto, I’ve realized that there is a strong economic argument for tackling our gig economy as a nomad. After several months living at home in TO again, my pocketbook is itching to get the heck out of Dodge! (Also, winter is coming, and I hate wearing socks and shoes.) (more…)